home
***
CD-ROM
|
disk
|
FTP
|
other
***
search
/
DP Tool Club 26
/
CD_ASCQ_26_1295.iso
/
vrac
/
7faces.zip
/
7FACES.DOC
next >
Wrap
Text File
|
1995-10-26
|
42KB
|
1,006 lines
THE SEVEN FACES OF MAN
Visual Recognition of Astrological Types
A Scientific-Intuitive Approach
(Text and associated graphics, copyright 1980, 1995)
by
James A. Davis*
Astrological Consultant
3911 3rd Avenue
San Diego, California, 92103
and
Robert G. Roosen**
Department of Astronomy
San Diego State University
San Diego, California, 92182
* Present address: JAMESD@CG57.ESNET.COM
** Present address: ROOSEN@CTS.COM
This document and associated graphics may be freely
distributed in electronic form. For permission to reproduce
in paper form, contact the authors.
---------------
Paper Presented to First Annual Symposium on Transpersonal
Anthropology, San Diego, California, Spring, 1980.
SECTION I
THE SEVEN RAYS ACCORDING TO ALICE BAILEY
In ESOTERIC ASTROLOGY and other books by Alice Bailey
(see Appendix IIB), a unique formulation of astrology is given.
It views man as a synthesis of seven basic energies. These are
named: 1. Will or Power, 2. Love-Wisdom, 3. Abstract
Mind, 4. Harmony through Conflict, 5. Concrete Mind, 6.
Devotion and Idealism, 7. Order and Ceremony. These seven
principles are referred to as "Rays." In human psychology,
these rays are described in terms of particular personality
traits. Seven personality patterns are enumerated by Bailey and
these seven types are linked to the zodiac in the following way:
TABLE I
ARIES RAY I. WILL OR POWER, dynamic influence,
Leo initiative, action, purpose, dominance,
Capricorn masterfulness, governing power, author-
ity, detachment, commanding, leadership,
ambition, domineering, fierce, destruc-
tion of limitations (or unwise destruc-
tion), obstinacy.
Gemini RAY 2. LOVE-WISDOM, love of truth, mag-
VIRGO netism, humanitarian spirit, inclusive
Pisces love, unity, understanding, calmness,
diplomacy, building, absorbing, intui-
tive foresight, fear, suspicion, over-
inclusiveness, unwise unification.
CANCER RAY 3. ABSTRACT MIND, philosophical,
Libra theoretical, imagination, planning, cau-
Capricorn tious, dreamer, creative, adaptability,
absentmindedness, complicated thinking,
manipulation, busyness (or creative
activity).
Taurus RAY 4. HARMONY AND CONFLICT, fighting
SCORPIO spirit, challenge and triumph, humor,
Sagittarius sense of color and beauty, intuition,
generous, crisis, strife, war, pain,
worry, pessimistic, exaggeration,
procrastination, combative.
LEO RAY 5. CONCRETE MIND OR SCIENCE, fac-
Sagittarius tual and detailed knowledge, research,
Aquarius accuracy, common sense, practical ideas,
inquisitive, technical, discrimination,
long-winded criticism, narrowness, intel-
lectual pride, mental prejudice.
Virgo RAY 6. DEVOTION AND IDEALISM, loyalty,
SAGITTARIUS faith, trust, reverence, aspiration, sac-
Pisces rifice, personal feeling, hero worship,
emotionalism, jealousy, narrow love,
fanaticism, emotional prejudice.
Aries RAY 7. ORDER AND CEREMONIAL, systematic,
Cancer organized, courtesy, dignity, ceremonious-
CAPRICORN ness, following of rules, polished style,
attention to precedent, formalism, super-
ficiality, superstition, emphasis upon
external form and structure, practical
manifestation.
Notice that each ray is related to three signs of the
zodiac. Each of these groupings of three signs is called a "ray
triangle." There are, therefore, seven ray triangles as shown
in Table I, and each triangle is linked to a personality type.
Note that some rays are related to more than one zodiacal sign.
In addition, in each group of three signs, one sign is dominant
(the dominant signs are capitalized in the table). The seven
dominant signs are said to manifest with greater energy or with
greater intensity. This means that the character patterns as
given should be most readily observable in the seven dominant
signs: Aries, Virgo, Cancer, Scorpio, Leo, Sagittarius, and
Capricorn.
Bailey depicts the seven rays as the causative energies that
define the nature of the twelve signs of the zodiac. They are,
therefore, seen as the master key to the comprehension of
astrological energy. In summary we may say that, according to
the book ESOTERIC ASTROLOGY:
1. A ray is a name for a type of energy.
2. There are seven rays.
3. There are seven character types and also combinations or
blends of these types.
4. Each ray manifests itself through a group of three zodiacal
signs, each such group of three is referred to as a "ray
triangle."
5. In each group of three signs there is one dominant sign.
6. Some signs are related to one ray and some to two or three
rays.
7. The basic keynote of each sign is determined by the
nature of the ray or ray combination that is active through
that sign.
8. The qualities and personality characteristics of individuals
are, in some measurable degree, related to the ray or rays
of the sign in which they are born, i. e. the sun sign of
traditional astrology. (See Appendix 1 for a definition of
zodiacal signs in terms of birth date.)
SECTION II
HOW TO RECOGNIZE THE SEVEN RAY TYPES
It is a common and widespread belief that it is possible to
tell something about a person's character from the face. A
great many people instinctively feel that the face, in both its
constantly changing and static aspects, can convey definite
indications about personality. If there is a relationship
between the face and character, and if astrological energies
are related to character, then there must also be a
relationship between astrological energies and that which is
expressed in the face. In addition, if Bailey's concept of
seven astrological energies and seven character types is
correct, then it also follows that there must be seven types of
character visible in the face. The authors, proceeding on the
hypothesis that these proposed relationships exist, were
rewarded with evidence strongly supporting both the existence
of astrological energies and the concept of the seven ray
triangles.
Using biographical reference works containing thousands of
photographs, the authors began a search for distinct
personality types that might correspond to the seven rays
described by Bailey. The procedure was simply to hold in mind
a character trait belonging to a particular ray, such as
"strong willed" for Ray 1. Groups of photographs were
collected that, for subjective reasons, impressed us as
corresponding to the ray types described in ESOTERIC ASTROLOGY.
These groups of photographs were then analyzed in a more
objective manner. It was evident that there was a pattern
of mannerisms and facial characteristics that repeated itself
in each group. Gradually, an image was built up of each of the
seven types. A list of indicators of each ray type was thereby
developed. The validity of each group of ray indicators was
then tested. The methodology and results of this research
are described in sections III and IV. A series of photographs
exemplifying each ray type is included in three of the files
accompanying this document. These files are named:
FACES1.GIF
FACES2.GIF
FACES3.GIF
The photographs were taken from the book PORTRAITS OF THE
WORLD'S BEST KNOWN MUSICIANS (See Appendix III). They should
be studied in conjunction with the verbal descriptions that
follow:
RAY 1
Direct, intense gaze; penetrating stare. The chin is
sometimes pulled down and back (this causes the whites in the
lower part of the eye to be more visible, and also makes the
eyebrows appear closer to the eyes). The eyebrows themselves
may be lowered and drawn together. The upper eyelid tends to
be hidden by the lowered brow, and the lower eyelid may be
tensed. The eyebrows tend to either slant upward (as in Ray
1--photograph D) or else are straight across the brow (as in
Ray 1-photograph B). The eyebrows tend to have less curvature
than the average and often form a relatively straight line.
The appearance is masculine. This type is not usually smiling
and tension of the lips gives a firm appearance to the mouth.
The mouth itself may sometimes form an upside-sown "U" (as in
Ray 1-photograph I). (The downward turned or "U" shape of the
mouth does not give this type the appearance of sadness,
rather the impression is rather one of sternness). The words
to keep in mind for this type are: STRONG WILLED, DETERMINED,
POWERFUL INDIVIDUAL, DOMINANT, DYNAMIC, COMMANDING, SOMETIMES
STERN, FORBIDDING and FIERCE.
RAY 2
The eyebrows are inclined to curve downward and the
upper eyelids may also have a distinctive downward curve
(compare the downward sloping eyebrow and eyelid of Ray
2-photograph D with the upward slope of Ray 1-photograph D.)
The ray 2 face appears relatively relaxed and a slight smile is
characteristic. (The Ray 2 smile is distinctive in that one
feels that it is a real, genuine or warm smile.)
This type tends to be perceived as understanding and
friendly. The primary words expressive of it are: LOVING
CALMNESS.
RAY 3
This type shows a distant gaze--a "far-look" in which the eyes
seem to be focused on the far horizon. This may give the
impression of looking inward at the world of one's own thought.
The individual may appear dreamy-eyed or lost in thought. The
face is relatively passive and the eyes are usually opened
widely. The eyebrows may appear relatively high set. Opening
the eye widely also tends to lift the eyebrow. The eyebrows
tend to curve upward (as in Ray 3-photograph I). The eyeball
itself sometimes appears to be larger and more protruding than
normal. (This is apparent in several of the Ray 3 photographs,
particularly Ray 3-photograph A.)
Key words to keep in mind are: FAR-LOOK, DISTANT
GAZE, ABSTRACTED GAZE.
It may be valuable to mention here that there is a
correspondence between the seven rays and the endocrine glands.
From the standpoint of esoteric astrology, the endocrine system
is conditioned by the seven "chakras" (the Eastern term for the
seven major energy centers in man's etheric body) which are, in
turn, conditioned by the seven rays. According to Bailey, the
energies of the rays find their physical externalization
through the seven chakras and their corresponding endocrine
glands. In ESOTERIC PSYCHOLOGY, Volume II, pages 521 and 536,
the following relationship is indicated: RAY 3--throat
center-thyroid gland. Bailey states that over activity of a
center results in a corresponding over activity of its
associated endocrine gland. It follows that people in whom the
third ray is very active will have an active throat center and
consequent stimulation of the thyroid gland. Under "thyroid
gland" in VAN NOSTRAND'S SCIENTIFIC ENCYCLOPEDIA we find a
reference to hyperthyroidism as follows, "One or both eyes may
protrude from the sockets...in most patients, the eye symptoms
are mild; they are characterized by a retraction of the lids,
resulting in a stare or a wide-eyed look." Examination of
thousands of photographs first revealed to us the open-eyed
look of the Ray 3 type. We noticed the corroborative
information about hyperthyroidism at a later date.
RAY 4
The person appears deeply sad or ready to cry and the
face expresses suffering or pain. We should note in
passing that the expression may represent pain for oneself or
for others (compassion). The eyebrows tend to slant downward
and this is accentuated by a lifting and slight drawing
together of the inner part of the eyebrows. The downward slant
of the eyebrows tends to be mirrored in a corresponding
downward slant of the upper eyelids. (The muscular movement
that lifts the inner part of the eyebrows also pulls upward on
the inner corners of the eyelids, giving a triangular shape to
the eyelids.) The sadness conveyed may be accentuated by a
slight raising of the lower eyelid. Sometimes the gaze is
downward ("downcast") rather than straight ahead. (Ray 4
photographs F and I.) The corners of the mouth usually turn
downward or the lips may have a trembling appearance.
Occasionally one sees elements of the "crying face" mixed with
a smile and elements of a happy expression. This gives the
impression of "laughing on the outside but crying on the
inside" or "smiling through one's tears." This is the ray of
CONFLICT and expresses opposite extremes, hence intense sadness
or a pronounced smile are probably characteristic.
Words to keep in mind are: CRYING, SADNESS, SUFFERING, PAIN.
Note that ray 4 is also the ray of HARMONY. But the pain
dimension was focused on in this study because it is less
abstract and probably easier to isolate for research purposes.
The growth or evolution of this character type is said, by
Bailey, to result in the resolution of conflict and suffering
into harmony and joy. In theory, a variation of ray 4 would
show a face of intense joy, but we have not tried to study this
variation.
RAY 5
The eyes appear focused on the foreground and there is
a tension of concentration that gives the impression of
intellectual scrutiny. The eyebrows tend to slant upward and
are probably less curved than average. There is less emotion
expressed in the face or else one feels the emotional nature
is dominated by the mental side.
Words to keep in mind are: MENTAL, ANALYTICAL,
CRITICAL, QUESTIONING, FOCUSED or CONCENTRATED THOUGHT,
may give the impression of SKEPTICISM or INTELLECTUAL
NARROWNESS.
RAY 6
As is apparent in many of the ray 6 photographs, this
type has a tendency to gaze upwards. Though not all literally
look upwards, the facial expression conveys the sense of
devotion. (Devotion has been defined as "love looking
upward.") The eyebrows (and sometimes upper eyelids) have the
same distinctive downward curve as described under ray 2.
Unlike ray 2, however, ray 6 is not calm. There is emotional
intensity and often a certain tension or yearning in the face.
Some words to keep in mind are: DEVOTIONAL LOVE,
INTENSE FEELING, ASPIRATION, FAITH, WORSHIP, REVERENCE.
RAY 7
The eyebrows of this type tend to slant upward. As can easily
be seen from the ray 7 photographs, this type holds its chin
higher than normal, giving a "head held high" appearance. The
upper eyelids may be partially closed--this characteristic
depends on the direction of the gaze. The lifted chin gesture
is sometimes accompanied by a lifting of the eyebrows. The ray
7 type gives the impression of stiffness or rigidity.
Sometimes the feeling conveyed is "I am a British lord of high
social position." There is a "looking down one's nose" type
of ray 7 face, and also a subtler pose which perhaps simply
communicates dignity or a sense of formality.
Words to keep in mind are: DIGNIFIED, NOBLE,--or the more
common and easily identified type that expresses an "I am an
important person" look--HAUGHTY, SUPERCILIOUS, POMPOUS.
---------------
There are, broadly speaking, two types of rays:
A. The head, or mind types which are the odd numbered rays:
1,3,5, and 7.
B. The heart or feeling types which are the even numbered
rays: 2, 4, and 6.
It may be helpful to point out some contrasts among the types:
* Rays 1 and 7 are related. Both express strength.
Ray 1 is analogous to a battering ram, ray 7 to a
rock.
* Rays 2 and 6 are related. Both express love. Ray 2
is love looking outward toward others in an
inclusive way, and it has blended with it a quality
of intelligence or wisdom. Ray 6 love tends to
focus its love or devotion more narrowly upon a
person or personal God.
* Rays 3 and 5 are both mental but in contrasting
ways. Ray 3 appears lost in thought; it is
reflective and somewhat feminine or receptive in
nature. Ray 5 is a sharp, cutting, probing
intellect. Ray 5 is the "matter of fact,"
practical, common sense mind.
* Ray 1 is very intense and concentrated; it is
power. Ray 5 is concentrated thought. Ray 1 is
more dynamic than ray 5.
* Ray 6 sometimes expresses intensity of feeling or
emotion. Ray 1 expresses intensity of will; it is a
mental ray.
In learning to identify the ray types it may be helpful to
practice before a mirror. Try assuming the various expressions
and mannerisms of the seven types as an actor might in
practicing for a role. If you can assume a strong, fierce
appearance, or a loving calm expression at will, then it may be
easier for you to identify with and recognize the ray types in
photographs.
We recommend that you identify the ray types using both
objective and subjective criteria. For instance, it is helpful
to know that the ray 6 type tends to look upward, and it is
also important to ask oneself, "Does this face as a whole
convey a sense of devotion?" A sensitive observer with a good
eye for faces (perhaps analogous to that developed by a
portrait artist) can make good use of the technique of holding
in mind terms such as "will," "devotion" and "love." More
literal minded individuals may tend to rely upon the more
objective indicators, and a degree of accuracy can be obtained
in that way. See, for instance, figure 9 in section IV, where
very significant results were obtained using only two
contrasting objective indicators.
When we try to identify a person as a ray type we are
really trying to determine which of the seven rays are most
influential in a given personality. It may be helpful to note
that, according to ray theory, there are no pure types.
Rather, each individual is actually a blend of all seven rays.
Ray 3 photograph I is included in the ray 3 group as an example
of the abstracted gaze of the "far-look." Note, however, the
slight lifting of the chin which suggests ray 7. This
individual was born with the sun in Capricorn. The sign of
Capricorn is a meeting place for both rays 3 and 7. Therefore,
and one might correctly point to this photo as an example
expressing a blending of rays.
Try this simple experiment. Show the seven groups of
photographs (those shown in the files FACES1.GIF, FACES2.GIF,
FACES3.GIF) to people at random. Ask the question: "What
character qualities do you see in the seven groups?" The
responses will be quite interesting. We have found that some
people say they cannot see anything and refuse to comment. A
few people can give complete verbal descriptions closely
matching the Bailey key word list for the rays. (This, even
though they know nothing of Bailey, astrology, the rays, or
even the reason you are presenting them with the photographs.)
Anyone desiring to repeat the experiments described in section
IV may find it useful to present these photographs to people as
a means of testing for sensitivity. Those who can
spontaneously recognize the character patterns given in this
article by simply looking at the photos will probably be those
who can easily be trained to see the ray types. The subjects'
responses to the photos need not be precisely the key words we
have given, but the closer, the better.
SECTION III
HOW TO TEST FOR ASTROLOGICAL ENERGIES
(See also Appendix IV.)
There exists a relatively simple method by which an observer
may test for the existence and nature of astrological energies.
This technique is as follows:
1. Study carefully the seven types of faces and accompanying
descriptions as given in section II.
2. Go to any fairly comprehensive library and locate
biographical reference works that contain thousands of
photographs of people together with their birth dates.
(A list of possible sources is included in appendix IIA).
3. Select one of the seven ray types and begin searching for
faces that closely match that type.
4. Make a list of birth dates of all individuals whose
photographs match the descriptions of the ray types given
in section II.
5. Tabulate the number of times the sun is located in each
zodiacal sign using dates given in Appendix I. (These
dates are necessarily close approximations. Greater
accuracy of recording can be obtained by consulting an
ephemeris--this is only useful in those cases where
birth dates fall within two days of the boundary of signs.)
6. Examine your results to see if they are in agreement with
the information given in this article.
Assuming that no astrological correspondences exist,
and if enough dates are collected, then from chance alone the
number of suns positioned in each zodiacal sign should be
about equal. (Seasonal variation of birth and the
eccentricity of the Earth's orbit around the Sun have a
relatively minor effect on the results.) Consequently, clear,
consistent, and predictable patterns of the type reported in
section IV must be due to astrological factors.
Some additional things to consider are:
* Some people can easily absorb the information given
here and quickly learn to accurately recognize all
seven of the types.
* Some people can learn to see one or more of the types
but may have difficulty recognizing others.
* Some will confuse one ray type with another.
* If you have difficulty in learning to see the types
yourself, test a number of people until you find some-
one who can see them. Then use that person or persons
as an instrument for research.
As described in section II of this work, there are both
objective and subjective factors to hold in mind when
selecting photographs. People vary in their ability to
utilize both objective and subjective criteria. Therefore
people will vary in their ability to accurately see the ray
types. However, the degree of skill involved is not great and
interested investigators should not have difficulty in either
learning to see them or training someone else to do so.
Use a high standard of selectivity. For this purpose
it is important to use biographical reference books that
contain large numbers of photos so that dozens of photographs
can be skipped in the process of searching for a face that
definitely exemplifies the qualities of a ray type. Thus out
of 100 photographs an observer may select only three or four
that clearly match the type being searched for. In the
studies reported in section IV of this work, the observers, on
the average, chose only about 3 or 4 percent of the
photographs contained in the volumes consulted.
SECTION IV
APPLICATION OF THE METHOD:
A GRAPHIC PRESENTATION OF 4,553 SUN SIGNS
The following table is included to facilitate reading the
graphs in this section. It shows each zodiacal sign, the signs
being arranged according to Bailey's concept of seven ray
triangles. The graphs referenced in this section use
abbreviations--each is labeled using the first three letters in
the name of a sign.
TABLE 2
RAY 1 Aries, Leo, Capricorn
RAY 2 Gemini, Virgo, Pisces
RAY 3 Cancer, Libra, Capricorn
RAY 4 Taurus, Scorpio, Sagittarius
RAY 5 Leo, Sagittarius, Aquarius
RAY 6 Virgo, Sagittarius, Pisces
RAY 7 Aries, Cancer, Capricorn
Using the method outlined in the previous section, an observer
selected 420 photographs that matched the ray 1 type as
described in part II. The photographs used were from MEN OF
ACHIEVEMENT, 1974. (See Appendix IIA). Choices were made
solely on the basis of an individual's appearance in the
photograph. The birth dates of all individuals matching the
ray 1 type were entered into a computer programmed to calculate
and graph the results in terms of the 12 zodiacal signs. The
graph of the sun signs for this ray 1 group is reproduced as
figure 1. (Note that figure 1 is contained in the file
FIGURE1.GIF, figure 2 is in the file FIGURE2.GIF, etc.)
Three peaks occur in the figure 1 graph: Aries, Leo, and
Capricorn. The signs Aries, Leo, and Capricorn are those
specified by Bailey as corresponding to the ray 1 triangle. In
other words, the pattern shown is that predicted from Bailey's
concept of the seven rays, where each of the seven rays
expresses through three zodiacal signs (TABLE 2 above).
Figures 2, 3, 4, 5, 6 and 7 show the results of six studies
carried out in the same manner as the ray 1 study just
described. The following additional points should be noted:
A. In figure I (ray 1), figure 3 (ray 3), figure 5 (ray 5)
and figure 7 (ray 7), a single observer was used (the same
individual for all 4 graphs).
B. In figure 2 (ray 2), figure 4 (ray 4) and figure 6 (ray 6),
six different observers were used. Each individual was
assigned to select dates from different sections of the
biographical works employed. The selections made by the
various observers were then added together and graphed as
a whole. In other words, the graphs for rays 2, 4, and 6
are the result of a composite observation by a group of six
people.
Each of the graphics files contains a brief caption.
Additional information on each graph is listed here:
FIGURE1.GIF
RAY 1
420 Sun Signs from MEN OF ACHIEVEMENT, 1974
FIGURE2.GIF
RAY 2
253 Sun Signs From MEN OF ACHIEVEMENT, 1974 and A BIOGRAPHICAL
DIRECTORY OF CLERGYMEN OF THE AMERICAN LUTHERAN CHURCH
FIGURE3.GIF
RAY 3
338 Sun Signs From MEN OF ACHIEVEMENT, 1974
FIGURE4.GIF
RAY 4
574 Sun Signs from WOMEN OF ACHIEVEMENT, 1975; MEN OF
ACHIEVEMENT 1974 and 1979; A BIOGRAPHICAL DIRECTORY OF
CLERGYMEN OF THE AMERICAN LUTHERAN CHURCH, 1972,
and WHO'S WHO IN AMERICAN EDUCATION, 1966
FIGURE5.GIF
RAY 5
282 Sun Signs From WOMEN OF ACHIEVEMENT, 1975 and
MEN OF ACHIEVEMENT, 1979
FIGURE6.GIF
RAY 6
341 Sun Signs From WOMEN OF ACHIEVEMENT 1975 and A BIOGRAPHICAL
DIRECTORY OF CLERGYMEN OF THE AMERICAN LUTHERAN CHURCH, 1971
FIGURE7.GIF
RAY 7
225 Sun Signs From WOMEN OF ACHIEVEMENT, 1975 and
MEN OF ACHIEVEMENT, 1979
FIGURE8A.GIF
CONTROL GROUP A
700 Sun Signs From MEN OF ACHIEVEMENT, 1974
FIGURE8B.GIF
CONTROL GROUP B
350 Sun Signs: 150 From A BIOGRAPHICAL DIRECTORY OF CLERGYMEN
OF THE AMERICAN LUTHERAN CHURCH, 1972 Plus First 200
Individuals Listed In MEN OF ACHIEVEMENT, 1974
FIGURE8C.GIF
CONTROL GROUP C
270 Sun Signs: 170 From WOMEN OF ACHIEVEMENT, 1975 Plus 100
From WHO'S WHO IN AMERICAN EDUCATION, 1966
FIGURE9.GIF
A. 400 EYEBROWS UP
B. 400 EYEBROWS DOWN
Both From MEN OF ACHIEVEMENT, 1974 and 1979
Plus WHO'S WHO IN AMERICAN EDUCATION, 1966
FIGURE10.GIF
CONTROL GROUP
400 Sun Signs From MEN OF ACHIEVEMENT, 1974 AND 1979
Plus WHO'S WHO IN AMERICAN EDUCATION, 1966
----------------------
To examine the correspondences between ray theory as presented
in Bailey's works and our own observations, we have constructed
the following table:
TABLE III
(A)
The Seven Ray Triangles
according to
ESOTERIC ASTROLOGY by Alice A. Bailey
RAY 1 ARIES, Leo, Capricorn
RAY 2 Gemini, VIRGO, Pisces
RAY 3 CANCER, Libra, Capricorn
RAY 4 Taurus, SCORPIO, Sagittarius
RAY 5 LEO, Sagittarius, Aquarius
RAY 6 Virgo, SAGITTARIUS, Pisces
RAY 7 Aries, Cancer, CAPRICORN
(B)
Statistical observations:
Primary peaks in graphs
(Figures 1 through 7)
RAY 1 ARIES, Leo, Capricorn
RAY 2 Gemini, VIRGO, Pisces
RAY 3 CANCER, Libra, Capricorn
RAY 4 SCORPIO
RAY 5 LEO, Taurus, Aquarius
RAY 6 Virgo, SAGITTARIUS, Pisces
RAY 7 Aries, Cancer, CAPRICORN
The following facts will be noted:
1. All seven studies (Table II B) produced a peak in the sign
specified by Bailey as the dominant member of each
triangle. (The dominant signs, according to theory, are
capitalized in Tables III A and III B.) In five out of the
seven studies, the highest peak in the graph was the
dominant one as predicted by theory.
2. Among all the graphs there is only one peak (Taurus in the
case of ray 5) that was not predicted by ray triangle
theory.
3. Sagittarius and Taurus for ray 4 and Sagittarius for ray 5
were the only places where the predicted peaks were not found.
Figure 8 shows three control groups taken from the volumes
utilized in these studies. We collected these by beginning
on page 1 of each volume, taking one date from each page
(either the first one listed at the upper left of the page or,
for some volumes, the last date listed at the lower right of
the page). The control groups show only random patterns and
the variations from the mean are not significant.
There are two dimensions to facial expression: the active or
mobile aspect, and the static aspect. The active aspect
includes all those changes in the face that result from
momentary or habitual patterns of thought and feeling. The
static aspects of the face include such things as the shape of
the nose, the size of the mouth, and whether the eyes are set
close together or far apart. In the case of a feature such as
the eyebrows, there are both static and active aspects--on the
one hand their shape and position is relatively static, on the
other hand they have a mobile aspect which is very apparent in
the expression of emotional states.
The connection between character and the active or mobile
aspects of the face is easily seen. The static aspects of the
face, however, appear to be an accident of birth, and the
possibility of a link between these and a person's character is
not readily apparent from the genetic point of view. It would
appear that "chance," or accidental heredity factors are
responsible for the static aspects of the face. From an
astrological viewpoint, however, there are no accidents in the
sense in which most people think of them.
Figure 9 graphs the sun signs of 400 people with downward
slanting eyebrows, and 400 people with upward slanting
eyebrows. Examples of what is meant by "upward slanting" and
"downward slanting" are contained in section II and in the line
drawing (see the EYEBROWS.GIF file). The drawing shows two
types of eyebrows:
A. UPWARD SLANTING (OR CURVING) EYEBROWS
B. DOWNWARD SLANTING (OR CURVING) EYEBROWS
For this part of the study, birth dates were extracted from
biological reference works when the corresponding photograph
showed eyebrows that slanted either upward or downward--the
selections were made from many thousands of photographs,
and only the more extreme cases of upward or downward slant
were included. The upward and downward eyebrow groups were
tabulated separately.
The resulting graph (Figure 9) is presented in terms of the
seven ray triangles instead of the twelve signs. This method
of displaying the data reveals the extent to which the opposite
facial characteristics (eyebrows up versus eyebrows down) show
up as astrological/rayological opposites.
The even numbered rays (2, 4, 6) correspond to eyebrows of the
downward slanting type. The odd numbered rays (1, 3, 5, 7)
correspond to eyebrows of the upward slanting type. In terms
of ray theory, this odd-even division is the division between
the head or mind-oriented type, and the heart or
emotion-centered type. This can be seen by comparing the names
of the Rays:
EVEN NUMBERED RAYS ODD NUMBERED RAYS
Ray 2--Love Ray 1--Will
Ray 4--Harmony Ray 3--Abstract Mind
Ray 6--Devotion Ray 5--Concrete Mind
Ray 7--Order
Try this experiment: Show the line drawings (in the file
EYEBROWS.GIF) to various people and ask them which of the faces
looks the more loving. The drawings are exactly alike except
for the placement of the eyebrows. Most people intuitively
recognize the down turned eyebrows as expressing heart energy.
Figure 10 (FIGURE10.GIF) shows a control group of 400 people
taken from the same biographical reference works as the
eyebrows study just described. Observed that there is no odd
or even pattern in the controls, and that, unlike figure 9, the
variations from the mean are relatively small.
See Appendix IV for instructions on how to replicate this study
of eyebrows.
* * * * * * *
The authors are interested in corresponding with anyone
conducting research along the lines set forth in this work.
If you find, or fail to find, results corresponding to those
reported here, please write and let us know:
James Davis can be reached via e-mail at JamesD@CG57.esnet.com
Robert Roosen can be reached via e-mail at Roosen@CTS.com
* * * * * * *
APPENDIX I
ZODIACAL SIGNS:
APPROXIMATE DATES OF THE SUN'S ENTRY AND EXIT
Aries 21 March--19 April
Taurus 20 April--20 May
Gemini 21 May--20 June
Cancer 21 June--22 July
Leo 23 July--22 August
Virgo 23 August--22 September
Libra 23 September--22 October
Scorpio 23 October--21 November
Sagittarius 22 November--21 December
Capricorn 22 December--19 January
Aquarius 20 January--18 February
Pisces 19 February--20 March
APPENDIX II
BOOKS PROVIDING THE BASIS FOR THE THEORY OF THE SEVEN RAYS:
1. A TREATISE ON THE SEVEN RAYS: VOLUME I, ESOTERIC PSYCHOLOGY,
Alice A. Bailey, Lucis Publishing Co., First printing 1936.
2. A TREATISE ON THE SEVEN RAYS: VOLUME II, ESOTERIC PSYCHOLOGY,
Alice A. Bailey, Lucis Publishing Co., First printing 1942.
3. A TREATISE ON THE SEVEN RAYS: VOLUME III, ESOTERIC ASTROLOGY,
Alice A. Bailey, Lucis Publishing Co., First printing 1951.
The assignments of the twelve zodiacal signs to the seven
groupings described in section I of this work may be found on
page 423 of ESOTERIC ASTROLOGY. A summary of the character
traits which are given for the seven ray types can be found in
VOLUME I of ESOTERIC PSYCHOLOGY, on pages 201 through 212.
BOOKS USED IN THE STUDY OF HUMAN FACES:
1. A BIOGRAPHICAL DIRECTORY OF CLERGYMEN OF THE AMERICAN
LUTHERAN CHURCH, Mikelson, Arnold R. ed., Augsburg
Publishing House, 1972.
2. MEN OF ACHIEVEMENT 1974 and 1979 Editions, Kay, Ernest
ed., Melrose Press Limited, 1974 and 1979.
3. UNMASKING THE FACE, Ekman, Paul, Prentice-Hall 1975.
4. WHO'S WHO IN AMERICAN EDUCATION, Cook, Robert C. ed.,
Melrose Press Limited, 1975.
5. THE WORLDS WHO'S WHO OF WOMEN, Kay, Ernest ed., Melrose
Press Limited, 1975.
6. PORTRAITS OF THE WORLD'S BEST KNOWN MUSICIANS, McCoy,
Guy ed., T. Presser Co., 1946.
NOTES: Reference 1, above, is a single volume. References
numbers 2, 4 and 5 are multi-volume sets containing large
numbers of photographs and suitable for use in research on
faces. The specific editions named are those employed in our
research as described in section IV. The faces referred to in
section II (reproduced in the files FACES1.GIF, FACES2.GIF, and
FACES3.GIF) were taken from PORTRAITS OF THE WORLD'S BEST KNOWN
MUSICIANS.
Reference 3 (UNMASKING THE FACE) reports scientific research on
emotions and facial expressions.
APPENDIX III
BIRTH DATES OF INDIVIDUALS WHOSE PHOTOGRAPHS
APPEAR IN SECTION II
(? indicates unknown birth date)
RAY 1: A. ?; B. ?; C. ?; D. 4/18/1895; E. 8/5/1890; F. 1/2/1856;
G. 3/25/1867; H. 12/29/1876; I. 12/22/1885
RAY 2: A. 9/21/1896; B. 8/26/1903; C. 8/29/1891; D. 9/2/1871;
E. ?; F. 9/17/1880; G. ?; H. 3/9/1871; I. ?
RAY 3: A. 7/4/1878; B. 7/16/1863; C. ?; D. 1/18/1841; E. 7/6/1899;
F. 7/5/1875; G. 7/5/1890; H. 10/1/1832; I. 1/20/1867
RAY 4: A. ?; B. 11/21/1895; C. 4/28/1863; D.11/20/1879; E.
11/2/1868; F. 11/12/1888; G. 12/8/1878; H. ?; I. 11/19/1888
RAY 5: A. 2/9/1875; B. 2/11/1891; C. 1/31/1872; D. 12/6/1899; E.
?;
F. 2/16/1900; G. 7/24/1869; H. 2/12/1899; I. 1/28/1898
RAY 6: A. ?; B. 12/12/1903; C. 8/26/1874; D. ?; E. ?; F. ?;
G. 12/4/1880; H. ?; I. ?
RAY 7: A. 12/31/1863; B. 1/10/1872; C. 7/19/1861; D. 12/19/1818;
E. 1/17/1893; F. 7/18/1864; G. 1/20/1865; H. 12/26/1853;
I. 12/25/1829
APPENDIX IV
METHOD FOR EYEBROW RESEARCH
1. Go to a library that contains many biographical reference
works, and locate those that contain both large numbers of
photographs and the year, month, and date of birth. A
bibliography of examples of such works is given in Appendix
II. The reference or references to use are those with many
hundreds--preferably thousands--of photographs.
2. Look at the abstractions of the human face shown in
the accompanying file (EYEBROWS.GIF) and read the captions.
Notice that each face is identical except for the
eyebrows--only the eyebrows are different. Note that
eyebrows may either curve or slant up, or curve or slant
down. The up/down feature of eyebrows is the focus of your
attention in this research.
The drawings in EYEBROWS.GIF represent the extremes of
human eyebrows with regard to their upward or downward
characteristic. Most individuals will fall between these
two extremes--that is the eyebrows will not be clearly up
or down but somewhere in between.
3. Equipped with the information given in step #2, spend a few
minutes flipping at random through the selected
biographical reference. Pay attention to eyebrows.
Observe photographs that show examples of extreme upward or
downward slant. Locate a few people whose eyebrows slant
or curve upward like those in the drawing. Next, locate a
few people whose eyebrows slant or curve downward like
those in the drawing. When you are comfortable with your
ability to distinguish extreme upward and downward slant in
eyebrows, continue with the next step.
4. Start at the beginning of the book or books, and briefly
examine each photograph on each consecutive page. Look for
photographs of individuals whose eyebrows are unambiguously
slanted up or down. The eyebrows may be straight or
curved--the degree of straightness or curvature does not
matter since, in this case, you are looking for the up/down
feature of eyebrows. Record the birth dates and eyebrow
data (as described in step 5 and 6 below) of all
individuals who meet the criteria of extreme upward or
downward slant.
5. When you come across a photograph showing extremely upward
slanted eyebrows, record that individual's birth date in the
eight-digit format shown below followed by a space and the
letter designation "U." For instance use the code:
12271944 U
to record a person born on December 27, 1944 where the
photograph shows extreme upward slanting eyebrows.
6. When you come across a photograph showing extremely
downward slanted eyebrows, record that individual's
birth date in the eight-digit format shown below followed by
a space and the letter designation "D." For instance use
the code:
10111934 D
to record a person born on October 11, 1934, where the
photograph shows extreme downward slanting or downward
curving eyebrows.
11. Tabulate the number of times the sun is located in each
zodiacal sign using dates given in Appendix I.