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![](/file/14479/cd24-www.iso/inne/min/annamolinari/annamolinari12x.jpg) ![Anna](/file/14479/cd24-www.iso/inne/min/annamolinari/anna12x.jpg)
Perfection is a constraint,
it leaves you with no further possibilities. Contradictions, unfinished
things, often generate added energy, new intuitions.
Reassembling and disassembling,
without preconceptions, in an apparent nonsense that builds up to a new
poetry.
Ripped, burnt dresses, worn
over pants in an unusual way; layers of lenghts, destroyed edges. Flared
skirts, pander trapezes; long christening robes, fluorescent flashes; small
tulle trains are attached to more structured shapes.
Fabrics: burnt tulle, cotton
poplin, mikado, cotton and shot silk taffeta, cotton and silk satin,
multicolor lace.
Prints: zebra on faille, batik
on silk cloth, leopard on crepe, dots and X-rayed hibiscus on chiffon.
Knitwear: stretch and cachemire
net, cotton and viscose cobwebs, laddered viscose,
embroidered silk/cotton twin sets.
Colours:
ivory, white, butter; black; army and scarab green, periwinkle, fuchsia.
Hair:
Sebastien Richard per L'Atelier New York
Make-up: Lucia Pieroni per Aveda
Music: Produzioni Selvagge
Lightning: Marco Sanpietro
Art direction: Franca Soncini
Special
thanks: Wella
Experimental
piano music composed and performed by Alfredo Pasquini
Digital recording/mastering by Giampaolo Bartoli
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