Making the Most of Midi by Paul Overaa
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Bookmark Publishing ISBN 1-85550-006-X
Table of Contents Making a Start
Some Midi Preliminaries Making Your Own Midi Cables Midi Communications Status versus Data Midi Channels
The Multi-timbral Equivalent Extra Notes on Synthesizer Controls The Sequencer Choosing Computer Hardware Choosing The Software Computers and Live Bands
Merge Units Talking Personally Midi Switchers Midi Patchbays Last Words
Quantization Transposition Automated Voice Selection Re-Channelling
Block Style Drum Notation Boring or What? Track Shifting Randomisation Using Midi clocks when recording
Effects Unit Control Foot Controller Boards Midi Filters SMPTE/TimeCode Applications Wireless Midi Specialist Midi Cables Lighting and Other Midi Control Applications Midi to DIN Sync Conversion Still Only Scratching the Surface Midi Fault Finding
Hand-held Midi Message Transmitter Units
Moving Towards A Goal
Midi Files Percussion Units Miscellaneous
System Common Messages Channel Messages Voice Messages Note-Off Messages Program Change Polyphonic Aftertouch (Polyphonic Key Pressure) Channel Aftertouch (Channel Key Pressure) Pitchbend (Pitchwheel) Messages Midi's Controller Messages Switch Controllers Continuous Controllers Mode Messages Midi Clogging Status Byte Structure
Last Words
Enter the Midi File Proper Overall Chunk Arrangements Header Chunks
Sysex Events Meta Events Last Words Appendix 1 Hexadecimal Numbers Appendix 2 Notes For Hackers Appendix 3 Even Basic Can Do Collecting Midi Messages And There's More... Glossary
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