Born Marcus Rothkowitz in Dvinsk, Russia, the artist immigrated to the United States with his
family in 1913 and settled in Portland, Oregon. After attending Yale University from 1921-23,
Rothko moved to New York and intermittently attended classes at the Art Students League.
Rothko's earliest work, Expressionist landscapes and still lifes, show the influence of
artist Milton Avery whom Rothko befriended shortly after arriving in New York. From 1935 to
1940 the artist was associated with The Ten, a group of American Expressionists including
Adolph Gottlieb who exhibited together in New York and Paris. During the 1940s, Rothko
began to experiment with new media and techniques. In 1949 he arrived at his signature style
of large rectangular fields of color stacked one above another and would work within this
format for the rest of his career.
Rothko's abstractions were deeply personal statements that sought to provide a
transcendental experience; he described his work as the "simple expression of complex
thought." The late 1950s brought increasing recognition of his work along with several
commissions for murals. These commissions afforded Rothko the opportunity to create color
environments on a monumental scale. While achieving financial success and critical acclaim,
Rothko battled depression and his brilliant career ended with the artist's tragic suicide in
1970.
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