5,"magiccub","csuri",1,1,0,"Celebration of the Cube",
8,"patterns","orlando",1,2,0,"Barbados Water Color","1994 original digital painting - Inspired by the many patterns, shapes and colors of the foliage on the island. It was painted in a very loose random water color style to capture the soft edge blur of the strong Caribbean sun against the contrast of deep shadows created by the lush plants."
1,"tedbc","debuchi",1,3,0,"The Holy Bird, 1994","Technical aspects or programming: The development of new modeler to make feathers of birds or petals of flowers. Image: Based on traditional Japanese Kimono's designs. The imaginary bird called 'Hohoh'. Theme/Story: The expression of aesthetic and fascinating beauties that I felt when I viewed Okinawa's traditional dances. Music: Pop-traditional Okinawa folk song."
7,"wormhole","chalk",1,4,0,"Worm Hole",
2,"bss6c","debuchi",1,5,0,"The Holy Bird, 1994","Technical aspects or programming: The development of new modeler to make feathers of birds or petals of flowers. Image: Based on traditional Japanese Kimono's designs. The imaginary bird called 'Hohoh'. Theme/Story: The expression of aesthetic and fascinating beauties that I felt when I viewed Okinawa's traditional dances. Music: Pop-traditional Okinawa folk song."
3,"flower","csuri",1,6,0,"Wonderous Spring",
6,"aquaagua","paternos",1,7,0,"Agua Aqua",
4,"dancers","csuri",1,8,0,"Something in the Air",
204,"headanim","csuri",1,9,1,"Outer and Inner Space (animation)",
9,"alba","jaime",1,10,0,"Alba",
10,"anguish","lockley",1,11,0,"Anguish",
12,"boyinth","bachalo",1,12,0,"Boy in the Bubble","For this image I used a B&W photo of the facade and two colour transparencies (the boy and the girl) from my personal stock library. Once I had the image worked out 'in my head' it was simply a matter of execution. The b&w image of the facade was colorized using the arbitrary map option in Photoshop. The bubble effect was created using the spherize filter in conjunction with pasting using varying levels of transparency. Final touches included the reflections and 'pond ripple' effect to give the illusion of water. Adobe Photoshop was used exclusively. Total execution time: approx: 10 hrs."
11,"sim2movi","mcculley",1,14,1,"Simulator Movie (animation)",
14,"bamn","lewis",1,15,1,"By Any Means Necessary (animation)","A multiple-image montage that responds to racism in America and the role that television played in reporting the Los Angeles riots. By layering slightly changing images and sound bytes, this video explores the fleeting and, at times, haunting images and sounds of civil unrest. Created with Autodesk's Multimedia Explore and Computer Eyes Cine Software for Video Capture."
21,"bug3","miller",1,16,0,"Bug3",
15,"sibylsfe","krause",1,17,0,"Sybil's Fear",
16,"bob","bush",1,18,0,"Bob","Over 1200 images were collected during a trip to Italy in April of 1993. Three hundred of the photographs were transferred to Kodak PhotoCD and then manipulated by the artists on a 486 PC using Picture Publisher, Corel 4, Micrographix Designer, and Fractal Painter 2."
17,"heads","bush",1,19,0,"Heads","Over 1200 images were collected during a trip to Italy in April of 1993. Three hundred of the photographs were transferred to Kodak PhotoCD and then manipulated by the artists on a 486 PC using Picture Publisher, Corel 4, Micrographix Designer, and Fractal Painter 2."
18,"mural","bush",1,20,0,"Mural","Over 1200 images were collected during a trip to Italy in April of 1993. Three hundred of the photographs were transferred to Kodak PhotoCD and then manipulated by the artists on a 486 PC using Picture Publisher, Corel 4, Micrographix Designer, and Fractal Painter 2."
19,"mouth3","bush",1,21,0,"Mouth","Over 1200 images were collected during a trip to Italy in April of 1993. Three hundred of the photographs were transferred to Kodak PhotoCD and then manipulated by the artists on a 486 PC using Picture Publisher, Corel 4, Micrographix Designer, and Fractal Painter 2."
203,"float","csuri",1,26,1,"Renewal of the Universe (animation)",
23,"fragfig","csuri",1,27,0,"Fragmentation in the Field of Time",
22,"holehead","csuri",1,28,0,"Where Have All the Muses Gone?",
27,"seatedfi","csuri",1,29,0,"Fragments of Consciousness",
28,"reason2","wolfe",1,30,0,"Reason",
29,"shelter4","wolfe",1,31,0,"Shelter",
30,"cloud","becker",1,32,0,"The Cloud",
31,"nayaita2","bricher",1,33,0,"Naya 1994","Gregory and Naya are my first experiments with computer painting. Fractal Design Painter allows me to work in a way that is similar to my regular oil painting technique. I start with a sketch. Next, I do a rough, color block-in. Gradually, I refine the work using smaller and more refined brushes. Painter's 'natural media' feel and custom brushes provide a logical transfer of my traditional painting skills. Gregory and Naya were created on a multimedia Pentium PC with a Wacom UD1212R and Fractal Design Painter with X2."
32,"tylerpar","orlando",1,34,0,"Tyler Park","1994 original digital painting - A walk through a local park, inspired me to capture the exciting patterns of light and shadow created by the leaves and sky as well as the beautiful Autumn colors."
33,"lancaste","orlando",1,35,0,"Lancaster Farm","1994 original digital painting - Inspired by the disappearing Amish farmland of Lancaster, Pennsylvania while traveling on a beautiful Autumn day."
34,"nelsonho","leibowit",1,36,0,"Nelson House",
35,"fall93","jaime",1,37,0,"Fall 93",
36,"3trees","leibowit",1,38,0,"Three Trees",
37,"bridgear","orlando",1,39,0,"Monet's, The Bridge at Argenteuil","1993 digital fine arts study - Inspired by Claude Monet's 1874 painting, 'The Bridge at Argenteuil'."
38,"dockboat","orlando",1,40,0,"Dock with Colorful Boats","1994 original digital painting - This painting wa inspired by a 20 year old photograph taken by a friend while traveling through New England, I fell in love with the composition and the random color of the boats. This painting took about 35 hours to draw out and paint."
39,"vesuvio","leibowit",1,41,0,"Vesuvio",
40,"gazpark","dodd",1,42,0,"Gazebo Beach","This was done with 3D Studio version 3.0. A beach front gazebo is surrounded by palm trees."
41,"drill","dawson",1,43,0,"Drill",
42,"neondog","ugiansky",1,44,0,"Neon Dog","Animation Pro, Photo Styler - A Weird Animal Picture"
48,"classica","cohen",1,50,0,"Classical Art Mural",
49,"rundog","bradford",1,51,0,"Running Dogs","1993 - 3-D modeling and image processing. A variety of textures, both procedural and brush mapped are explored."
50,"fbb4l","debuchi",1,52,0,"Fire Beast, 1991","Technical aspects or programming: The development of a kind of fur-renderer named 'Limage'. Image: A beast with irridescent color furs. Theme/Story: The inserted story about 'fire rats' in a Japanese folk tale titled 'Kaguya-hime'. Music: Classic and collage of noise."
51,"elepc","debuchi",1,53,0,"Frozen Gods, 1992","Technical aspects or programming: The series of 'Limage'. Image: The new variations of animals with fur. Theme/Story: The myths of Ainu. Music: Pop-Celtic music."
52,"scuba","grossman",1,54,0,"Scuba",
53,"antfarm","phillips",1,55,0,"Ant Farm","Self Promotional piece showing the rigors involved with a time honored children's science project. Created in Fractal Design's Painter using a Mac IIci and Wacom ARTZ Pad."
58,"gregory3","bricher",1,56,0,"Gregory 1994","Gregory and Naya are my first experiments with computer painting. Fractal Design Painter allows me to work in a way that is similar to my regular oil painting technique. I start with a sketch. Next, I do a rough, color block-in. Gradually, I refine the work using smaller and more refined brushes. Painter's 'natural media' feel and custom brushes provide a logical transfer of my traditional painting skills. Gregory and Naya were created on a multimedia Pentium PC with a Wacom UD1212R and Fractal Design Painter with X2."
59,"tibegan","jaime",1,57,0,"Then it Began",
60,"mtv_6","ugiansky",1,58,0,"Free Your Mind","3D Studio - Stills from MTV Animation Contest Entry"
61,"leaf","champagn",1,59,0,"Leaf Trees",
54,"am","jaime",1,60,0,"AM",
55,"solace","jaime",1,61,0,"Solace",
56,"face1b","jaime",1,62,0,"Face 1B",
57,"mtv_5","ugiansky",1,63,0,"Free Your Mind","3D Studio - Stills from MTV Animation Contest Entry"
138,"shespide","wells",2,1,0,"She Spider",
139,"basichor","becker",2,2,0,"Basic Horror",
140,"fish13","miller",2,3,0,"Fish13",
141,"bug4","miller",2,4,0,"Bug4",
142,"roach","dawson",2,5,0,"Roach",
143,"jack6","miller",2,6,0,"Jack6",
144,"land23","miller",2,7,0,"Land23",
145,"bug2","miller",2,8,0,"Bug2",
146,"exterm3","carter",2,9,0,"Exterminator","Created on Mac Quardas series using Adobe Photoshop. Occassionally scans have been used to augment the images, but by and large, these images are 'painted' in Photoshop. I make extensive use of Photoshop plug-in filters \ Aldus Gallery Effects, Kai's PowerTools, Xaos' Paint Alchemy\ to simulate surface texture mapping after basic forms have been roughed in with \ air-brush, paint brush, and gradient fill tools."
152,"4eyes","jasinski",2,15,0,"4 Eyes","January, 1994 - Motif for this image drawn in pencil, photographed, scanned, and then manipulated in photo-retouch program. The eye is taken from a photograph of a young boy. The image had a disturbing effect on me. Reminded me of the kid who cuts up cats and then later grows up to do more dastardly things. Equipment: Gateway 2000, 486/25 with 12 meg ram; Microtek ScanMaker IIXE. Software: Aldus Photostyler"
153,"blok2","lapre",2,16,0,"Emerald Cities","The project was inspired by looking at Emerald crystals embed in granite rock. The crystals are partly transparent and some off the rock can be seen through them. There are interesting parts just visible while others are only guessed at because they remain hidden within the rock. All of these aspects I tried to translate into a rule system. The project won an Honorary Mention in the Prix Ars Electronica 93 in the catagory Computer Graphics."
154,"dream1","lapre",2,17,0,"The Designer's Dream","'The Designer's Dream' brings together the traditional architectural rendering techniques (drawings, paintings and scale models) within the framework of modern computer rendering. Object modeling, scanning, image processing, rendering and painting tools were all used to bring together these visual elements taken from historical 16th - 18th century sources. The image was inspired by a 18th century painting by J. Gandy. The image won a first prize in the Autodesk Image and Animation Contest 93 in the category Fine Arts Profesional."
155,"goldbll","bradford",2,18,0,"Gold Balls","`Gold Balls', 1994. Reflective imaginings. The room is from a photograph taken at an old conservatory in Indiana. Combines photography, 3-D modeling and image processing."
156,"goldhse","bradford",2,19,0,"Gold Houses","`Gold Houses', 1993. Inspired by one of my ceramic works. I wanted to see the houses-on-pedestals in a more photographic, landscape setting. Combines photography and 3-D modeling and image processing."
157,"x_of_gold","archer",2,20,0,"Cross of Gold",
158,"dwebc","debuchi",2,21,0,"Frozen Gods, 1992","Technical aspects or programming: The series of 'Limage'. Image: The new variations of animals with fur. Theme/Story: The myths of Ainu. Music: Pop-Celtic music."
159,"stglas","bousquet",2,22,0,"Stained Glass",
160,"asianfil","mitsui",2,23,0,"Strings that Bind",
173,"confus","lockley",2,36,0,"Confusion in your Heart",
174,"25","toney",2,37,0,"The Enigma of Unnatural Desires 1991",
175,"24","toney",2,38,0,"Dome of Heaven 1993",
176,"angel","carter",2,39,0,"Sightless Angel","Created on Mac Quardas series using Adobe Photoshop. Occassionally scans have been used to augment the images, but by and large, these images are 'painted' in Photoshop. I make extensive use of Photoshop plug-in filters \ Aldus Gallery Effects, Kai's PowerTools, Xaos' Paint Alchemy\ to simulate surface texture mapping after basic forms have been roughed in with \ air-brush, paint brush, and gradient fill tools."
179,"20","toney",2,42,0,"Sublime Moment of Flesh Transended 1991",
180,"9","toney",2,43,0,"Angel of the Cross being Engulfed in the Vapors of a Metamystical Disunion 1991",
181,"tablesce","chalk",2,44,0,"Table Scene",
182,"leningra","chalk",2,45,0,"Leningrad Times",
183,"stillf","orlando",2,46,0,"Cezanne's, Still Life with Fruit Basket","1993 digital fine arts study - Inspired by Paul Cezanne's 1888-1890 painting, 'Still Life with Fruit Basket'."
184,"sharpene","orlando",2,47,0,"Sharpened Bottles with Fruit","1994 original digital painting - Inspired by one of my traditional oil paintings, painted 18 years ago. I recreated this painting's composition with a fresh eye and almost 20 years of experience."
214,"night5","fenster",3,1,0,"Night 5 (Fine Art)","In this series of seventeen images, I am exploring the frozen moment that is at the center of transition: transition from dark to light, from low tide to high tide, from collective to individual, from unconsciousness to consciousness, from life to death and rebirth. Each of these states is a plane of existence, separated by a veil between the worlds. At the point of emergence the veil grows thin, allowing transformation to occur, bringing about a new state of being. My primary image sources for this series are still video frames photographed with the Canon Xapshot still video camera This camera was originally designed as a consumer model camera where the user could view the images on a television screen. Because of this, the initial image quality is low resolution with a jagged appearance to the edges and outlines of objects.The Xapshot provides a raw image with a sense of immediacy to it. The video frames are instantly available to the computer without having to process and print film and then scan it back into the computer. The still video frames are then opened in Adobe Photoshop software on the Macintosh computer by using a frame grabber board to capture the images. By using a combination of filtering and photomanipulation techniques that the software provides and with the addition of visual material created from scanned images as well as the use of wholly computer created artifacts, I can push the quality and scope of the original image past the point from which it was originally intended and into the realm of experimental imaging."
215,"night6","fenster",3,2,0,"Night 6 (Fine Art)","In this series of seventeen images, I am exploring the frozen moment that is at the center of transition: transition from dark to light, from low tide to high tide, from collective to individual, from unconsciousness to consciousness, from life to death and rebirth. Each of these states is a plane of existence, separated by a veil between the worlds. At the point of emergence the veil grows thin, allowing transformation to occur, bringing about a new state of being. My primary image sources for this series are still video frames photographed with the Canon Xapshot still video camera This camera was originally designed as a consumer model camera where the user could view the images on a television screen. Because of this, the initial image quality is low resolution with a jagged appearance to the edges and outlines of objects.The Xapshot provides a raw image with a sense of immediacy to it. The video frames are instantly available to the computer without having to process and print film and then scan it back into the computer. The still video frames are then opened in Adobe Photoshop software on the Macintosh computer by using a frame grabber board to capture the images. By using a combination of filtering and photomanipulation techniques that the software provides and with the addition of visual material created from scanned images as well as the use of wholly computer created artifacts, I can push the quality and scope of the original image past the point from which it was originally intended and into the realm of experimental imaging."
216,"night7","fenster",3,3,0,"Night 7 (Fine Art)","In this series of seventeen images, I am exploring the frozen moment that is at the center of transition: transition from dark to light, from low tide to high tide, from collective to individual, from unconsciousness to consciousness, from life to death and rebirth. Each of these states is a plane of existence, separated by a veil between the worlds. At the point of emergence the veil grows thin, allowing transformation to occur, bringing about a new state of being. My primary image sources for this series are still video frames photographed with the Canon Xapshot still video camera This camera was originally designed as a consumer model camera where the user could view the images on a television screen. Because of this, the initial image quality is low resolution with a jagged appearance to the edges and outlines of objects.The Xapshot provides a raw image with a sense of immediacy to it. The video frames are instantly available to the computer without having to process and print film and then scan it back into the computer. The still video frames are then opened in Adobe Photoshop software on the Macintosh computer by using a frame grabber board to capture the images. By using a combination of filtering and photomanipulation techniques that the software provides and with the addition of visual material created from scanned images as well as the use of wholly computer created artifacts, I can push the quality and scope of the original image past the point from which it was originally intended and into the realm of experimental imaging."
217,"gaseteri","leibowit",3,4,0,"Gasetiria",
218,"carwash","leibowit",3,5,0,"Car Wash",
219,"city","dawson",3,6,0,"City",
220,"drivein","cohen",3,7,0,"Drive-In",
221,"chicsub","jaime",3,8,0,"Chicago Subway",
222,"cbot","jaime",3,9,0,"CBOT",
223,"bycicler","grossman",3,10,0,"Bicycle Racer",
224,"nightlif","cohen",3,11,0,"Night Life",
225,"artred2","lichty",3,12,0,"Art Batik II",
226,"fruitsob","fujihata",3,13,0,"Forbidden Fruit Series",
227,"shreded","napier",3,14,0,"A Short Essay on Evolution",
228,"infinity","archer",3,15,0,"Infinity",
229,"peachfel","fujihata",3,16,0,"Peach Imagined, The Adams Apple of Ziraffe",
230,"fruitscg","fujihata",3,17,0,"Forbidden Fruit Series",
231,"thelure","mitsui",3,18,0,"The Lure",
232,"microleg","snelson",3,19,0,"Micro Legions",
233,"cgrid4","dodd",3,20,0,"Techno-jumble II","This image was done using POV version 1.5. An abstract structure in the sky viewed through a very foreshortened lens exemplifies recursive reflections in the shiny gold and silver."
234,"la","lichty",3,21,0,"Leighann",
235,"brides","napier",3,22,0,"The Bride's Nest",
236,"lovetors","fujihata",3,23,0,"Geometric Love Series",
237,"stillpea","orlando",3,24,0,"Still Life, Pears with Bowl","1993 original digital painting - The inspiration for this painting came from a traditionally done water color of mine, painted 6 or 7 years ago. I painted this one in digital oils in a very classical style to test out a technique."
238,"orchardp","orlando",3,25,0,"Orchard at Pantoise","1993 original digital painting - Inspired by the work of Camile Pissaro and Paul Cezanne who both painted the same orchard at different seasons of the year."
239,"centralp","leibowit",3,26,0,"Central Park Fountain",
240,"flowers","sowash",3,27,0,"Flower Garden",
241,"monetgar","orlando",3,28,0,"Monet's, Garden Path","1993 digital fine arts study - Inspired by Claude Monet's 1900 painting, 'The Garden Path, Giverny'."
242,"thelemon","orlando",3,29,0,"Manet's, The Lemon","1993 digital fine arts study - Inspired by Edouard Manet's 1881 painting, 'The Lemon'."
243,"chase","thorn",3,30,0,"Chase",
244,"garden","thorn",3,31,0,"Garden",
245,"extropia","carter",3,32,0,"The Extropian Muses","Created on Mac Quardas series using Adobe Photoshop. Occassionally scans have been used to augment the images, but by and large, these images are 'painted' in Photoshop. I make extensive use of Photoshop plug-in filters \ Aldus Gallery Effects, Kai's PowerTools, Xaos' Paint Alchemy\ to simulate surface texture mapping after basic forms have been roughed in with \ air-brush, paint brush, and gradient fill tools."
246,"axcesslf","carter",3,33,0,"Axcess Life","Created on Mac Quardas series using Adobe Photoshop. Occassionally scans have been used to augment the images, but by and large, these images are 'painted' in Photoshop. I make extensive use of Photoshop plug-in filters \ Aldus Gallery Effects, Kai's PowerTools, Xaos' Paint Alchemy\ to simulate surface texture mapping after basic forms have been roughed in with \ air-brush, paint brush, and gradient fill tools."
247,"electric","carter",3,34,0,"The Electric Boy","Created on Mac Quardas series using Adobe Photoshop. Occassionally scans have been used to augment the images, but by and large, these images are 'painted' in Photoshop. I make extensive use of Photoshop plug-in filters \ Aldus Gallery Effects, Kai's PowerTools, Xaos' Paint Alchemy\ to simulate surface texture mapping after basic forms have been roughed in with \ air-brush, paint brush, and gradient fill tools."
248,"post2c","lichty",3,35,0,"Passing Lane",
249,"couchman","mitsui",3,36,0,"Home",
250,"voice","mitsui",3,37,0,"Hello....",
251,"senseles","mitsui",3,38,0,"Senseless",
252,"dreamfin","mitsui",3,39,0,"Whole New World",
253,"bigbhit","dodd",3,40,1,"Bath-Flight (animation)","This was done with 3D Studio version 3.0. A daring acrobatic bee's tour of fictitious products in a contemporary bathroom."
254,"fbb5l","debuchi",3,41,0,"Fire Beast, 1991","Technical aspects or programming: The development of a kind of fur-renderer named 'Limage'. Image: A beast with irridescent color furs. Theme/Story: The inserted story about 'fire rats' in a Japanese folk tale titled 'Kaguya-hime'. Music: Classic and collage of noise."
255,"mtv_12","ugiansky",3,42,0,"Free Your Mind","3D Studio - Stills from MTV Animation Contest Entry"
256,"mtv_11","ugiansky",3,43,0,"Free Your Mind","3D Studio - Stills from MTV Animation Contest Entry"
259,"absolutv","fenster",3,46,0,"untitled","1992 - FRISCO Magazine, Invitational competition for digital artists to create an Absolut vodka ad. Competition was never judged so piece remains unpublished."
260,"macworld","fenster",3,47,0,"La Belle Helene",
261,"typestyl","bachalo",3,48,0,"Type Style","This image reflects both my fascination with the virtual world of 3D and my love for typography. The only 'raw material' was a colour photo of the hands and a b&w scan of paint strokes used to create the rough 'painted' edge. Most of the work was done in Fractal Painter. The letters 'Type' were rendered using Alias Sketch. Final compositing and retouching was done in Adobe Photoshop. Total exection time was approximately 15 hrs."
262,"virtualr","bachalo",3,49,0,"Virtual Reality","This image reflects my ongoing interest in 'Virtual Reality'. A backlit photo of a life size 'see thru' model of the human anatomy served as initial inspiration. Type was layered on top with transparency to create a 'glasslike' effect. All work was done in Adobe Photoshop."
263,"aurora","chalk",3,50,0,"Aurora",
264,"gizmo","chalk",3,51,0,"Gizmo",
265,"downthes","chalk",3,52,0,"Down the Slide",
266,"redthing","chalk",3,53,0,"Red Thing",
267,"softshap","chalk",3,54,0,"Soft Shape",
268,"evillook","ugiansky",3,55,0,"Evil Look","Photostyler - Escherish look in/out? of a crystal ball"
269,"psycha","ugiansky",3,56,0,"Psychadelic Screen","3D Studio, Photostyler - A 3D still run through Photosyler filters"
270,"imagen3","ugiansky",3,57,0,"Imagen 3","3D Studio, Photostyler - Bizzare Computer Graphics of Technowhere"
271,"gridball","thorn",3,58,0,"Gridballs",
272,"blok1","lapre",3,59,0,"Emerald Cities","The project was inspired by looking at Emerald crystals embed in granite rock. The crystals are partly transparent and some off the rock can be seen through them. There are interesting parts just visible while others are only guessed at because they remain hidden within the rock. All of these aspects I tried to translate into a rule system. The project won an Honorary Mention in the Prix Ars Electronica 93 in the catagory Computer Graphics."
273,"terror","lichty",3,60,0,"U-Terror",
274,"pcg","lichty",3,61,0,"By the Sea",
275,"redshoes","lichty",3,62,0,"The Red Shoes",
276,"stglass","ugiansky",3,63,0,"Peace on Earth","3D Studio, Photostyler - Stain Glass window projected onto a globe"
277,"stbob","ugiansky",3,64,0,"Saint Bob","Photostyler - The Patron Saint of quality Cyber-Cheese"
278,"inanname","fenster",3,65,0,"Inanna Meets her Shadow's Sister","1994 - Specular Collage, Book illustration"
279,"rva","martinel",3,66,0,"Room Vibration Analyzer","Satire on man's preoccupation with technology, and represents our constant need for information. This model with created in Stratastudio Pro and took four hours to render on a Centris 660 av Mac."
283,"lsmith4","jasinski",3,70,0,"Madam Ladysmith","January,1994 - Motif for this image drawn in pencil, photographed, scanned, and then manipulated in photo-retouch program. Image developed out of interest in firearms and the emotional responses associated with them. This image seems to have a female character about it which I found interesting as handguns are almost always masculine in nature."
284,"reagh3","reagh",3,71,0,"refracting",
285,"e","martinel",3,72,0,"Picasso Gallery",
286,"1","martinel",3,73,0,"Chessboard",
287,"captive","chalk",3,74,0,"The Captive",
67,"asteroid","dodson",4,1,0,"Asteroid","Created with Fractint, Improces and Craters. Intended to depict a typical deep-space scene. Asteroids are 3D transformed plasmas via Fractint's 3D options with light source. The moon is a tiled spherical map (via Fractint) of a Craters screen grab. The starfield is also via Fractint."
68,"landstar","snelson",4,2,0,"Landing",
66,"moon","curtis",4,3,0,"Moon",
63,"moonrise","dodson",4,4,0,"Moonrise","Created with Fractint and Craters. The process used to create MOONRISE is similar to that described in MISTFALL. The one difference is the 'constellation' appearing in the sky. This is actually a Mandelcloud generated within Fractint."
62,"mistfall","dodson",4,5,0,"Mistfall","Created with Fractint and Craters. This image exists because I had seen a GIF of a smooth appearing 3D-generated Mandelbrot that simply appeared stunning. I set out to duplicate the process and ended up with MISTFALL. This is a Julia fractal generated via Fractint in continuous potential mode. This gives the nice smooth extruded landform when processed through Fractint's 3D transform feature. The moon is a tiled screen grab from Craters that I mapped to a sphere via Fractint. Both the Julia landform and moon were generated with Fractint's light-source options so the final image would look as though it were similarly lit when all images were combined. The starfield was also generated within Fractint."
69,"star-s","dodson",4,6,0,"Cygnus Singularity",
65,"lighthse","curtis",4,7,0,"Lighthouse",
64,"asimov","dodson",4,8,0,"Asimov","Created with Fractint, VistaPro 3.1 CD-ROM, Improces and the AutoDesk public domain program CRATERS. The foreground landform is actually a Newton fractal imported into VistaPro from Fractint and tweaked until it looked 'good'. The moon is a tiled output from CRATERS and then mapped to a sphere with Fractint. The starfield is also via Fractint with a few stars added with Improces's paint feature. The images were combined in Improces. This is intended as a tribute to two of the greatest Sci-Fi authors to have graced this lowly dirtball planet of ours. I wanted to capture a scene that any reader of their work could identify with."
76,"dream2","lapre",4,15,0,"The Designer's Dream","'The Designer's Dream' brings together the traditional architectural rendering techniques (drawings, paintings and scale models) within the framework of modern computer rendering. Object modeling, scanning, image processing, rendering and painting tools were all used to bring together these visual elements taken from historical 16th - 18th century sources. The image was inspired by a 18th century painting by J. Gandy. The image won a first prize in the Autodesk Image and Animation Contest 93 in the category Fine Arts Profesional."
77,"17","toney",4,16,0,"Carnal-Veil 1993",
78,"19","toney",4,17,0,"Towards the End of this Age a Paranoiac Riddle Will Be Unveiled 1992",
79,"5","toney",4,18,0,"Two Madonnas of Algorithmic Anxiety 1991",
82,"horse","csuri",4,21,1,"Movement is Time (animation)",
83,"dancani","csuri",4,22,1,"Being and Nonbeing (animation)",
84,"rollc","dodd",4,23,1,"Rolling in Cash (animation)","This animation was done in POV version 2.0. Lead glass spheres rotate over a pile of cash. Only 60 frames were needed for this to loop. Optics such as transmission, refraction, and reflection of light can be seen in the glass."
85,"cgrid3","dodd",4,24,0,"Techno-jumble I","This image was done using POV version 1.5. An abstract structure in the sky viewed through a very foreshortened lens exemplifies recursive reflections in the shiny gold and silver."
86,"darkskin","fenster",4,25,0,"I Dreamed of a Dark Skinned Woman (Fine Art)","Enormous suffering is an intrinsic possibility of every bond; we cannot refuse a relationship because it might bring pain. To reveal ones feeling is to say yes to oneself. Our ingenuousness deludes us into believing we have found a path that excludes this fracture, but in reality, when we have said yes to someone, we have said yes to both life and death."
87,"columbus","krause",4,26,0,"Columbus Legacy",
88,"childnub","krause",4,27,0,"Child of Nubia",
89,"sevil","jaime",4,28,0,"Spiritual Evil",
90,"elviejo","jaime",4,29,0,"El Viejito",
95,"mtv_1","ugiansky",4,30,0,"Free Your Mind","3D Studio - Stills from MTV Animation Contest Entry"
94,"mtv_8","ugiansky",4,31,0,"Free Your Mind","3D Studio - Stills from MTV Animation Contest Entry"
112,"lifedeat","becker",4,51,0,"Life, Death, the Same",
113,"monster","lockley",4,52,0,"Monster Hard Drive",
114,"reinc","debuchi",4,53,0,"The Raindair with Twisted Horns, 1992","Technical aspects or programming: The series of 'Limage'. Image: The new variations of animals with fur. Theme/Story: The myths of Ainu. Music: Pop-Celtic music."
115,"dragon","bousquet",4,54,0,"Dragon",
116,"drag5","miller",4,55,0,"Drag5",
117,"rebc","debuchi",4,56,0,"Frozen Gods, 1992","Technical aspects or programming: The series of 'Limage'. Image: The new variations of animals with fur. Theme/Story: The myths of Ainu. Music: Pop-Celtic music."
118,"pagan","napier",4,57,0,"Pagan Pastorial",
119,"grifc","debuchi",4,58,0,"Frozen Gods, 1992","Technical aspects or programming: The series of 'Limage'. Image: The new variations of animals with fur. Theme/Story: The myths of Ainu. Music: Pop-Celtic music."
126,"sunset","archer",4,59,0,"Sunset",
125,"image13","mcculley",4,60,0,"Spermoids from Space",
124,"mtv_10","ugiansky",4,61,0,"Free Your Mind","3D Studio - Stills from MTV Animation Contest Entry"
123,"arachna","dodson",4,62,0,"Arachna","Created with Fractint and Improces. This image began as 'just another fractal' experimentation - but the resulting image with web-like patterns appeared to me to be some alien 'DeathStar' or artifact. I stripped a few colors out, overlayed a plasma map and then altered the palette to bring out the lightning effect."
122,"stormeye","dodson",4,63,0,"Stormeye","Created with Fractint. This image began as a simple Sierpinski fractal. Several plasma images were overlayed using Fractint's transparent color feature to achieve the final result. The idea behind the image is to depict some idea of the 'big bang' birth of the universe. The hot plasma center gives way to a whirling vortex of spun-off fragments."
121,"conquest","dodson",4,64,0,"Conquest",
120,"chaos","dodson",4,65,0,"Chaos","Created with Fractint and Improces. This image began life as a Sierpinski fractal. I really liked the image, but it needed 'something else'. As the concept progressed, I decided to go for a 'pseudo-raytraced look' and to this end, generated around 15 screens. Each screen was overlayed via spherical projection or flat projection (as required) to achieve a recursive image look. The focus is supposed to portray True Chaos moving to an ordered chaotic state. Hence the rough plasma globs moving through the 'chaos barrier' and becoming mirrored spheres."
136,"tomb","dodson",4,69,0,"Tomb","Created with Fractint and Improces. This began as a Sierpinski fractal generated via Fractint. All the foreground elements are truly mathematically generated. The sky is a color fill done with Improces. The planet is a spherically mapped fractal done with Fractint."
130,"gc1-s","dodson",4,70,0,"Desert Evening",
135,"mars10","dodson",4,71,0,"Mars 10","Created with Fractint, Improces, VistaPro 3.1 CD-ROM version and Mars Explorer CD-ROM. This is a Barnsley fractal imported into VistaPro. I generated a custom color palette to simulate what I think Mars might look like and cranked the foreground image. The sky is a color fill done with Improces. The moon is a screen grab off the Mars Explorer CD-ROM (by Virtual Reality Labs) and mapped to a sphere with Fractint. I have a real 'thing' for Mars...I don't know why. This is image #10 in a series of fanciful Mars landscapes I've been generating for several years."
133,"moonhd","bradford",4,72,0,"Moonheads","1994, 3-D modeling computer painting and image processing. Inspired by `Fremont' indian pictographs near Moab, Utah. The principal moonhead figure in those pictographs is brought to life, and the spiral symbol (also common in pictographs) is also utilized. While the actual meaning of such pictographs is unknown, religious or spiritual symbolism seems obvious. In this image, moonhead figures rise to a sky containing a spiral configuration of stars."
134,"moonhd2","bradford",4,73,0,"Moonheads 2","1994, 3-D modeling and image processing. A continuation of the Moonhead series based on `Freemont' indian pictographs near Moab, Utah. While the actual meaning of such pictographs is unknown, religious or spiritual symbolism seems obvious. In this image, spirituality is portrayed as a glowing `tunnel' moonhead figures are journeying into."
137,"mordor10","dodson",4,74,0,"Mordor 10","Created with Fractint, VistaPro 3.1 CD-ROM and Improces. This is the first image I generated with VistaPro that I thought had serious potential (after two months of owning the program). I imported a Fractint derived Mandelbrot into Vistapro and played around for weeks to find the right camera angle. The sky is a plasma map generated using Improces's selective palette plasma options. Once generated, I felt something was missing although the image had something going for it. I finally decided on lightning as the finishing touch and spent around 20 hours learning how to draw lightning pixel-by-pixel using Improces in a virtual mode (the screen is broken up into multiple 320x200 virtual screens). Lots of versions went into the garbage can, but I think this final image represents the mood of Tolkien's story - Mordor as a desolate brooding land populated by evil creatures."
