IO Logo Small
internet Header

A Beginner's Guide to Effective Email

A Beginner's Guide to Effective Email

Created by Kaitlin Duck Sherwoodducky@webfoot.com
If you have any other words of wisdom about using email to its fullest, or want to argue with me about something, by all means, send me email! :-)
There is now a mirror in Sweden (in English still). I'd be thrilled to death to link to translations as well.

Contents


Why Is Email Different?

Electronic communication, because of its speed and broadcasting ability, is fundamentally different from paper-based communication. Because the turnaround time can be so fast, email is more conversational than traditional paper communications.

In a paper document, it is absolutely essential to make everything completely clear and unambiguous because your audience may not have a chance to ask for clarification. With email documents, your recipient can ask questions immediately. Email thus tends, like conversational speech, to be much sloppier and more ambiguous.

This is not always bad. It might not be a worthwhile expenditure of energy to slave over a message, making sure that your spelling is faultless, your words eloquent, your grammar beyond reproach, if the point of the message is to inform the receipient that you are ready to go to lunch.

Granted, you should put some effort into keeping your subjects agreeing with your verbs, spelling correctly, avoiding mixing metaphors, and so on. But if The Rules that Mrs. Grundy laid down in seventh-grade English get in the way of effective communication, throw them out.

However, because of the lack of vocal inflection, gestures, and shared environment, email is not as rich a communication method as a face-to-face or telephone conversation. Your correspondent may have difficulty telling if you are serious or kidding, happy or sad, frustrated or euphoric. (Sarcasm is particularly dangerous to use in email.)

Thus your email compositions should be different from both your speech and your paper compositions. There are a fair number of documents on electronic email out there, but when I finished the beta version of this document, they mostly talked about the nuts and bolts of how to get text from your fingers to your correspondent's screen. Those that did discuss email content tend to be really brief on the subject of email style, and give little motivation for why the style is different.

(Since then I have found two documents - Learning The Ropes by Andrew Kantor and Elements of E-mail Style by David Angell and Brent Heslop which cover a lot of the same ground. Steven Harnad's Post-Gutenberg Galaxy is off the topic slightly, but a very interesting read.)

In this document, I'm going to share the opinions I've formed using email for the past twenty years. Hopefully these opinions will help you maximize your email effectiveness. This is not dogma - you should write to reflect your own personality - but will hopefully make you think about things you didn't think about before.

Last modified 10 Dec 1994

This document is in the public domain. You may copy it, modify it, shred it, mail it to your neighbor, put it on a telephone pole, tack it up on a bathroom wall, or anything else that you feel like doing with it. Some credit would be nice but is not necessary.


Copyright © 1996 Impact Online, Incorporated. All Rights Reserved.