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exotica-digest         Thursday, April 1 1999         Volume 02 : Number 360



In This Digest:

(exotica) Re: Lynch soundtracks
(exotica) In the nick of time.
Re: (exotica) Re: Roy Budd Reissues
(exotica) FOR SALE: Larry Page/Music For Night People
Re: (exotica) Re: Roy Budd Reissues
RE (exotica) Futurama
SV: (exotica) David F Friedman is here
Re: RE (exotica) Futurama
(exotica) obits: Leonard Mountain Chief, Joe Williams
(exotica) Davie Allan - Bullseye CD: track list
Re: (exotica) Sid & Marty Krofft
Re: (exotica) Futurama
(exotica) Now playing on Feelthy Monkey!
(exotica) who is Dr. Dirt??
(exotica) Sandy Warner
(exotica) "Open All Night"
Re: (exotica) Sandy Warner
(exotica) who is Dr. Dirt??
(exotica) bruce haack on CD??
(exotica) calling musicians
(exotica) Vagabond Cinema Pops Arkestra: new address & URL
(exotica) Re: Paradise Found comment
(exotica) Martinis With Mancini Playlist. 4/1/99
(exotica) Asking that musical question...
RE: (exotica) Asking that musical question...
(exotica) Re: hacking at Haack/Sid & Marty

----------------------------------------------------------------------

Date: Tue, 30 Mar 1999 16:45:38 -0600
From: [e-mail]
Subject: (exotica) Re: Lynch soundtracks

Hello -

Anyone on this list in a band that plays Angelo Badalamenti music or music
inspired by this composer?  Also, would Ennio Morricone fall under the
"exotica" category?

Thanks,

Mark

[e-mail]



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------------------------------

Date: Tue, 30 Mar 1999 17:44:43 EST
From: [e-mail]
Subject: (exotica) In the nick of time.

Check your realaudio out at:

http://tycho.usno.navy.mil/time_ann.ram

or go to this site and click when directed.

http://tycho.usno.navy.mil/what.html

How would you like to have that guy's job?  He sounds like the announcer from
Laugh-In.

Robert


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------------------------------

Date: Wed, 31 Mar 1999 00:32:09 +0100
From: "Robert Baldock" <[e-mail]>
Subject: Re: (exotica) Re: Roy Budd Reissues

Johan wrote:

> >Black Windmill, Diamonds, Fear Is The Key, Paper Tiger, Sinbad &
> >The Eye Of The Tiger.
>
>  can you tell us something about them?

Not really - I haven't heard any of them!  But there are some
capsule reviews at the Dusty Groove site.


Robbie


- ----------------------------------------------------------
** ** ** * Spaced Out - the Enoch Light Website * ** ** **
** ** ** * http://www.rcb.easynet.co.uk/light/  * ** ** **
- ----------------------------------------------------------


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------------------------------

Date: Tue, 30 Mar 1999 16:09:33 -0800 (PST)
From: Scott Swanson <[e-mail]>
Subject: (exotica) FOR SALE: Larry Page/Music For Night People

I have an extra copy of "Music For Night People" by The Larry Page
Orchestra which I would like to sell.  Nice lounge/easy listening
material.  The CD is brand new.  I'm asking $6 plus shipping.

Please reply to: [e-mail]

Regards,

Scott



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------------------------------

Date: Wed, 31 Mar 1999 09:01:53 +0000
From: "Charles Moseley" <[e-mail]>
Subject: Re: (exotica) Re: Roy Budd Reissues

Once again, I'll re-post my one-line reviews and maybe try to expand on
them. Here we go:

Diamonds soundtrack LP - A one trick pony, with the same theme all the way
through the LP but still very good. Bass heavy, breaks driven jazz in a KPM
style, lots of samples and very cool. Minimal drumming and nice rhodes -
all very moody, like an updated The Hanged Man.
Fear is the Key soundtrack LP - Very jazzy, well produced set somwhere
between swinging/now sound with a couple of tracks that were on the House
of Loungcore compilation. This one has the 10 minute Car Chase tune which
has sirens and engine sounds mixed in. Very good and extremely difficult to
find the original.

Both of these, I would say are obligatory purchases for anyone on this
list.

I also have Paper Tiger at home (LP) but I wouldn't recommend this one,
orchestral and rather bland, easy to find and often very cheap. Avoid!.





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------------------------------

Date: Wed, 31 Mar 1999 11:35:34 +0200
From: "Sandberg Magnus" <[e-mail]>
Subject: RE (exotica) Futurama

>Anybody (in the U.S.) see the premiere episode of Matt Groening's
>"Futurama" cartoon series the other night


How was the cartoon? Is it like a Homer in space thing?=20


mmmmm spaaaaaaaace
Magnus



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------------------------------

Date: Wed, 31 Mar 1999 15:42:45 +0200
From: "Sandberg Magnus" <[e-mail]>
Subject: SV: (exotica) David F Friedman is here

>I have to mention the frantic organ in=20
>"Mad Daddy=B4s Spook Show"

YEAH! It was like getting 13, 14 no 15 daggers in the head at the same =
time!

M







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------------------------------

Date: Wed, 31 Mar 1999 09:15:39 -0500
From: Nat Kone <[e-mail]>
Subject: Re: RE (exotica) Futurama

At 11:35 AM 3/31/99 +0200, Sandberg Magnus wrote:
>
>>Anybody (in the U.S.) see the premiere episode of Matt Groening's
>>"Futurama" cartoon series the other night
>
>How was the cartoon? Is it like a Homer in space thing?

As someone who has occasionally thanked God for the Simpsons, I hate to say
this but Futurama did not make me laugh a single time.  I almost smiled
when Leonard Nimoy's head tried to catch the fish food they were feeding it
but that was about it.  I find this distressing but something tells me that
Futurama is going to continue to disappoint.  I hope I'm wrong.

Nat




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------------------------------

Date: Wed, 31 Mar 1999 10:07:48 -0600
From: Lou Smith <[e-mail]>
Subject: (exotica) obits: Leonard Mountain Chief, Joe Williams

                       *Leonard Mountain Chief
    HEART BUTTE, Mont. (AP) -- Leonard Mountain Chief, a tribal elder of the
Blackfeet Indian tribe, movie actor and champion fiddler, died Monday of a
heart attack. He was 59.
    Mountain Chief appeared in the 1989 film ``War Party.'' He also played
actor Steven Seagal's father-in-law in the recent film ``The Patriot.''
    Mountain Chief had roles in 17 films and documentaries since 1948,
including ``All the Young Men'' with Sidney Poitier in 1957. He ranched in
the Heart Butte area and was active in the political community, serving
three terms in the Blackfeet Tribal Council, and as chairman of the Land
Board and gambling committee.
    An avid fiddler, Mountain Chief had played in Nashville and Hollywood, and
in 1987 headlined a country jamboree at the then-College of Great Falls.
Later that year he performed in a show with Willie Nelson and Waylon
Jennings and toured Russia.

March 31, 1999
Joe Williams, Jazz Singer of Soulful Tone and Timing, Is Dead at 80
By JON PARELES,NYTimes
Joe Williams, whose urbane bass-baritone and suavely heartbroken songs made
him one of the most important singers in jazz, died on Monday in Las Vegas,
Nev. He was 80 years old.

Williams collapsed on a city street a few blocks from his home after walking
out of Sunrise Hospital, where he had been admitted last week for a
respiratory ailment. The hospital had reported him missing several hours
before his body was found. "He's an adult and chose to leave," Ann Lynch,
vice president for human services at the hospital, said. "We don't confine
people here. Upon finding him missing, the facility was checked, and then
the police were notified to continue the search."

Ron Flud, the Clark County Coroner, said Williams had apparently died of
natural causes.

As a blues and ballad singer, Williams was widely admired for his heartfelt
tone and impeccable timing. "He sang real soul blues on which his perfect
enunciation of the words gave the blues a new dimension," Duke Ellington
wrote in his autobiography, "Music Is My Mistress." "All the accents were in
the right places and on the right words."

Williams traded supple syncopations with big bands and small groups and gave
ballads a tender authority; his voice could also reach raw blue notes and
breaking, ululating inflections that harked back to the music's African
roots. As the singer with the Count Basie Orchestra in the 1950's, he
carried the group to its commercial peak, beginning with what became his
signature song, Memphis Slim's "Every Day (I Have the Blues)."

"He brought the blues from the country to the city," the jazz singer
Cassandra Wilson said yesterday. "His voice is rich and it's bittersweet,
but it's a very composed sound. Everything is well-formed in his mind before
he opens his mouth, and it's flawlessly executed. He reminds me of autumn.
His voice is bronze and burnt sienna and golden, warm and enveloping, just
an incredible instrument. It's a life's work to create that kind of a sound."

Williams reached his broadest audience in the 1980's with occasional
television appearances on "The Cosby Show" as Grandpa Al, whose
reminiscences about Chicago were often drawn from his own life. But his
recording career continued into the 1990's. His album "Nothin' but the
Blues" (Delos) won him a Grammy Award in 1984 as best jazz vocalist.

He was named Joseph Goreed when he was born to a teen-aged mother on Dec.
12, 1918, in the small town of Cordele, Ga. When he was 3, his grandmother
took him to Chicago, where his mother had gone to work as a cook; he lived
with his mother and aunt, who both played the piano. He sang in church,
learned some piano and listened to jazz and opera on the radio, particularly
to Ethel Waters, whose precise diction and deep emotion left a lasting
impression on his style.

He started singing with a teen-aged gospel quartet, the Jubilee Boys, when
he was 14. A year later, he was found to have tuberculosis and had to have a
lung collapsed for treatment, but his voice was undamaged. At 16, he got his
first job as a pop singer, performing for an all-white audience in a club
called Kitty Davis's, where he cleaned latrines and sang for tips. He
dropped out of high school to work and changed his last name to Williams. He
sang in clubs around Chicago with bands led by Joe Long and Erskine Tate.

In 1937, Williams joined the band led by the clarinetist Jimmie Noone, which
was broadcast nationally on the CBS network. He toured the Midwest with the
Les Hite band between stints with Noone, and in 1941 he joined the Coleman
Hawkins big band, which dissolved in 1942. For steady work, Williams became
the stage doorman at the Regal Theater in Chicago, where he met the leading
musicians on the jazz and rhythm-and-blues circuit. He joined the Lionel
Hampton band during its engagement there, working alongside Dinah
Washington, and went on to tour with the band. He sat in for six weeks,
replacing Big Joe Turner, in a blues show with Pete Johnson and Albert
Ammons, and went on to join Andy Kirk's big band.

He was married twice in the 1940's: to Wilma Cole from 1943 to 1946 and to
Ann Kirksey from 1946 to 1950. Williams suffered a nervous breakdown in
1947, and spent a year in a state hospital. He then sold Fuller Cosmetics
door to door before returning to performing. He worked around Chicago,
building a strong local reputation at the Club DeLisa, and sang with George
Shearing's quintet. He married Lemma Reid in 1951, but that marriage
foundered after the birth of their daughter, JoAnn, in 1953; after years of
separation, they were divorced in 1964.

Williams sat in regularly with a septet led by Count Basie when it came to
Chicago in 1950. Four years later, Basie had put together a new big band,
and after it came through Chicago, Basie invited Williams to join. He became
a member of the band on Christmas Day in 1954. "He told me he couldn't pay
me what I was worth," Williams said in an interview with The New Yorker,
"but as things got better for him they would get better for me."

Things got better quickly. Williams chose not to sing material associated
with the Basie band's former vocalist, Jimmy Rushing, and introduced his own
blues repertory. He had been singing "Every Day (I Have the Blues)" in his
club dates, bringing sets to a peak with its mournful incantations. He had
recorded it in 1951, backed by a Chicago band, and it became a local hit.

In 1955, he recorded a new version, arranged by Ernie Wilkins, that became
the Count Basie Orchestra's first major hit in 15 years; it appeared on the
album, "Count Basie Swings, Joe Williams Sings" (Verve).

He made his first network television appearance on CBS's "Music 55." With
the Basie band, he toured the United States and Europe, sometimes singing
alongside Sarah Vaughan or Ella Fitzgerald; he also made albums on his own.

In 1957, the Basie band became the first black performers to appear at the
Starlight Roof of the Waldorf-Astoria. There, Williams met an Englishwoman,
Jillean Hughes-D'Aeth, whom he went on to marry in 1965.

His vocal style was changing. When he began singing, he often performed
without amplification, belting above the band. But during his years with the
Basie band, he listened to tape recordings of his nightly performances, and
he honed his style, paring away nonessentials, improving his intonation and
adding new subtleties. His role with the Basie band was as a blues singer,
but he was increasingly drawn to ballads.

By 1960, Williams was losing interest in the routine of the Basie band.
Basie agreed to let him go and offered strategic career advice. After
playing a final engagement with the Count Basie Band in January 1961,
Williams embraced Basie on the stage at the Apollo Theater in Harlem -- they
had never even shaken hands before -- and started his solo career.

Williams formed a small group featuring the trumpeter Harry (Sweets) Edison,
who had been a Basie band member. While many jazz musicians struggled in the
1960's as rock took over popular music, Williams worked steadily. He
appeared frequently on television shows, notably the "Tonight" show with
Johnny Carson. He settled in Las Vegas with his wife, though he was on the
road about 40 weeks a year, usually working with small groups. Through the
years, his accompanists included the pianists Junior Mance, Ellis Larkins
and Norman Simmons. Williams also worked during the 1960's with the Thad
Jones-Mel Lewis band.

In the 1970's, he collaborated with the saxophonist Julian (Cannonball)
Adderley on the album "Joe Williams Live" and he sang the role of John Henry
in "Big Man," Mr. Adderley's "folk musical." He reunited with the Count
Basie Orchestra in 1974 for a Newport Jazz Festival concert in New York City
that drew rave reviews and appeared frequently with the group until Basie's
death in 1984. In 1978 and 1979, Williams and the trumpeter Clark Terry
toured Africa, sponsored by the United States State Department.

During the 1980's, Williams toured with Mr. Edison and other Basie alumni,
as well as with his own trio. His star was placed next to Basie's on the
Hollywood Walk of Fame in 1983, and in 1984, he sang Duke Ellington's "Come
Sunday" to a hushed crowd at Basie's funeral. In 1989, he had his own
tribute concert as part of the JVC Jazz Festival, backed by Frank Foster
conducting the Count Basie Orchestra. In 1992, "Every Day (I Have the
Blues)" was added to the Grammy Awards Hall of Fame for recordings.

Williams recorded in the 1980's for Verve and in the 1990's for Telarc
Records; his last album, a set of spirituals called "Feel the Spirit"
(Telarc), was released in 1995. More recently, he recorded duets with a
young singer, Nicole Yarling, for the Manchester Craftsmen's Guild label;
they have not been released.

Well into the 1990's, Williams was one of the most dependably moving
performers in jazz. Standing nearly still, perhaps with his hands folded in
front of him, he would make ballads sound like resonant, intimate
conversation, then open up a blues with a voice that was both knowing and
heartsick. "There is nothing wrong," he told an interviewer, "with singing a
song the way it is written, with making a song say, 'Please like me.' "

He is survived by his wife and daughter.




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------------------------------

Date: Tue, 30 Mar 1999 19:21:47 +0200
From: Johan Dada Vis <[e-mail]>
Subject: (exotica) Davie Allan - Bullseye CD: track list

Davie Allan - Bullseye CD:

Apache 65
Slip Stream
Blues Theme = Wild Angels Ost
Unknown Rider = Wild Angels Ost
Thene From Unknown
Thunderball = Wild Angels & Other Themes
Action On The Street
Sorry Bout That
Ghost Riders
Devils Angels = Wild Angels & Other Themes
Mind Transferral
Blues Trip
Another Cycle In Detroit
Cycle Delic
Born Losers Theme
Moondawg 65
War Path
High Noon
Angel With A Devils Heart
Runaway 66




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------------------------------

Date: Wed, 31 Mar 1999 14:54:28 -0500
From: "m.ace" <[e-mail]>
Subject: Re: (exotica) Sid & Marty Krofft

>The link below is out of commission also.
>
>> Read more about it:
>http://livingisland.com/

Yup, Living Island seems to be Dead Island now. These things happen.

m.ace  [e-mail]
OOK   http://www.voicenet.com/~ecam/


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------------------------------

Date: Wed, 31 Mar 1999 14:55:09 -0500
From: "m.ace" <[e-mail]>
Subject: Re: (exotica) Futurama

>As someone who has occasionally thanked God for the Simpsons, I hate to say
>this but Futurama did not make me laugh a single time.  I almost smiled
>when Leonard Nimoy's head tried to catch the fish food they were feeding it
>but that was about it.  I find this distressing but something tells me that
>Futurama is going to continue to disappoint.  I hope I'm wrong.

I liked it when the police broke in and Bender the Robot shat a brick (with
a metallic clunk).

But yeah, I had reservations about it afterwards too. Still, it'd be unfair
to judge it on one episode, especially one saddled with setting up the
situation. For me the major problem is the 'audience surrogate' character,
Fry, who's basically a dweeb with dialogue mostly along the lines of,
"wow," "gee whiz," "cool," and "alright!" He's going to have to get a lot
more interesting than he is now. Bender is fun -- apparently he's the
designated bad role model in this one. He's closest to a Homer in Space.
From what I've read, they'll be adding more characters as it progresses.
Maybe as it develops they'll figure out which characters work best and
emphasize them. Time will tell.

m.ace  [e-mail]
OOK   http://www.voicenet.com/~ecam/


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------------------------------

Date: Tue, 30 Mar 1999 11:41:12 -0800
From: "Ron Grandia" <[e-mail]>
Subject: (exotica) Now playing on Feelthy Monkey!

Still running skeleton programming on the FeelthyMonkey shoutcast =
server, but it's getting lots of listeners nonetheless - this week it =
hit #40 out of roughly 500 active servers. HeeHEE!

Playing right now is Fantastica #15 see the playlist at :
http://gallery.uunet.be/Quiet/radioq/PL_FF/15.htm
Along with How to Speak Hip (Del Close John Brent)

Roughly 1:45 end-to-end. Worth a listen.

There are now TWO streams - one for modem users and one for high-speed =
connections. Please send a reception report if ya stop by.

Thanks!

Ron

Listen to FeelthyMonkeyRadio http:www.xtabay.com/feelthyradio.htm=20
Exotica, Moog, IncrediblyStrange
Whacked-Out, Space-Age Weirdness



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------------------------------

Date: Wed, 31 Mar 1999 15:00:37 -0600
From: Lou Smith <[e-mail]>
Subject: (exotica) who is Dr. Dirt??

At 11:18 AM 3/28/99 -0500, Citizen Kafka wrote:
>A comedian, who (we think) did a routine sitting at piano playing simple
>chords and singing bizarre fake Moldavian(?) folk songs, who also played
>a character named "Dr. Dirt" in a TV commercial ('60's?).

It was Ronny Graham. Here's his allmovie.com bio:

Not to be confused with the "Ronald Graham" who appeared in the 1939
Broadway production The Boys From Syracuse, actor Ronny Graham made his own
New York theatrical bow in 1951. The white-maned, wide-grinning Graham
gained prominence in the 1952 revue New Faces, for which he also contributed
comedy material; when New Faces was committed to film in 1953, he was
promoted from mere ensemble player to star, carrying the grafted-on
backstage plotline. A busy cabaret performer since 1950, Graham has appeared
in several one-man shows, and has written, produced, directed and/or
co-starred in such popular attractions as the annual Upstairs at the
Downstairs revue. He also wrote the lyrics and libretto for the Broadway
"book" musical Bravo Giovanni. He has been seen in dozens of TV commercials,
most famously as "Mr. Grime" in a group of auto-service ads in the early
1970s. Graham was a regular on the video variety series The New Bill Cosby
Show (1972) and The Hudson Bros. Show (1974), as well as the weekly sitcoms
The Bob Crane Show (1975, as Ernest Busso) and Chico and the Man (1975-78,
as Rev. Bemis). Most of Ronny Graham's latter-day film appearances have been
in association with producer/director/comedian Mel Brooks, who'd been one of
the staff writers for New Faces; among the Brooks endeavors in which Graham
has been featured (and has sometimes made screenplay contributions) are
History of the World Part One (1981), To Be or Not to Be (1982), Spaceballs
(1989), Life Stinks (1991) and Robin Hood: Men in Tights (1993). -- Hal Erickson




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------------------------------

Date: Wed, 31 Mar 1999 10:48:24 -0500
From: "Nathan Miner" <[e-mail]>
Subject: (exotica) Sandy Warner

I got an update for Netscape at the work cell, and now I can't get that =
fancy Sandy Warner pic to work ........

Sorry for the "open post" but whoever made up those files, can you tell me =
if they work with the new Navigator????  The "N" graphic is now a =
different type of file that links to the Netscape page........

Thanks....

- - Annoying Nate



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Date: Wed, 31 Mar 1999 11:56:19 -0500
From: "Nathan Miner" <[e-mail]>
Subject: (exotica) "Open All Night"

Anybody remember this show???

I know, not any exotic music content - but.....

It was about a couple and their teenage son who ran a convenience =
store.......

- - Annoying Nate



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------------------------------

Date: Wed, 31 Mar 1999 16:08:48 -0500
From: <[e-mail]>
Subject: Re: (exotica) Sandy Warner

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 (Embedded     Laura Taylor
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To:
cc:
Subject:  Re: (exotica) Sandy Warner  (Document link not converted)




I got an update for Netscape at the work cell, and now I can't get that
fancy Sandy Warner pic to work ........Sorry for the "open post" but
whoever made up those files, can you tell me if they work with the new
Navigator????  The "N" graphic is now a different type of file that links
to the Netscape page........
Thanks....
- - Annoying Nate


>>>That should be "saucy" Nate...but I digress...I am actually glad you
brought up one of my favorite va-va-voom gals of all time, because I wanna
know, from anybody on this list, if they've heard her epic record FAIR AND
WARMER...and what it's like?
Jane"warnerwannabe" Fondle








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- --0__=BgQmkQdE9UBxAmPnTWudelgOvzRv1WklrNSvmlmO1yZsk1YQvtvp6qkX--



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Date: Wed, 31 Mar 1999 17:18:31 -0500
From: Brian Phillips <[e-mail]>
Subject: (exotica) who is Dr. Dirt??

>A comedian, who (we think) did a routine sitting at piano playing simple
>chords and singing bizarre fake Moldavian(?) folk songs, who also played
>a character named "Dr. Dirt" in a TV commercial ('60's?).

To add to the Erickson post:

The commercials were for Mobil, he was Mr. Dirt not Mr. Grime and this was in
the seventies.  There were a couple of commercials, but one I vaguely recall is
him crawling through a pipe reciting a poem about how he was going to "make an
engine sickly".  The recitation ended, "I'm dirt, haha, I'm dirt haha, I'm
DIRT!!"  A voice over would then be heard and you would hear a car starting and
see gasoline sloshing around in the "O" of the Mobil.

As for him being on the New Bill Cosby Show, my brother saw him and said,
"That's Mr. Dirt!".  In one appearance, he was part of a group of tuxedoed
singers and the song was an outtro to a commercial.  The song was a round and
sung in a :

"We'll be right back (We'll be right back),
"After we (After we) go,
"To the bahthroooom."

When your eight, that's funny.  The show wasn't too funny and I am a long-time
Cosby fan.  The intro (which varied) would have a woman say something along the
lines of , "...and now here is William H. and the "h" stands for Hamhock,
Cosby, Jr.!

Not only did Graham co-write with Mel Brooks, he also did a lot of voice-over
work.  I can remember hearing him during a promo for the movie, "Murder by
Death", saying "...and also starring Estelle Winwood!  Is she still
breathing!?"


Don't know why I remember this, but you asked,
Brian Phillips




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Date: Wed, 31 Mar 1999 21:32:04 -0500
From: Citizen Kafka <[e-mail]>
Subject: (exotica) bruce haack on CD??

Hi, all,

If the original label Dimension 5 would re-issue any of their original
titles, would folks be interested??

And, i've got some solid info about Haack reissues, tribute compilation,
beck, etc. which will follow when i have 5 minutes instead of 2.

let me know via the list or privately, either way. Miss Nelson wants to
know!!

citizen kafka
- --
Citizen Kafka, Producer, "The Secret Museum of the Air"
every Wednesday 7-8 PM EST WFMU 91.1 FM & WXHD (Hudson Valley) 90.1 FM
http://www.megasaver.com/page2/smradio.html
http://wfmu.org/ then go to 'listen to wfmu'


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Date: Thu, 01 Apr 1999 09:27:58 -0500
From: <[e-mail]>
Subject: (exotica) calling musicians

I am trying to get bumper stickers made for my band.  Anybody out there
know where I can get a good deal?  Please reply off-list. Thanks ever so,
Jane Fondle




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Date: Wed, 31 Mar 1999 19:40:52 +0200
From: Johan Dada Vis <[e-mail]>
Subject: (exotica) Vagabond Cinema Pops Arkestra: new address & URL

[e-mail]
http://home.att.ne.jp/blue/zubai/




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Date: Thu, 1 Apr 1999 15:02:39 +0200
From: Johan Dada Vis <[e-mail]>
Subject: (exotica) Re: Paradise Found comment

The worst sounding "mastered-from-original-vinyl" CD I ever heard... but
the music is beautiful, classic exotica.




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------------------------------

Date: Thu, 1 Apr 1999 12:48:18 -0500
From: "Dom Ciccone" <[e-mail]>
Subject: (exotica) Martinis With Mancini Playlist. 4/1/99

"Martinis With Mancini" broadcasting Thursday's from 6-9 AM. WJUL 91.5 in
Lowell Massachusetts.

MwM moving to Friday=92s to help kick off the weekend early! And I=92ll d=
o the
program tomorrow if I can get these tired bones out of bed!

After the first hour playing jazz moved into an April 1st kind of program=
=2E

The web page: http://www.geocities.com/Broadway/Booth/8007/

Your comments always welcomed. (Especially about the mysterious track 19=92=
s)

The Playlist:

I Could Happen To You, Bjork
Like Someone in Love, Miles Davis
Solar, Pamela Hines Quintet
It Might As Well Be Spring, Johnny Mathis
Valsa De Porto Das Caixas, Antonio Carlos Jobim
Makin=92 Whoopee, Branford Marsalis (Visiting Manchester NH April 11)
3 Little Words, Branford Marsalis
Have You Met Miss Jones, Count Basie Orchestra
Para Jose, Two Bones and A Pick
My Foolish Heart, Karrin Allyson
Can This Be Love, Bobby Short
Nobody Here But Us Chickens, Louis Jordan
The Presidents, Animaniacs
Cruella De Ville, OST 101 Dalmatians
One Mint Julep, Ray Charles
Traffic Jam, Artie Shaw
Not Me, Robert Mitchum
Minnie the Moocher, Cab Calloway
Kiss the Girl, OST The Little Mermaid
I Just Can=92t Wait To Be King, OST The Lion King
Search For Vulcan, Leroy Holmes
Mona Lisa Cha-Cha, The Bobby Havana Boys
Zip-A-Dee-Doo-Dah, Xavier Cugat
La Cucaracha, Perez Prado Orchestra
Mucha Muchacha, Juan Esquivel
Don=92t Be That Way, Ray Ellis and His Orchestra and Chorus
Jungle Madness, Martin Denny
Oink Oink Mambo, Chuv Reves and His Orchestra
All the Words in the English Language, Part One, Animaniacs
Slappin=92 the Cakes on Me, John Pizzarelli
All the Words in the English Language, Part Two, Animaniacs
Slow Boat to China, Holly Cole Trio
All the Words in the English Language, Part Three, Animaniacs
Bananas, M.V.L. Ciccone
The Misfits, Don Costa
Bewitched, Peggy Lee
Enchanted Farm, The Forbidden 5
Track 19 (?) Ultra-Lounge Organs In Orbit
War Dance of the Wooden Indians, Russ Case and His Orchestra
Hello Little Girl, OBCR Into The Woods
I Know Things Now, OBCR Into The Woods
Yellow, Ken Nordine
Do It Again, April Stevens
Baby, Won=92t You Please Come Home, Louis Prima and Keely Smith
Track 19 (?) Ultra-Lounge Cha Cha De Amor
High Hopes, Frank Sinatra (W/Kids Chorus)
Accidental Slip on an Oriental Rug, Robert Maxwell Harp And Orchestra
Rock Gently, Alvino Rey
Cadillac, Combustible Edison
=46rom A Logical Point Of View, Robert Mitchum
Jack, You Dead, Joe Jackson
Destination Moon, Dinah Washington
Romeoville, 4 Piece Suit





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------------------------------

Date: Thu, 01 Apr 1999 14:50:41 -0500
From: <[e-mail]>
Subject: (exotica) Asking that musical question...

I always see these Jayne Mansfield graced record covers...unlike the Bettie
Page though, I have suspicions they might be schlock inside...Anybody have
any good, or bad ones, to tell me/us about, before I ever shell out money
for one?  What about the MUSIC FOR BACHELORS by Henri Rene(whom I like very
much)?
"Jayne" Fondle




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------------------------------

Date: Wed, 31 Mar 1999 11:58:50 -0800
From: "Ron Grandia" <[e-mail]>
Subject: RE: (exotica) Asking that musical question...

> I always see these Jayne Mansfield graced record covers...unlike=20
> the Bettie
> Page though, I have suspicions they might be schlock inside...Anybody =
have
> any good, or bad ones, to tell me/us about, before I ever shell out =
money
> for one?  What about the MUSIC FOR BACHELORS by Henri Rene(whom I=20
> like very
> much)?

I am no big fan of that particular record - I am working from memory =
here, but I recall it being very boring and fulla strings that come off =
like a mouth full o mush. Nice cover though. I would not be suprised if =
there are some who like the music contained therein. It's just not my =
bag. I THINK I have mansfield cover record... I see orange and yellow =
and a VERY heavy miss mansfield.... My brain is not cooperating this =
morning - I will have to go home and look for that one, but whatever it =
is, I suppose I was not impressed enough to remember much about it.

Ron



Listen to FeelthyMonkeyRadio=20
http:www.xtabay.com/feelthyradio.htm=20
Exotica, Moog, IncrediblyStrange
Whacked-Out, Space-Age Weirdness
All day every day.




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------------------------------

Date: Thu, 1 Apr 1999 15:16:05 -0500
From: Angela <[e-mail]>
Subject: (exotica) Re: hacking at Haack/Sid & Marty

    I was under the impression that the Sid & Marty Krofft cd hadn't been
released yet, and my link to http://www.livingisland.com works okay.
    Also, for those of you on this list who live in the Boston, MA area.
I'm told that a large collection of exotica and related ephemera has just
arrived at Cheapo records (645 Mass. Ave/354-4455).  They were pricing it
yesterday, so it should have hit the floor by now.  Happy Hunting.
     I'm also compelled to spew onto just a bit of bandwidth on the
forthcoming Beck remix of Haack- although I wish Beck no undue bodily harm
(and indeed, always thought the Nelson/Haack records were full of 'beats'),
there's something slightly repugnant to my (admittedly rather puritanical)
sense of propriety here.  Why not spend the same energy getting the
Dimension 5 catalog reissued?

- --
- -Angela
http://www.musicfile.com/sunshine
"The Biggest Little Record Store In The World"

- -----Original Message-----
>Can anyone tell me if the rumour is true that Beck has bought all rights
>to Bruce Haacks recordings? If he has will he reissue them or will he =
>not?
>>There is a remix project involving Beck and others in the works, =
>however.

>Does anyone know where I can find this cd?
> >>* Sid & Marty Krofft: Greatest Hits (Interscope) -- finally!
>> They produced a roster of bizarre kid's TV shows in



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------------------------------

End of exotica-digest V2 #360
*****************************