by Yee-Tak Chan
Men are such horrible creatures, artists the worst. I mean the true ones like Van Gogh, mailing his hairy and unscrubbed ear, just so the tart would scream velocities of paint into the eardrum. Then there's that ailing tiger of a Tolstoy, Leo, first letting then withholding from his shrivelling wife the diaries after having raped her continuously for decades And about my ancestors we have Li Po, getting drunk year in, drivelling year out, yet managed to write in elegant script on the theme of drunken husbands, mocking his wife in rhyming couplets, across mountains, paddies. Me too, how much longer are you going to let me do this, this flashing of feelings, that begin to have too many senses of directions like three dozen cars crashing all at once into all the houses under your last name in the phone book listing waking up the entire neighbourhoods as if I were making war on all your tribe and ancestors, just because of my resentment of that quiet, tigress tread of yours?
by Yee-Tak Chan
It was as if Beauty were me, dull, and sometimes deliberately coy for special effects and you, you the tiger bright Beast what is that supposed to mean I can almost anticipate you demanding (can almost feel your strong teeth sink into me disappointed to lick into bones that crumble like chalk and have no marrow) and find this droll and yea very funny you'd say the amplifier of your small but vigorous torso drowning out my bad breath and me sweating like the stump of the last surviving tree, silently appealing for mercy, for it's not me, no, it's no part of the ground plan for me to run into and like you, as the road dust thickens and me about to leave this neon dreamscape for another without saying goodbye.
© 1995 Yee-Tak Chan. All rights reserved.
Last updated : Nov 17, 1995
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