The great epochs of our life are the occasions when we gain the courage to rebaptize
our evil qualities as our best qualities.
("Beyond Good and Evil"/Nietzsche)
The Man Must Burn
The Man Must Fall
The Man Must Rise Again
Each year the Burning Man
Festival
re-ignites itself, an extension of its own tradition but always a departure
from what came before. No two flames are the same.
So here's a few words on who and what made this year's festival different:
It was MUCH bigger. Estimates range from
5,000 to 10,000 people compared to a crowd of just
under 2,000 in 1994. What was last year a village
this year became the largest city in the Black Rock
Desert (68k jpeg).
There was more site
preparation, including the layout of streets & avenues, theme camps,
and expanded facilities for performance. There were more Port-o-Cans (and
they were vacuumed twice a day!!).
Given the much larger number of participants, the extended organization could
not have come at a better (or more necessary) time. Congrats to Larry and the
team who worked so hard to get things ready!
There was much more art and performance. Many came to the 1995 festival
inspired to surpass all previous efforts. The theme camps provided a new vehicle
for installations and performances. Our favorite was the Bigfoot Mall (84k jpeg) from the Portland
Cacophony Society - especially their corps of Disgruntled Postal Workers
who delivered the Black Rock Gazette and other missives daily.
There was more weather: a fabulous wind storm, a
brief bit of hail,
one too many rainstorms, and a beautiful double-rainbow afterwards that
you're sure to see in countless photos because at the end of this rainbow
there stood... a Burning Man! Very very cool.
There were spectators - quite a few,
actually - the inevitable result of popularity. Lots of people came simply
to party, and from all appearances they had a great time.
There were genuine
American tourists (92k jpeg) on hand for the Sunday night
ceremony. They even lined up by sex to use different port-o-cans...
There was a recurring police presence with periodic
foot patrols.
The rainstorms on Saturday wiped out
the Avenue of Art. The Toyland installation was set ablaze late that afternoon as
the storm approached so as not to become a soggy mess of stuffed animals. The Seemen
re-grouped and staged a wild confrontation on Sunday night. The TheaterX crew
from Houston managed to Set the World on Fire (52k
jpeg) on schedule, but few people were on-hand to join the ceremony. Too bad - great
fireworks!!
There was too much garbage scattered on the desert.
Too many of the new spectators had no regard for the environment. Despite repeated
pleas from Radio Free Burning Man and elsewhere, the site was littered.
Trash blown out of camp by the winds will end up in the mostly inaccessible edges
of the playa where it probably will never be picked up. Only a massive effort
by those who remained behind will ensure that the desert is left in good shape and
that Burning Man will be welcome to return in 1996. Very special thanks to all those
who helped to pick up other people's litter.
Epilogue
Burning Man is environment, ritual, community.
It is survival, and it is celebration.
It is fire.
It is our annual rite of passage.
It's like our pal Shelley Buschur said:
Set fire to the life you planned - Embrace the life at hand
We did. Again. Thanks, Larry.

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