txtCommentary1=The {\uldb DEVELOPMENT}{\v 79173} and the {\uldb RECAPITULATION}{\v 93484} correspond to the second half of a {\uldb binary form}{\v 153069}. (Composers often omitted the repeat of this second half; performers often leave it out even when it is called for.) The development is the most unstable {\uldb section}{\v 95736} in a {\uldb sonata-form}{\v 96905} {\uldb movement}{\v 151907} and passes through the most remote {\uldb tonalities}{\v 100566}. It \'93develops\'94 or elaborates on material that was presented
txtChapterHead=Anatomy of a Quartet
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txtCommentary2=\par\par\par\par in the {\uldb exposition}{\v 81751}, although it may include new material as well. The term \'93development\'94 is both a label for a section and a technique. To {\uldb Viennese}{\v 135870} composers, development as a technique meant subjecting the {\uldb thematic}{\v 99088} material to {\uldb fragmentation}{\v 82965} and {\uldb sequencing}{\v 95949}.{\fs24\uldb \'80}{\v next}
