Dante Gabriel Rossetti was an eccentric painter, poet, illustrator and leading spirit in the
formation of the Pre-Raphaelite Brotherhood in the spring of 1848 with other English painters
William Holman Hunt and John Everett Millais. Rossetti's romantic narrative paintings, many
with accompanying poetry, harken to the idealism of the Middle Ages as imagined in the mid-
19th century.
Rossetti rebelled against tradition and academic training after being educated at Sass's
School and the Royal Academy, which had become a self-perpetuating institution whose
members served on juries for all exhibitions and membership was selected from successful
exhibitors. Royal Academy exhibitions were also the major sales outlet mid-century and the
Pre-Raphaelite Brotherhood reacted as much against the institution as the style of painting it
produced, profoundly impacting the nature of exhibits and sales thereafter.
Although Rossetti is one of the most celebrated Pre-Raphaelites, few of his canvases
actually adhered to the religious and literary themes which the Brotherhood embraced. From
the 1850s until mid-1860s, Rossetti's themes in both painting and poetry were drawn from
Dante and Arthurian legends. After that his work centered on the depiction of an idealized and
sensual yet indifferent, mysterious and, ultimately, unattainable woman. Often using Elizabeth
Siddal as his model, to whom Rossetti was engaged for ten years, Rossetti's themes shifted
away from medieval idealism upon her death in 1862.
In addition to his participation in the Brotherhood, Rossetti was the mentor of Edward
Burne-Jones and William Morris, dominant figures in the second generation Pre- Raphaelite
circle manifest as the Aesthetic Movement and Arts and Crafts Movement.
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