Cubase Audio for the Falcon v 2.02

		- V 2.01, changes to V 2.00:
	
	- there was a problem when loading songs from version 1.10:
	they could be loaded, and saved, but not re-loaded into
	2.00.
	- the FSEL.MOD has been replaced with a newer version. The
	one on the 2.00 could cause some problems, mainly with
	audio files.

		- changes from V 2.01 to V 2.02

	- songs from 1.10, saved with 2.00 can now also be loaded.
	- a new MIXER.MOD
	- a new MROS3_43 to enable new sync option (see below), and
	better cycle timing. Note there is a potential problem if
	Mixer Parts start at the left locator, even if the Mixer
	Track is muted. You should delete all Mixer Tracks which
	you don't use, and try to avoid to let a Mixer Part start
	at the left locator.
	- Song Start and Display offset in the Sync Dialog could not
	be set to more than about 12 minutes, fixed.
	- volume events (drawn in the Audio Editor) for Stereo
	segments could affect the volume of the following channel,
	fixed.
	- sizing the end offset of very long Audio Segments in the
	Audio Editor would cause strange results, fixed.
	- if you press <Alternate> while the program is booting,
	you will be asked whether you want to disable the Audio
	Functions; this was asked for by many users. Note that the
	Audio Menu is entirely disabled, and there is no full guarantee
	that the program works correctly in this mode, but as long
	as you don't attempt to use Audio related functions, no
	problems should occur.
	- in the Hardware Setup Dialog, a new button 'SYNC'. To explain
	what it does, there are 3 possible sync modes now:

    a) internal sync (Midi sync'd to audio clock)
	
    S/PDIF (22.05, 32, 44.1, 48)
        |
        |
    FDI EXTERN                or
    FDI INTERN (44.1 or 48)   or
    CAC (44.1)                or
    FALCON INTERNAL (16-33)
        |
        |
    AUDIO CLOCK ----> AUDIO + MIDI

    b) external sync (Hardware Setup SYNC off, Audio sync'd to
       Audio Clock, Midi sync'd to external timecode)
	 
    AUDIO CLOCK ---> AUDIO
    SMPTE ---------> MIDI

    c) new: external trigger (Hardware Setup SYNC on, posit to
       timecode, Midi sync'd to Audio Clock)
    
    AUDIO CLOCK ---> AUDIO + MIDI
    SMPTE ---------> posit, trigger, stop

	As there is no synchronisation between Audio Clock and
	timecode, it can be more reasonable to keep Midi in sync
	with Audio, even if now both are 'free wheeling' with respect
	to the timecode. Also, if you have a synchroniser which can
	produce an S/PDIF output which is synchronised to a SMPTE input,
	you may achieve true sync to tape when the SYNC button in the
	Hardware Setup is active, and the Audio Input is set to the
	FDI's S/PDIF Input.

	Sept 94, (c) Steinberg