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v02.n118
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1998-05-27
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From: owner-exotica-digest@lists.xmission.com (exotica-digest)
To: exotica-digest@lists.xmission.com
Subject: exotica-digest V2 #118
Reply-To: exotica-digest
Sender: owner-exotica-digest@lists.xmission.com
Errors-To: owner-exotica-digest@lists.xmission.com
Precedence: bulk
X-No-Archive: yes
exotica-digest Thursday, May 28 1998 Volume 02 : Number 118
In This Digest:
Re: (exotica) Rare exotica etc LPs/CDs for sale
(exotica) more infos about Eclektronics...
Re: (exotica) Basic Hip Moog Tape
Re: (exotica) Rare exotica etc LPs/CDs for sale
(exotica) Kirsten, lost your e-mail address
(exotica) Mighty Dub Kats
(exotica) Big Mess Orchestra
(exotica) Sinatra by Gore Vidal (German)
(exotica) Sinatra by Gore Vidal (German)
(exotica) Sinatra by Gore Vidal (German-->English)
(exotica) Jean Jacques Perrey-Eklectronics
Re: (exotica) Basic Hip Moog Tape
Re: (exotica) Playlist for Jimmy's Easy 5/26/98
(exotica) Basic Hip Moog Tape
(exotica) High-end audio.....
(exotica) record hiss
(exotica) High-end audio.....
(exotica) searching for the Single Eye
(exotica) About Daniel Der Sahakian
(exotica) Placenta-eating cookery show condemned
(exotica) fwd: Swing Site
Re: (exotica) Basic Hip Moog Tape
(exotica) REVIEW> Peter Thomas Sound Orchestra: "FutureMuzik"
Re: (exotica) Placenta-eating cookery show condemned
(exotica) Placenta??
----------------------------------------------------------------------
Date: Wed, 27 May 1998 17:22:28 +0000
From: Moritz R <Moritz.Reichelt@munich.netsurf.de>
Subject: Re: (exotica) Rare exotica etc LPs/CDs for sale
>For all of you who can't make it to our Subliminal Sounds & Stuff store
in
>Stockholm, Sweden...
>20% off all prices for customers living outside of Europe.
You don't like Europeans, do you?
How about customers that DO visit your shop? 50% off? Say yes and I
visit you within 3 weeks!
All the best! MO
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------------------------------
Date: Wed, 27 May 1998 08:28:59 EDT
From: Chazbam <Chazbam@aol.com>
Subject: (exotica) more infos about Eclektronics...
It might be very easy to get the new JJ Perrey album :
"Distributed in France by Discograph, go pester your local record retailer
to stock it."
Discograph phone # is 33 (0)1 40 21 30 84
Fax # is 33 (0)1 40 21 60 84
Amicalmant
Chazam
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------------------------------
Date: Wed, 27 May 1998 14:28:03 +0100
From: "Charles Moseley" <Charles_Moseley%MCKINSEY-EXTERNAL@MCKINSEY.COM>
Subject: Re: (exotica) Basic Hip Moog Tape
Charles Moseley@MCKINSEY-EXTERNAL
05/27/98 09:28 AM
To: exotica@xmission.com @ MCKINSEY
cc:
Subject: Re: (exotica) Basic Hip Moog Tape
Moog records can be absolute dross/inventive/comedic/up their own
self-indulgent arses. Anyone who collects moog records has got to be
seriously deranged (like me) and prepared to own a number of LPs that are
basically unlistenable. Who in their right mind plays a moog record from
start to finish and enjoys the listening experience?
A moog tape is not something that I would like to listen to from start to
finish and I would be surprised if anyone could. However, it is still
important to own these records although I'm not completely sure why. My
worst LP is 'Ye Olde Moog' (Medieval music done with a shocking degree of
blandness) and 'The Magic of The Arp Synthesiser' (not strictly a moog
record because its made with an Arp but along the same lines) which
features no magic at all. The best is Mort Garson's Electric Hair Pieces or
The Moog Machine's Switched on Rock.
Charlie
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------------------------------
Date: Wed, 27 May 1998 16:30:31 +0100
From: "Charles Moseley" <Charles_Moseley%MCKINSEY-EXTERNAL@MCKINSEY.COM>
Subject: Re: (exotica) Rare exotica etc LPs/CDs for sale
Charles Moseley@MCKINSEY-EXTERNAL
05/27/98 11:30 AM
To: exotica@xmission.com
cc:
Subject: Re: (exotica) Rare exotica etc LPs/CDs for sale
Actually, I've got some LPs for sale as well - couple of soundtracks, bit
of John Keating, some Keith Mansfield and even some Enoch Light (and some
Jazz as well). I'll prepare a list at home tonight and they'll be available
from tomorrow onwards.
Please email me privately for the list tomorrow. No Swedish prices and no
anti-European pricing structures.
Charlie
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------------------------------
Date: Wed, 27 May 1998 10:29:33 PDT
From: "Ben Waugh" <kahuna77@hotmail.com>
Subject: (exotica) Kirsten, lost your e-mail address
Got your tape, but lost your address.
Ben
______________________________________________________
Get Your Private, Free Email at http://www.hotmail.com
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------------------------------
Date: Thu, 28 May 1998 01:45:11 +0800
From: enjoy@singnet.com.sg
Subject: (exotica) Mighty Dub Kats
Does anyone know where Norman Cook sample the latin horns bit in Magic Dub
Katz's "Magic Carpet Ride"?....i am sure I heard it soemwhere before.
Bobby
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------------------------------
Date: Wed, 27 May 1998 14:11:55 -0400
From: "m.ace" <ecam@voicenet.com>
Subject: (exotica) Big Mess Orchestra
The Big Mess Orchestra's website...
http://www.bigmessorch.eo.net/
now has a page of RealPlayer audio feeds on tap. Actually, they've had them on
there for months, but I keep forgetting to post about it here. There are two
short songs that are complete, but the rest are unfortunately abridged. Enough
to give you a solid hearing, though, net traffic willing.
Genuinely new is a separate page with RealPlayer video clips from a live show.
The video is a bit too much for my old '486 machine to handle, but you power
users out there should be fine.
A week or so ago, they played a live radio show in Philly, a bit under an hour,
complete with burlesque skits. Very entertaining. It went pretty well,
especially considering that the percussion section and the rest of the band
were located in different rooms and could barely hear each other!
m.ace ecam@voicenet.com
OOK http://www.voicenet.com/~ecam/
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------------------------------
Date: Wed, 27 May 1998 21:59:27 +0000
From: Moritz R <Moritz.Reichelt@munich.netsurf.de>
Subject: (exotica) Sinatra by Gore Vidal (German)
SZ vom 23.05.1998
Mit blauen Augen davongekommen? Aufstieg und Fall eines politischen
Helden: der andereFrank Sinatra / Von Gore Vidal Mindestens zwei
Generationen Amerikaner sind beim Klang vonSinatras Stimme ? auf
Schallplatte oder im Radio ? gezeugtworden. Empf=E4ngnis im Kino war wohl
nichts Unerh=F6rtes, hatteaber einen Hauch von Protzerei. Es hat
verschiedene Sinatras gegeben in den sechs oder siebenJahrzehnten seiner
Karriere. Da war zum einen das Jugendidol ausKriegszeiten. Der war d=FCrr
und mit einem hageren gesicht, hatteeine schlottrige Fliege und von
links ein Profil wie von einerBronzeb=FCste von Donatello. Im New Yorker
Paramount-Theaterheulten pubertierende M=E4dchen wie Bakchen bei seinem
Anblickund Singen, und fielen in Ohnmacht wie Matronen in zu
engenKorsetts. Das erste Mal traf ich ihn, als ich in der Armee war,
kurz bevor=92snach =DCbersee ging. Wir waren auf einer Hollywood-Party,
wojeder ein Star war und ich ein einfacher Soldat, mit dem keinersprach
au=DFer Sinatra, der mich rauspickte und f=FCr den Rest meinesLebens
verzauberte, als Person und als K=FCnstler. Das war Sinatrader Held,
dessen Populismus ihn bald ins Verderben f=FChren sollte. Die Geschichte =
?
zumindest ein Teil davon ? ist wohlbekannt. InNew Jersey geboren, hatte
Francis Sinatra eine bemerkenswerteMutter, die aktiv war in der
Stadtbezirkspolitik der Demokraten.Aus erster Hand kannte er die Politik
italienischer Immigranten, derst=E4dtischen Arbeiterklasse. Er war einer
von ihnen. Seine Karriere begann er, indem er sang, wo immer er
konnte;ber=FChmt wurde er, indem er mit den Big Bands jener Tage
sang.=84Seine Nebennoten sind wie von Bach=93, sagte Virgil Thomson,unser
f=FChrender Musikkritiker. Alle dachten, Virgil mache Spa=DF.Tat er aber
nicht. Sinatras Stimme war wie keine andere. Doch das=FCberlasse ich den
Musikkritikern. Was mich interessiert, ist derAufstieg und Fall eines
politischen Helden, dessen Apotheose oder,um genau zu sein, dessen
H=F6llenfahrt darauf hinauslief, alskastriertes Gesch=F6pf der
amerikanischen Rechten im Wei=DFen Hausin Nancy Reagans Ohr zu schmachten.
Ein italo-amerikanischerFaust. Auf dem H=F6hepunkt seiner Karriere als
S=E4nger drehte Sinatra einenkurzen Dokumentarfilm mit dem Titel =84The
House I Live in=93. Daswar 1947. Damals gewann er den Oscar f=FCr einen
Song, dessen Zeilen ? =84DieLeute, mit denen ich arbeite / Die Arbeiter,
die ich treffe . . . / DasRecht, meine Meinung zu sagen / Das ist f=FCr
mich Amerika=93 ? eindirekter Aufruf zur Toleranz waren, ohne
dabeianbiedernd-schmalzig oder langweilig zu werden. Sinatra fiel
daraufhin beim FBI, bei den Berufspatrioten und derdamals m=E4chtigen
Hearst-Presse in Ungnade. Im Verlauf dern=E4chsten acht Jahre tauchte =84=
The
House I Live in=93 zw=F6lfmal imKommunisten-Index des Kongre=DFausschusse=
s
f=FCrUnamerikanische Umtriebe auf, w=E4hrend die New York Times, diewie
immer nichts Gutes im Schilde f=FChrte, in ihrem Index f=FCr 1949den
Querverweis =84Sinatra, Frank: siehe US-Spionage=93 brachte.Mehr war es
nicht, das =FCber den gr=F6=DFten Entertainer unseres Volkesf=FCr =84fit =
to print=93
erachtet wurde. Um die D=E4monisierung noch weiter zu treiben, versuchten
eingewisser Harry Anslinger, Chef der Bundesdrogenbeh=F6rde, undder
uns=E4gliche J. Edgar Hoover vom FBI (der lange genug lebte,um eine Akte
=FCber die Subversionen und Perversionen JohnLennons anzulegen) alles, um
Sinatra nicht nur alsKrypto-Kommunisten, sondern auch als Mafioso
dranzukriegen.Da jeder amerikanische Nachtclub-S=E4nger aber in einem
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------------------------------
Date: Wed, 27 May 1998 22:08:48 +0000
From: Moritz R <Moritz.Reichelt@munich.netsurf.de>
Subject: (exotica) Sinatra by Gore Vidal (German)
30-Tage-Archiv SZ vom 23.05.1998
Mit blauen Augen davongekommen?Aufstieg und Fall eines politischen
Helden: der andereFrank Sinatra / Von Gore VidalMindestens zwei
Generationen Amerikaner sind beim Klang vonSinatras Stimme ? auf
Schallplatte oder im Radio ? gezeugtworden. Empf=E4ngnis im Kino war wohl
nichts Unerh=F6rtes, hatteaber einen Hauch von Protzerei.Es hat
verschiedene Sinatras gegeben in den sechs oder siebenJahrzehnten seiner
Karriere. Da war zum einen das Jugendidol ausKriegszeiten. Der war d=FCrr
und mit einem hageren gesicht, hatteeine schlottrige Fliege und von
links ein Profil wie von einerBronzeb=FCste von Donatello. Im New Yorker
Paramount-Theaterheulten pubertierende M=E4dchen wie Bakchen bei seinem
Anblickund Singen, und fielen in Ohnmacht wie Matronen in zu
engenKorsetts.Das erste Mal traf ich ihn, als ich in der Armee war, kurz
bevor=92snach =DCbersee ging. Wir waren auf einer Hollywood-Party, wojede=
r
ein Star war und ich ein einfacher Soldat, mit dem keinersprach au=DFer
Sinatra, der mich rauspickte und f=FCr den Rest meinesLebens verzauberte,
als Person und als K=FCnstler. Das war Sinatrader Held, dessen Populismus
ihn bald ins Verderben f=FChren sollte.Die Geschichte ? zumindest ein Tei=
l
davon ? ist wohlbekannt. InNew Jersey geboren, hatte Francis Sinatra
eine bemerkenswerteMutter, die aktiv war in der Stadtbezirkspolitik der
Demokraten.Aus erster Hand kannte er die Politik italienischer
Immigranten, derst=E4dtischen Arbeiterklasse. Er war einer von ihnen.Sein=
e
Karriere begann er, indem er sang, wo immer er konnte;ber=FChmt wurde er,
indem er mit den Big Bands jener Tage sang.=84Seine Nebennoten sind wie
von Bach=93, sagte Virgil Thomson,unser f=FChrender Musikkritiker. Alle
dachten, Virgil mache Spa=DF.Tat er aber nicht. Sinatras Stimme war wie
keine andere. Doch das=FCberlasse ich den Musikkritikern. Was mich
interessiert, ist derAufstieg und Fall eines politischen Helden, dessen
Apotheose oder,um genau zu sein, dessen H=F6llenfahrt darauf hinauslief,
alskastriertes Gesch=F6pf der amerikanischen Rechten im Wei=DFen Hausin
Nancy Reagans Ohr zu schmachten. Ein italo-amerikanischerFaust.Auf dem
H=F6hepunkt seiner Karriere als S=E4nger drehte Sinatra einenkurzen
Dokumentarfilm mit dem Titel =84The House I Live in=93. Daswar 1947.Damal=
s
gewann er den Oscar f=FCr einen Song, dessen Zeilen ? =84DieLeute, mit de=
nen
ich arbeite / Die Arbeiter, die ich treffe . . . / DasRecht, meine
Meinung zu sagen / Das ist f=FCr mich Amerika=93 ? eindirekter Aufruf zur
Toleranz waren, ohne dabeianbiedernd-schmalzig oder langweilig zu
werden.Sinatra fiel daraufhin beim FBI, bei den Berufspatrioten und
derdamals m=E4chtigen Hearst-Presse in Ungnade. Im Verlauf dern=E4chsten
acht Jahre tauchte =84The House I Live in=93 zw=F6lfmal imKommunisten-Ind=
ex
des Kongre=DFausschusses f=FCrUnamerikanische Umtriebe auf, w=E4hrend die=
New
York Times, diewie immer nichts Gutes im Schilde f=FChrte, in ihrem Index
f=FCr 1949den Querverweis =84Sinatra, Frank: siehe US-Spionage=93 brachte=
.Mehr
war es nicht, das =FCber den gr=F6=DFten Entertainer unseres Volkesf=FCr =
=84fit to
print=93 erachtet wurde.Um die D=E4monisierung noch weiter zu treiben,
versuchten eingewisser Harry Anslinger, Chef der Bundesdrogenbeh=F6rde,
undder uns=E4gliche J. Edgar Hoover vom FBI (der lange genug lebte,um ein=
e
Akte =FCber die Subversionen und Perversionen JohnLennons anzulegen)
alles, um Sinatra nicht nur alsKrypto-Kommunisten, sondern auch als
Mafioso dranzukriegen.Da jeder amerikanische Nachtclub-S=E4nger aber in
einem Nachtcluboder Casino arbeiten mu=DF und der Mob diese
Glitzerortekontrollierte, war jeder Entertainer gezwungen, mit der Mafia
zuverkehren.Ein Bauer im Schachspiel1947 wurde Sinatra von einem rechten
Hearst-Kolumnisten, LeeMortimer, als Mafioso angeschw=E4rzt. Sinatra,
notorischaufbrausend und feurigen Getr=E4nken nicht abgeneigt,
schlugMortimer in einem Nachtclub nieder. Nun gab es einen Schwallvon
Druckerschw=E4rze wie der Niagarafall. =84=DCber Nacht=93, schreibtJon Wi=
ener in
seinem Buch =84Professors, Politics and Pop=93, machtedie rechte Presse a=
us
dem =84Schnulzenidol f=FCr Backfische einengewaltt=E4tigen, linken
Mafioso=93.Katholische Organe versuchten aus Respekt vor dem Ruhm
ihresKonfessionsbruders die Angriffe herunterzuspielen, indem
siebehaupteten, er sei blo=DF ein =84Bauer=93 im Schachspiel. Doch das wa=
rer
nicht. In Wahrheit war Sinatra im (nach amerikanischenMa=DFst=E4ben) link=
en
Bereich aktiv gewesen. So nahm er 1946 Francounter Beschu=DF, einen
Liebling der Oberen von Amerika. Imgleichen Jahr wurde er Vizepr=E4sident
von HollywoodsUnabh=E4ngigem B=FCrgerkomitee f=FCr die K=FCnste, Wissensc=
haften
undfreien Berufe, neben vielen anderen Stars wie auch Thomas Mann.1948
unterst=FCtzte er Henry Wallace als Pr=E4sidentschaftskandidatengegen Har=
ry
S. Truman, den Proto-McCarthyisten. Ungeachtet desSchadens f=FCr seine
Karriere schrieb Sinatra einen offenen Brief andie damals liberale
Zeitschrift New Republic, in dem er HenryWallace beschwor, als Erbe
Roosevelts =84jenen Kampfaufzunehmen, den wir gern als den unseren ansehe=
n
? den Kampfum Toleranz, der die Grundlage jeglichen Kampfes f=FCr
Friedenist=93. Wiener berichtet, da=DF er drei Monate sp=E4ter =F6ffentli=
ch
alsKommunist gebrandmarkt und ihm seine Radioshow gek=FCndigtwurde; 1949
brach dann Columbia Records mit ihm, ein Jahrdarauf entlie=DF ihn MGM aus
seinem Filmvertrag. Sinatra warausrangiert mit 34.Nach einer Zeit voller
=C4rger durch seine Ehefrau Ava Gardner undden Verlust seiner Stimme ?
durch Alkohol und Stre=DF ? gelang ihmein erstaunliches Comeback in dem
Film =84Verdammt in alleEwigkeit=93 ? den er f=FCr eine winzige Gage dreh=
en
mu=DFte. Er bekamauch eine brandneue Stimme, die sa=DF, mit Nebennoten
zweifelloswie von Satie.1960 war Sinatra wieder politisch aktiv. Er war
ein Spielgef=E4hrtevon Jack Kennedy w=E4hrend dessen Senatorenzeit gewese=
n ?
und erbrannte er darauf, seinem konservativen, aber
attraktivenkatholischen Freund behilflich zu sein. Einige
Kennedy-Berateraber meinten, da=DF man den Roten Mafioso um jeden Preis
meidensollte; andere wollten ihn f=FCr den W=E4hlerfang in Harlem
benutzen,=84wo man ihn als Held f=FCr die Sache der Neger respektiert=93,
wasKennedy, gelinde gesagt, nicht war.Obwohl Sinatra zuweilen zwischen
Gr=F6=DFenwahn und richtig hartemSaufen abwechselte, war er noch immer ei=
n
gro=DFer S=E4nger und einFilmstar, der ber=FChmt daf=FCr war, da=DF er Sz=
enen in
nur einerAufnahme hinkriegte ? in der Zunft als =84Durchmarsch=93
bekannt.Kennedys Pr=E4sidentschaftskandidatur brachte ihn wieder
aufTouren.Aber denen, die sich gefragt haben, wie wohl das Festmahl
f=FCrFalstaff aussah, als Prinz Hal ? jetzt K=F6nig ? ihn br=FCskierte,
kannich folgendes berichten: Nachdem man Kennedy in Los Angeles beieinem
Parteitag, an dem ich als Delegierter teilnahm, nominierthatte, gaben
Tony Curtis und Janet Leigh f=FCr den Kandidaten eineFilmstar-Party. Ich
wurde, gemeinsam mit Sinatra, an den Tischplaziert, wo Kennedy sitzen
sollte. Wir warteten. Und warteten.Sinatra schaut nerv=F6s aus; er fing
an, heftig zu trinken. Das Dinnerbegann. Dann sagte eine der mit einem
Pferdegebi=DF ausgestattetenSchwestern des Kandidaten beil=E4ufig: =84Ach=
,
Jack l=E4=DFt sichentschuldigen. Er kann nicht kommen. Er ist ins Kino
gegangen.=93Mir gegen=FCber sackte Falstaff in sich zusammen, und er spra=
ch
denganzen Abend nicht mehr.Nachdem Kennedy gew=E4hlt worden war,
organisierte Sinatra denInaugurationsball. Doch der Vater des
Pr=E4sidenten und sein BruderRobert sagten =84Kein Sinatra mehr=93, und a=
lso
gab es keinen Sinatramehr. Als Pr=E4sident Kennedy nach Palm Springs kam,
nahm ernicht, wie angek=FCndigt, bei Sinatra Quartier, sondern bei
dessenRivalen Bing Crosby. Wer den Schaden hat . . . Von da an betruger
sich, =F6ffentlich wie privat, oft r=FCpelhaft (um in Untertreibungenzu
schwelgen).Zu gegebener Zeit wurde er von einem Kongre=DFkomitee zumThema
Mafia vorgeladen. Nichts kam dabei heraus. Rein garnichts. Auch f=FCr ihn
nicht. Er wurde ein =84Reagan-Republikaner=93.Aber schlie=DFlich hatte ih=
n
kein Pr=E4sident der Demokraten jegebeten, im Wei=DFen Haus aufzutreten. =
Es
war der gerissene alteNixon, dessen Untersuchungsausschu=DF ihn
angeschw=E4rzt hatte, derSinatra bat, =84The House I Live in=93 zu singen=
. =84Am
Ende desProgramms=93, schreibt Wiener, =84war Sinatra in Tr=E4nen aufgel=F6=
st
?zum ersten Mal in seiner Karriere.=93 Es ist nicht leicht, ein
guterMensch zu sein ? geschweige denn ein Volkstribun ? in dem Land,wo
Milch und Moneten flie=DFen, wenn einmal das H=E4uschen futsch ist.
=DCbersetzung: Stefan Dornuf Copyright =A9 1997 - S=FCddeutsche Zeitung.
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------------------------------
Date: Wed, 27 May 1998 16:54:35 -0500
From: Lou Smith <lousmith@pipeline.com>
Subject: (exotica) Sinatra by Gore Vidal (German-->English)
At 09:59 PM 5/27/98 +0000, you wrote:
>
>SZ vom 23.05.1998
>Mit blauen Augen davongekommen? Aufstieg und Fall eines politischen
A quick spin through the bablefish blender produces:
In English: <Picture>SZ of 23.05.1998 gotten off blue eyes? Ascent and case
of a political hero: the other franc one Sinatra / of Gore Vidal at least
two generations Americans are with the sound vonSinatras voice? on record or
in the radio? Empfaengnis in the cinema was probably nothing outrageous,
have however a breath of Protzerei. It has different Sinatras given in the
six or seven-decades of its career. There the Jugendidol was out times of
war on the one hand. That was dry and with a hageren face, have-having one
schlottrige fly and from on the left of a profile as of einerBronzebueste
from Donatello. In the New Yorker Paramount Theaterheulten pubertierende
girls such as Bakchen with its Anblickund singing, and fell in faint such as
Matronen in too engenKorsetts. The first time met I it, when I was in the
army, briefly bevor'snach overseas went. We were on a Hollywood party, a
star were more wojeder and I a simple soldier, with no-spoke except Sinatra,
which rauspickte me and verzauberte for the remainder of my life, as a
person and as an artist. That was Sinatrader hero, whose Populismus should
lead it soon into spoiling. History? at least some of it? is well-known.
InNew jersey born, had Francis Sinatra a remarkable nut/mother, those was
active in the urban district policy democrat From first hand it knew the
policy of Italian immigrants, that-urban working class. It was one of them.
It began its career, by singing, where he was always konnte;beruehmt he, by
with the Big of tape of those days sang."Seine Nebennoten being as from
brook ", said Virgil Thomson, our prominent music critic. All thought, make
fun act it for Virgil however not. Sinatras voice was like no different one.
But I that-leave to the music critics. Which interests me, is that-ascended
and case of a political hero, its Apotheose or, in order to be exact, whose
hell travel ran out on it, alskastriertes creature American rights in the
white Hausin of the Nancy Reagans ear to schmachten. Italo
amerikanischerFaust. On the high point of its career as singers Sinatra
turned one-short documentary film with the title " The House I Live in ".
Were 1947. At that time did it win the OSCAR for a Song, its lines? " the
people, with which I operate / the workers, whom I meet.
This must be the *last* word on the subject, eh? What more is there to say?
- -Lou
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------------------------------
Date: Wed, 27 May 1998 17:43:08 -0700
From: Jack <Jack@JackDiamond.com>
Subject: (exotica) Jean Jacques Perrey-Eklectronics
New Add, Limited Quantities
Jean Jacques Perrey - Eklectronics LP Only (Basetronic, France)
$18.00
Here's my review from when I reviewed it for KFJC-FM
Jean Jacques Perrey & David Chazam
E-K-L-E-C-T-R-O-N-I-C-S
Titles; What's Up Duck ?, Analog Dialog, Doc Tequil and Mister H, Clone's
War, An Elephant On The Roof, Cyberbugs Time Machine, Neutronia
Welcome in the NEW ElectroPop Sound!
This is the 1st record by French Artist Jean Jacques Perrey in over 2
decades and what brilliance of electronic Musique Concrete Pop it is! AN
AB-SO-LUTE MAS-TER-PIECE!!! I shit you not.
Jean Jacques Perrey was the TRUE GENIUS behind the duo of Perrey and
Kingsley, (In Sound From Way Out, Kaleidoscope Vibrations circa '65, '66)
the composer and performer of E.V.A. from Moog Indigo (1970) whose work was
primarily in the early 60's to approx. 1970. It is POP and it is
SUPA-FUNK-KAY brothuhs and sistuhs!!!
It is melodic and just grooooooooves along like you CAN NOT even imagine
with all of this fucked up shit going on every which way!
Fucked Up Shit = Great Great GREATNESS!
Jean Jacques was heavily/primarily influenced by Tom Dissvelt after hearing
Dissvelt and Kid Baltan's masterpiece recording of "Song of The Second
Moon"(Limelight, circa 1961). David Chazam and his band TSCHACK! provide
the Bass, (KILLER)Guitar, Piano, Harpsichord, Trombone, Drums and
Synthesizer as they are NOT SAMPLES! Jean Jacques plays his original 60's
keyboards like the ONDIOLINE, MOOG and whatever! He along with David
Chazam did the composing and arranging.
It's funk, it's got beat beat beats, mmmm pop mmmm pop mmmm pop music.
Kraftwerk and everyone else got ALL of their ideas from this guy. HIS ART
IS THE STUFF THAT DREAMS ARE MADE OF. Produced by David Chazam, a young
French man (early 30's) is the HUGE FORCE that got Jean Jacques creative
again, got him back into the studios of France where this was created and
recorded and got him to create yet another masterpiece of pop musique
concrete brilliance of which this story (or record) is just the beginning
of.......10 FUCKIN' STARS!
By the way, KFJC is the only station in the US to have this rekkid, maybe
even the WORLD and will be the only 1 to have it for at least a couple of
months.
Jack Diamond
Ltd quantities while they last!
$18.00 + Shipping
Thanks!
Jack
_______________________________________________________________
"Attilio Mineo Conducts Man in Space With Sounds" Now on CD!
Http://www.jackdiamond.com/attilio.htm
Wholesale Distribution in the US:
NAIL Distribution
1-888-Nail-Inc (Toll Free)
http://www.bubblator@naildistribution.com/
OR
Jack Diamond Music
Http://www.jackdiamond.com
Fax/Phone (650) 325-2284
Overseas Distribution/Retail Sales
Stefan Kery/Subliminal Sounds
Stefan@subliminal.se
Fax/Phone +46 8 694 86 66
Http://www.KFJC.org
Click on Internet Broadcast w/ a 28.8 Modem
or better and rock on anytime of the day or
night 24 hours a day, 365 days a year
Jack Diamond's House of Games
KFJC-FM, 89.7
Sundays 10AM-1PM
Since January 1993
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------------------------------
Date: Wed, 27 May 1998 22:03:53 EDT
From: <BasicHip@aol.com>
Subject: Re: (exotica) Basic Hip Moog Tape
Nate:
"Ummmmmm.......I can say without a doubt that I AM NOT a
moog fan. I can clearly see where the moog thing just didn't
become "the next big thing."
Charles:
"Moog records can be absolute dross/inventive/comedic/up their own
self-indulgent arses. Anyone who collects moog records has got to be
seriously deranged (like me) and prepared to own a number of LPs that are
basically unlistenable. Who in their right mind plays a moog record from
start to finish and enjoys the listening experience?
A moog tape is not something that I would like to listen to from start to
finish and I would be surprised if anyone could. However, it is still
important to own these records although I'm not completely sure why."
As a moog fanatic as some of you probably know, i like this kind of feedback.
You mean not EVERYONE is as nuts for these as I am? I scoop up every moog LP
i can get my hands on and never let a collector's price tag stand in my way.
Maybe my first clue that not everyone shares my taste was the way my wife
insists i listen to them alone or with headphones. I can't really describe
what it is about them that gets me so arped, er amped. Maybe the strong
influence of "The In Sound From Way Out", or the fact that all of these covers
are top 40 hits I grew up with on KFRC during my sentimental wonder years in
the 1966-1970 period. Or maybe because I think they sound funny and weird.
I have close to 40 now and my search continues. I do happen to listen to them
from start to finish, but i also listen to field recordings of birds and Cook
Laboratories LP's. I do get a surprising number of requests for moog tapes, so
I'm not the only one who gets a kick out of them. I guess it's one of those
things that you either like or you don't.
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------------------------------
Date: Wed, 27 May 1998 22:10:20 EDT
From: <DJJimmyBee@aol.com>
Subject: Re: (exotica) Playlist for Jimmy's Easy 5/26/98
sorry about the multiple postings on such a mundane topic--but it wasn't MY
fault!..It just happened
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------------------------------
Date: Wed, 27 May 1998 22:24:55 EDT
From: <DJJimmyBee@aol.com>
Subject: (exotica) Basic Hip Moog Tape
I was playing Dick Hyman's moog version of a Booker T tune one day on the
airwaves...The guy who comes on after me says to me, "That version took all
the soul out of a great song." My knee-jerk reply was, "That's the whole
point!" Is he an insufferable purist? Am I a rebel reaching around a new
corner? I don't know...But for some reason, moog stuff is a lot of fun and
sort of subversive. You go Basic Hip....Jimmy
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------------------------------
Date: Thu, 28 May 1998 08:55:17 -0400
From: NATHAN MINER <NMINER@som.adm.jhu.edu>
Subject: (exotica) High-end audio.....
Okay, are there any audiophiles on exotica?
I'm soliciting recommendations for high-end audio
equipment......(turntable, speakers, amp, tape deck) I'd like to
stay around $500 for each if that's at all possible......
- - Nate
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------------------------------
Date: Thu, 28 May 1998 14:56:01 UT
From: peter_risser@cinfin.com
Subject: (exotica) record hiss
I've got a record that hisses like it was pressed on a Brillo pad. What causes
record hiss? Is that wear or dirt, or both? I can fix dirt, but is there any
way to fix wear, or is the record just plain shot?
Thanks,
PeterR
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------------------------------
Date: Thu, 28 May 1998 10:26:22 -0500
From: Lou Smith <lousmith@pipeline.com>
Subject: (exotica) High-end audio.....
At 08:55 AM 5/28/98 -0400, Nate wrote:
>
>Okay, are there any audiophiles on exotica?
>
>I'm soliciting recommendations for high-end audio
>equipment......(turntable, speakers, amp, tape deck) I'd like to
>stay around $500 for each if that's at all possible......
Try this site:
<http://www.goodsound.com>
This is a good site for info and recommendations on buying systems priced
from US$600+.
You can go directly to <http://www.goodsound.com/systems.html> or
<http://www.goodsound.com/1800.html> for the specific recommendations.
Good luck,
Lou
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------------------------------
Date: Thu, 28 May 1998 10:44:30 EDT
From: <Chazbam@aol.com>
Subject: (exotica) searching for the Single Eye
Hi
I d'like to get again in touch with the single eye Allan from Montreal
chazbam@aol.com
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------------------------------
Date: Thu, 28 May 1998 10:43:57 EDT
From: <Chazbam@aol.com>
Subject: (exotica) About Daniel Der Sahakian
Hello to you all
has anyone of you heard about the producer Daniel Der Sahakian ?
He used to record armenian artists for the lebanon label Voice of Stars.
This guy was soooooo stylee !
Especially the way he was playing the organ, and his sound was very
interesting, as a reflect of the geographical position of Armenia - european
sound and effiscience, with asian and middle east influences - a sort of
"world music" before it became an insult...
I do have only two records produced by the guy :
VOS 10013 Ara Guiragossian "April 24, 1915" 1971
with the fabulous and dramatic "Mer Ayrenik" and 8 other titles
VOS 10032 Adiss Harmadyan sings with Reddy Bobbio & his orchestra 1982
recorded in Baalbeck Studio, Beirut
If anyone knows about him - please give me infos
bye
chazbam@aol.com
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------------------------------
Date: Thu, 28 May 1998 16:58:50 GMT
From: lousmith@pipeline.com (Lou Smith)
Subject: (exotica) Placenta-eating cookery show condemned
Hey, this post has both "TV Dinners" and "Taboo" in it -- does that
qualify it as Exotica?
- -Lou
LONDON, May 28 (AFP) - A television cookery show which featured
human placenta being cooked and eaten by the new mother and a chef
was condemned by the British broadcasting watchdog Thursday.
The presenter of Channel 4's "TV Dinners," Hugh Fearnley
Whittingstall, devised the recipe with mother Rosie Clear for the
party for the birth of her daughter Indi-Mo Krebbs.
The afterbirth was fried with shallots and garlic, flambeed and
pureed and served to 20 family and friends as a pate on focaccia
bread. The father Lee had 17 helpings but other guests were less
enthusiastic.
Nine viewers criticised the show on the grounds of taste and on
Thursday their complaints were upheld by the Broadcasting Standards
Commission because it said the programme had breached a taboo "which
would have been disagreeable to many."
The practice is not illegal and the commission noted that the
programme makers sought to treat the subject sensitively and
fairly.
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------------------------------
Date: Thu, 28 May 1998 17:02:52 GMT
From: lousmith@pipeline.com (Lou Smith)
Subject: (exotica) fwd: Swing Site
Any Swing Goes
With more than 125 swing band links, the people behind this site are
serious about swing music. You can find current news, show reviews,
interviews with revival artists and genre coverage includes swing,
big band, jump blues and rockabilly. In addition to the music, you
can also find information on swing dancing and culture. You can also
find out about a companion San Diego area radio show.
World Wide Web: http://www.anyswinggoes.com
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------------------------------
Date: Thu, 28 May 1998 14:20:22 -0400
From: Nat Kone <bruno@yhammer.com>
Subject: Re: (exotica) Basic Hip Moog Tape
At 02:28 PM 27/05/98 +0100, Charles Moseley wrote:
>The best is The Moog Machine's Switched on Rock.
I won't say I know a better one, though I might suggest Perry and
Kingsley's "Kaleidoscopic Vibrations" or the Zeet Band's "Moogie Woogie" or
if you like something a little subtler, either of the "Switched on
BACHARACH" records. But I have that Moog Machine and if that's the best,
then this is a seriously seriously questionable genre. I was hoping I'd
only scratched the surface but if it's never going to get better than that,
then I better start deprogramming myself.
Nat
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------------------------------
Date: Sun, 24 May 1998 20:37:22 +0200
From: Johan Dada Vis <Quiet@village.uunet.be>
Subject: (exotica) REVIEW> Peter Thomas Sound Orchestra: "FutureMuzik"
This review has been added to my web site...........
Peter Thomas Sound Orchestra: "FutureMuzik"
REVIEW
Excellent introduction to the wild musical mastermind of Peter Thomas, with
lots of exemples of his powerfull big band spy music (From "Peter Cotton"
and "Edgar Wallace") that is sometimes a bit like John Barry, but wilder,
more eclectic, more fun too, with wordless vocals, electric organ, electric
guitar and bass, drums, and brass of course; 3 tracks from his futuristic
organs-in-orbit soundtrack for "Raumpatrouille" (also available on CD, read
my
review of it, URL below).
Furthermore, a perfect exemple of his sence of humor in "Pardon me, Ms.
Carmen"; 1 track from his "Erinnerungen an die Zukunft (Chariots of the
Gods)" soundtrack, with lush strings, and more. All in all 16 tracks and 57
minutes of brilliant music really unlike anything else, that might blow
your mind, amongst the UN-easiest easy listening around I think. This is
also the first and only Peter Thomas release with excellent, informative
liner notes in English (by The Millionaire) and source details of each and
every track!
RealAudio fragments of several tracks of this CD can be heard in
"Zounds in Cyber Space":
<http://www.geocities.com/SunsetStrip/Lounge/1936/index.html>
DETAILS:
Peter Thomas Sound Orchestra: "FutureMuzik"
CD, Scamp 9724, USA, 1998, 57:11 minutes.
For the track list and more audio fragments, go to
Scamp's web site: <http://www.scamp-records.com>
And don't forget to check out my eXotica Releases Overview for more new
Peter Thomas rereleases! (URL below)
C Johan Dada Vis 1996 - 1998 All Rights Reserved
"Dada'quariums Exotica": Reviews, XRO and more:
<http://bewoner.dma.be/Dada/>
quiet@village.uunet.be
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------------------------------
Date: Thu, 28 May 1998 14:49:30 EDT
From: <Rcbrooksod@aol.com>
Subject: Re: (exotica) Placenta-eating cookery show condemned
About one year ago my wife and I had our first child and were apt to read all
we could on childbirth etc. We ran across scads of info on placenta reciepes
(the practice seems more common in California - surprise, surprise). Also
articles that said to "plant" the placenta with a tree sapling so you could
show it to your child when he grew up.
We opted to let the hospital keep it because we figured they knew better what
to do with it. Uck.
Robert
In a message dated 98-05-28 12:02:57 EDT, Lou writes:
<< Hey, this post has both "TV Dinners" and "Taboo" in it -- does that
qualify it as Exotica?
-Lou
LONDON, May 28 (AFP) - A television cookery show which featured
human placenta being cooked and eaten by the new mother and a chef
was condemned by the British broadcasting watchdog Thursday. >>
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------------------------------
Date: Thu, 28 May 1998 15:11:00 -0400
From: "Rajnai, Charles, NPG NNAD" <crajnai@att.com>
Subject: (exotica) Placenta??
Wow,
I've witnessed a birth from pregnancy to labor to placenta to first nursing,
it is a beautiful thing indeed and certainly the most wonderful of human
events.
Now I am as open minded as the next guy, but anything having to do with
afterbirth kinda skeeves me. Then again, if it was MY child, I don't
know....
Does placenta-noshing qualify as exotica??? Well, I do remember a title or
two on some old records saying something about cannibals.....
surfing the chaos,
Charlieman
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------------------------------
End of exotica-digest V2 #118
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