for those machines. Both books explain how to splice sounds, loop sounds and mix them together. Producing your own studio-quality
samples need not always be a time-consuming, trial-and-error process as the authors make clear. They succeed in coaxing the determined user to keep trying. It took me about an hour to set levels, record a few takes and then play a cloned chorus of my voice on the keys. (These books both need indexing).
