Baumann Dekor
Baumann Dekor
| Once the human race had developed and learnt to knot and to weave, textile goods became inseparably connected with seeking after protection and - very soon after - embellishment |
| Has always reflected the deams and yearning of each generation. |
| Once the human race had developed and learnt to knot and to weave, textile goods became inseparably connected with seeking after protection and - very soon after - embellishment |
 |
| Something that depends on the craftman's skill, on feeling for form and colour, on materials and the respective level of technical development.
Once the human race had developed and learnt to knot and to weave, textile goods became inseparably connected with seeking after protection and - very soon after - embellishment |
| Originally a sign of luxury and wealth, later - very often categorised - within the reach of practically everybody. Today a kaleidoscope of colours, cominations and variations on the way to a previously unknown form of individuality. |
| Once the human race had developed and learnt to knot and to weave, textile goods became inseparably connected with seeking after protection and - very soon after - embellishment |
| Begins with Baumann Dekor. One of the most prestigious Austrian family enterprises. The company that decorated the luxury liner Queen Elizabeth II and the hotel NATIONAL in Moscow. |
| 
| 
| 
| 