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Color tab

This tab is used to control the colors of the preview and scan. It lets you you specify the film type, the color mask values (i.e. the shade of orange of the film material for negatives), the image brightness, the color balancing, the black and white points and the color space.

Color balance
Use this option to set the type of color balance you want for each image. If you image is dominated by a single color or bright colors (i.e. flowers or foliage), use the auto levels option, otherwise use the White balance option.

None
- The black and white points aren't used at all, and the image is only corrected for the CCD's color response (if the Media type option is set to Image) or by the film's color response.

Neutral
- Both the black and white points are used to stretch the image's intensity range. However, the relative proportions of red, green, and blue are kept constant.

Tungsten
- Both the black and white points are adjusted to compensate for an image lit by tungsten light (i.e. a normal incandescent light bulb). This removes the reddish cast from indoor pictures taken without a flash.

Fluorescent
- Both the black and white points are adjusted to compensate for an image lit by fluorescent light. This removes the greenish cast from indoor pictures lit by fluorescent lights or lit by flash.

Night
- Both the black and white points are adjusted to compensate for an image taken at night. The white balance is determined from the darkest 10% of the image, which often produces the best results when images have bright fluorescent or incandescent lights that are greenish or yellowish.

White balance
- VueScan analyzes the image and adjusts it to make the color balance look like the scene is lit by daylight.

Auto levels
- This is a simple mapping of the darkest color to 0.00 intensity and the brightest color to 0.95 intensity.

Auto black point
If this option is set, the black point is computed from the "Black point (%)" option.

Black point (%)
The black point is used by the color balance algorithm and is computed by using the histogram of each color in the image. Use this option to leave the black point at the minimum intensity (0%), or to choose the black point such that some percentage of the pixels in the image are below the black point.

Black point red/green/blue
This option lets you set the black point manually. Note that these values are in linear space, not gamma corrected space, so the only practical way to use these values is to do a scan with the "Auto black point" option turned on, then turn it off to lock in these values.

Auto white point
If this option is set, the white point is computed from the "White point (%)" option.

White point (%)
The white point is used by the color balance algorithm and is computed by using the histogram of each color in the image. Use this option to leave the white point at the maximum intensity (0%), or to choose the white point such that some percentage of the pixels in the image are above the white point.

White point red/green/blue
This option lets you set the white point manually. Note that these values are in linear space, not gamma corrected space, so the only practical way to use these values is to do a scan with the "Auto white point" option turned on, then turn it off to lock in these values.

Color space
Use this option to set the color space for the final image. A color space is a combination of color primaries and white point. If you're using Photoshop, you'll probably want to use the Adobe RGB color space, otherwise the sRGB setting is probably best.

If you're using Photoshop, you'll probably also want to enable writing the ICC profile to the TIFF and/or JPEG file by using the TIFF profile and/or JPEG profile option in the Files tab.

The "Device RGB" color space doesn't embed any ICC profile into the TIFF or JPEG files, and outputs images in the color space of the device. The "Device RGB" option is only useful when "Device|Media type" is set to "Image".

Gamma
This option changes the image contrast. Use 1.8 if you change the color space to Apple RGB, ColorMatch RGB or ProPhoto RGB. All other color spaces use a gamma of 2.2 by default. Note that changing this option changes the image but doesn't change the embedded ICC profile.

Image brightness
You can increase the overall brightness of the image by increasing this option. The darker areas are increased in intensity more than the brighter areas, and the color hues are kept constant when the intensity is increased.

Slide/Negative/B/W vendor/brand/type
Use these options to set up the film type for various settings for the "Device|Media type" option.

Auto mask
Use this option to automatically compute the color mask value for each scan. The color mask is the maximum color of a piece of film or reflective image. This maximum value is used to set the film color for 100% black on negatives, and the film color for 100% white on slides and reflective prints.

An advanced technique is to scan a piece of unexposed negative or overexposed slide and then turn off the "Auto mask" option. This will lock the value for the color mask so you can have a consistent value for an entire roll of film. Otherwise, scanning an overexposed negative or underexposed slide may automatically compute a value that's too small, resulting in subtle color shifts.

Mask red/green/blue
This option lets you manually enter values for the color mask. This is primarily useful if you're scanning a series of negatives or slides from the same roll of film.