Hi - I recognize this is not about exotica, but since we have so many
vinyl hounds on this list, I hope you don't mind me asking the
following:
I have a Harmon-Kardon Festival 4, which is an all in one (Garrard
turntable, radio, cassette) unit, which I bought used. It seems to
play 12" records without a problem, but when I play 7" or 10"
records, the needle and tonearm hangup at the very end of the
record. In other words the arm is being pulled back toward the
beginning of the record, causing a skip.
I have the manual and have done the setup routine, even playing around
with the settings (I have scanned the relevant page in the manual, if
there is someone who would like to see it, but didn't want to attach
it to this posting as it might cause some download problems for some
people).
First, I set the tracking weight at 0 grams, move the counterweight to
approximately where the tonearm is parallel to the playing surface.
Then I tighten the set screw for the counterweight and turn the
counterweight until it gets as close to parallel as possible. I set
the tracking weight at 3 grams, as specified, and the anti-skate
countrol to between 2 and 4 (in other words 3, as it is supposed to
match the tracking weight). It seems if I move the counterweight
forward, this slightly lessens, but doesn't completely eliminate the
problem. I can't see anything mechanical that is causing the problem,
but I haven't taken apart the unit to see if there is an
obstruction/mechanical problem inside.
I don't want to play any records I care about on this unit until I can
hopefully resolve this problem.
Thanks in advance to any and all who may have answers to this problem!
Michael
# Need help using (or leaving) this mailing list?
# Send the command "info exotica" to majordomo@lists.xmission.com.
# To post, email exotica@lists.xmission.com; replies go to original sender.
------------------------------
Date: Mon, 13 Mar 2000 15:35:35 -0500
From: mimim@texas.net (Mimi Mayer)
Subject: Re: (exotica) live music propaganda
An incredulous Moritz asked,
>Are you saying you visited up to 400 concerts in those 2 and a half years??=
?
Close to it. It was probably closer to 3 and a half years when I pretty
much lived to hear live music. Towards the end, I tapered off to one or two
shows a week. At the height of the period, at least once a month, I'd go to
an evening show, probably in an auditorium or concert hall, then to a
second late-night show in a club. I was lucky to live in Detroit, a great
music town that was a one-hour drive from Ann Arbor, another great music
town. Both places landed on a lot of tour itineraries. The City of Detroit
also hosted tons of free outdoor concerts when it wasn't under a foot of
snow...like the Montreaux-Detroit Jazz Festival, the Blues Festival, Ethnic
=46estivals that booked all kinds of acts from overseas, etc. Not only that,
I worked for an opera company during a chunk of that music-madness period,
so my workaday world was spent in showland. You know how opera divas are
reputed to be temperamental? Well, in my experience, those reputations are
deserved.
It was expensive and exhausting and I'm so glad I did it. Now I'm a jaded
old fart who mostly stays home and listens to records. :)
Mimi
# Need help using (or leaving) this mailing list?
# Send the command "info exotica" to majordomo@lists.xmission.com.
# To post, email exotica@lists.xmission.com; replies go to original sender.
------------------------------
Date: Mon, 13 Mar 2000 13:43:57 -0800
From: "paul thomas" <hepcatpaul@mailcity.com>
Subject: (exotica) Diana Dors
I've been looking for _any_ cds available by Diana Dors. I've tried some of the obvious routes like Collector's Choice, CDNow and Rhino but with absolutely no luck. Does anyone know if there are any cds out there by her?
Thanks, too, to everyone who helped out with my Alvino Rey quest! Zzzzzing!
~~ Paul ~~
MailCity. Secure Email Anywhere, Anytime!
http://www.mailcity.com
# Need help using (or leaving) this mailing list?
# Send the command "info exotica" to majordomo@lists.xmission.com.
# To post, email exotica@lists.xmission.com; replies go to original sender.
------------------------------
Date: Mon, 13 Mar 2000 17:53:54 EST
From: DJJimmyBee@aol.com
Subject: Re: (exotica) Claus Ogerman on Kai Winding LPs
In a message dated 3/13/0 2:38:21 PM, bjbear71@mindspring.com wrote:
>Claus Ogerman is also present on some Kai
>Winding trombone LPs
And here he is again, this time on Cal Tjader's "Warm Wave" on Verve which
features "soft subtle Cal Tjader inprovisations on an imposing collection of
ballads played against enticing string and small group backgrounds arranged
by Claus Ogerman." Not my favorite Tjader OR Ogerman. "Watusi Trumpets" and
"Saxes Mexicanos" each do it for me...JB
# Need help using (or leaving) this mailing list?
# Send the command "info exotica" to majordomo@lists.xmission.com.
# To post, email exotica@lists.xmission.com; replies go to original sender.
------------------------------
Date: Mon, 13 Mar 2000 17:54:42 EST
From: DJJimmyBee@aol.com
Subject: Re: (exotica) Astro Sounds 101 Strings
In a message dated 3/13/0 3:34:25 PM, adipocere@hotmail.com wrote:
>1) IS this worth buying
>2) Is it worth buying for $8.50, (pretty good shape, stereo).
Yup
# Need help using (or leaving) this mailing list?
# Send the command "info exotica" to majordomo@lists.xmission.com.
# To post, email exotica@lists.xmission.com; replies go to original sender.
------------------------------
Date: Mon, 13 Mar 2000 18:12:57 -0500
From: Nat Kone <bruno@yhammer.com>
Subject: Re: (exotica) Claus Ogerman on Kai Winding LPs
At 11:36 AM 3/13/00 -0800, B.J. Major wrote:
> This should convince those who only associate
>Mr. Ogerman with "lush" string/heavy orchestral arrangements of Jobim &
>Gilberto that he was certainly capable of arranging without the inclusion
>of strings.
When I think of Claus, I think of "Watusi Trumpets", his classic
contribution to the groovy Now Sound genre. He also made a few other
similar records including "Saxes Mexicanos". For a fuller list, ask br.Cleve.
I also think of the groovy Mel Torme record "I'm coming home".
(As a matter of fact, those of you in the exoticaring are in for a triple
dose of Claus if and when my tape ever finds its way to you.)
And then, as someone just mentioned, there's his contribution to the Kai
Winding records.
I don't know where the idea came from that he's some string-heavy arranger.
In fact, this is the first I've heard of him being associated with such stuff.
But I'm not surprised. I already knew you shouldn't look at a couple of
credits and think you got the guy pegged.
Nat
# Need help using (or leaving) this mailing list?
# Send the command "info exotica" to majordomo@lists.xmission.com.
# To post, email exotica@lists.xmission.com; replies go to original sender.
------------------------------
Date: Mon, 13 Mar 2000 18:00:15 -0500
From: mimim@texas.net (Mimi Mayer)
Subject: Re: (exotica) live music propaganda
So Nat, explain please...
>I sort of look at it like this. Live music is a group experience. And to
>some degree, it's a packaged experience. You CAN have an individual
>experience at a show but to a great degree, you're participating in a
>ritual which is designed to create certain emotions....
and
>Records are more like drugs. ... The experience is determined by the times
>I choose to play it,...what's happening in my life at that moment, who I
>share it with.
So you're saying that with a live show, it's more likely the context is
provided for you while with recorded music, it more likely you provide the
context? I'd go along with that. Of course things get lots murkier when you
first hear a recording after hearing music live. I don't think the converse
is true. However, I won't spew out another 10K message explaining why. Mimi
# Need help using (or leaving) this mailing list?
# Send the command "info exotica" to majordomo@lists.xmission.com.
# To post, email exotica@lists.xmission.com; replies go to original sender.
------------------------------
Date: Tue, 14 Mar 2000 00:02:17 GMT
From: "james brouwer" <jamesbrouwer@hotmail.com>
Subject: Re: (exotica) Astro Sounds 101 Strings
definitely worth having for that price.
I think the best track is "karma sitar" one of the bonus tracks from another
101 strings album called "Sounds Today". "Whiplash" is pretty cool/bent as
well. EZ listening strayed into some pretty pervy areas back then.
most of the Astro Sounds album was originally made as an album by the
Animated Egg. A 101 strings were added to that album and presto! the gods
gave us "Astro Sounds". At least I think that's how it happened. I may
indeed be wrong but I don't care.
I think too that, upon examination, Albert Fish was found to have a 101 pins
in and around his genitalia. Pins apparently are better than wine when it
comes to dining on neighbourhood children.
i hope you are not really named Albert Fish. that would be an embarassment