A former film critic has chucked it in and now reviews movies before either of you have seen them.

THE AMERICAN PRESIDENT

If you expect this film to be a searing indictment of modern political systems, a vicious satire, an exercise in historical revisionism, or an expose of presidential shenanigans along the lines of, say, All the President's Men, Bob Roberts or even Oliver Stone's forthcoming Nixon, I suspect that you will be deeply disappointed. Like Ivan Reitman's movie 'Dave', this film seeks to look at the life and loves of the man behind the Office and while doing so, merely to tickle the bloated underbelly of the American Establishment. Who would have thought that Reitman started out producing films for the master of visceral body-horror, David Cronenberg, before diving headlong into the Hollywood mush-pit.

Anyway, 'The American President' is the latest movie from Rob Reiner, the director of a number of very successful films: 'A Few Good Men', 'Misery', 'Stand By Me' and 'When Harry Met Sally'. Oh, and also 'North' but the less said about that, the better. OK, it was ill-judged, sentimental twaddle. Reiner also directed what is probably the funniest film ever made, 'Spinal Tap', so he can pretty much be forgiven for any subsequent cinematic transgressions, even if they do feature self-confessed 'sex-addict' Michael Douglas . (What is the male equivalent of a nymphomaniac?) When I think of Douglas, I just see his shabby flabby bobbing bumhole in 'Basic Instinct' (awful but not as bad as Mickey Rourke's gratuitous quivering buttocks in 'Angel Heart').

Most people forget however that Douglas was a reasonably successful producer ('One Flew Over the Cuckoo's Nest') and TV actor long before he became, let's say, a 'boner' fide big-screen movie star. For years, he was best known for his role in 'The Streets of San Francisco', playing cop sidekick to Karl Malden, the distinguished character actor who was, in turn, best known for having an awfully big nose, the end of which looked like a satsuma. Incidentally, Malden was a good friend of my ex-violin teacher. I say was because Malden is, to the best of my knowledge, dead. Come to think of it, so is my ex-violin teacher. Malden lived in San Francisco and so too did Annette Bening (a student at the much respected American Conservatory Theater), who co-stars with Douglas in this movie and who is, of course, married to Warren (John Holmes MF) Beatty. Wait a minute! Beatty once made a movie called 'The Parallax View' about the assassination of a presidential candidate. I smell a conspiracy.
9 out of 10

DR JEKYLL & MS HYDE

When it comes to analysing films, I say '..always judge a book by its cover..' and if this film was indeed a book it would surely be one of those crummy paperbacks found in discount book shops, written by someone you have never heard of, with the title in embossed gold letters and a cover depicting some airbrushed guttersnipe in frilly bra and knickers. Surprise, surprise! Sean Young appears on the poster wearing some kind of lacy brassiere, under the words '..something's stirring in his genes!' This film has just got to be a pile of horseshit.

Words fail me - almost. Now don't get me wrong. I think Sean Young is utterly adorable and she is definitely up there with Sigourney Weaver ('Alien') in the Top Five Celluloid Unisex Scanty Underwear Scenes ('Ace Ventura: Pet Detective' to be precise). Sadly, Ms Young seems destined to float around aimlessly like a piece of space junk in Hollywood's celestial skies ; to mosey along like a crappy three-wheeler on the slip road to Movie Stardom; the female equivalent of Jeff Bridges, if you know what I mean. This is a shame because, like Bridges, she is eminently watchable and a highly competent actor. Furthermore, it is almost unbearably awful to think that some Gucci-loafered, Ferrari-driving twat in LA is attempting to use Sean Young's sexual allure to sell this unremarkable, unoriginal and irredeemably feeble film - a common tactic in Hollywood where nipple and fanny shots are somehow acceptable while the exposition of the flaccid penis is still taboo (unless it belongs to Richard Gere or Harvey Keitel, both of whom are known to whip out their arthouse genitals at the drop of a hat).

Who needs another gender-bender role-reversal alter-ego bullshit movie like this in any case. The ultimate life-swap scenario for me was the 1976 classic teenpic 'Freaky Friday' which featured a chubby and charming Jodie Foster who quite implausibly becomes her mother. In the same year, Foster made the magnificent 'Taxi Driver' with Robert De Niro, who - 12 years later - even more implausibly wanted to play the lead role in 'Big'. Of course, Tom Hanks eventually won the part of the adult who gets to behave like a ninny for a couple of hours - a fact which Barry Norman (film critic and celebrity brown-noser) foolishly brought up when interviewing De Niro a few years ago. Ah yes, the sycophantic starfucker (who in all seriousness asked Michelle Pfeiffer what it was like '..to be the most beautiful woman in the world.') narrowly avoided a richly deserved Method beating. Oh well, good luck, as it were, to him and why not, I say.
0 out of 10


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