No. |
Nazwa programu |
Kr≤tki opis |
|---|---|---|
| 1 | Bass Drum1 | Emphasizes the low range of the bass drum and the attacks created by the beater. |
| 2 | Bass Drum2 | Creates a peak around 80 Hz, producing a tight stiff sound. |
| 3 | Snare Drum1 | Emphasizes snapping and rimshot sound. |
| 4 | Snare Drum2 | Emphasizes the ranges of that classic rock snare drum sound. |
| 5 | Tom-tom1 | Emphasize the attack of tom-toms, and creates a long "leathery" decay. |
| 6 | Cymbal | Emphasizes the attack of crash cymbals, extending the "sparkling" decay. |
| 7 | High Hat | Emphasizes the attack of crash cymbals, extending the "sparkling" decay. |
| 8 | Percussion | Emphasizes the attack and clarifies the high-range of instruments, such as shakers, cabanas, and congas. |
| 9 | E.Bass1 | Equalization for electric bass. 9 makes a tight electric bass sound by cutting very low frequencies. On the other hand, 10 makes a tight electric bass sound by cutting very low frequencies. |
| 10 | E.Bass2 | |
| 11 | Syn.Bass | Use on a synth bass with emphasized low range. |
| 12 | Syn.Bass2 | Emphasizes the attack that is peculiar to synth bass. |
| 13 | Piano1 | Equalizer setting for piano sound. 13 is used to make a piano sound brighter. 14 emphasizes the attack and low range of the piano sound by using a compressor. |
| 14 | Piano2 | |
| 15 | EG.Clean | Used for line-recording an electric guitar or semi-acoustic guitar to get a slightly hard sound. |
| 16 | EG.Crunch | Adjusts the tonal quality of a slightly distorted guitar sound. 17 is a variation on program 16. |
| 17 | EG.Crunch2 | |
| 18 | EG.Distortion1 | Makes a heavily distorted guitar sound clearer. |
| 19 | EG.Distortion2 | |
| 20 | AG.Stroke1 | Equalizer setting for acoustic guitar. 20 emphasizes the bright tones of an acoustic guitar. 21 which is a variation on program 20 is also the electric gut guitar. |
| 21 | AG.Stroke2 | |
| 22 | AG.Arpeggio1 | Corrects arpeggio technique of an acoustic guitar. |
| 23 | AG.Arpeggio2 | |
| 24 | Brass Section | Use with trumpets, trombones, or sax. With one instrument, adjust the HIGH or MID frequency. |
| 25 | Male Vocal1 | Two kinds of equalization templates for male vocal. |
| 26 | Male Vocal2 | |
| 27 | Female Vocal1 | Two kinds of equalization templates for female vocal. |
| 28 | Female Vocal2 | |
| 29 | Chorus & Harmony | Use as a template for a chorus. It makes the entire chorus much brighter. |
| 30 | Total EQ1 | Thee types of total equalizing programs. Use on the STEREO bus during mixdown. For more effect, try it with a compressor. Also use these programs for stereo inputs or external effect returns. |
| 31 | Total EQ2 | |
| 32 | Total EQ3 | |
| 33 | Bass Drum3 | This is a variation on programs 1,2(Bass Drum1,2). The low and mid range are removed. |
| 34 | Snare Drum3 | This is a variation on programs 3,4(Snare Drum1,2). It creates rather thick sound. |
| 35 | Tom-tom2 | Emphasizes the mid and high ranges as compared with the 5(Tom-tom1). |
| 36 | Piano3 | This is a variation on programs 13,14(Piano1,2). |
| 37 | Piano Low | Use for the low range (37) and the high range (38) of piano aound when it is recorded in stereo. These two types are used in combination. |
| 38 | Piano High | |
| 39 | Fine EQ(Cass) | Use for recording to or from cassette tape to make the sound clearer. |
| 40 | Narrator | Use for recording a voice reading a text. |