No. |
Nazwa programu |
Typ |
Kr≤tki opis |
|---|---|---|---|
| 1 | A.Dr.BD | CMP | CMP,EXP,GAT,and CPH that give the best result with an acoustic bass drum. |
| 2 | A.Dr.BD | EXP | |
| 3 | A.Dr.BD | GAT | |
| 4 | A.Dr.BD | CPH | |
| 5 | A.Dr.SN | CMP | CMP,EXP,GAT,and CPH that give the best result with an acoustic snare drum. |
| 6 | A.Dr.SN | EXP | |
| 7 | A.Dr.SN | GAT | |
| 8 | A.Dr.SN | CPH | |
| 9 | A.Dr.Tom | EXP | Expander for acoustic toms automatically reduces the volume when the toms are not played, helping to differentiate the bass and snare clearly. |
| 10 | A.Dr.OverTop | CPS | Soft compander to emphasize the attack and ambience of cymbals using overhead microphone. It automatically reduces the volume when the cymbals are not played, helping differentiate the bass and snare drums clearly. |
| 11 | E.B.finger | CMP | Compressor to equalize the attack and volume level of a finger-picked electric bass guitar. |
| 12 | E.B.slap | CMP | Compressor to equalize the attack and volume of a slap electric bass guitar. |
| 13 | Syn.Bass | CMP | Compressor to adjust and/or emphasize the level of a synth bass. |
| 14 | Piano 1 | CMP | Piano 1brightens the tonal color of a piano.Piano 2adjusts the attack and entire level using a deeper threshold. |
| 15 | Piano2 | CMP | |
| 16 | E.Guitar | CMP | Compressor for backing performance such as electric thythm guitar playing chords or arpeggios. |
| 17 | A.Guitar | CMP | A variation on program 16, intended for acoustic guitar playing thythm chords or arpeggio. |
| 18 | Strings1 | CMP | Compressor for string instruments such as violins, violas/cellos, and cellos/contrabass. |
| 19 | Strings2 | CMP | |
| 20 | Strings3 | CMP | |
| 21 | BrassSection | CMP | Compressor intended for brass sounds with fast and strong attack. |
| 22 | Syn.Pad | CMP | Compressor for synth pad, intended to prevent diffusion of the sound. |
| 23 | SamplingPerc | CPS | Compressor for sampled sounds to boost them to be as powerful and clear the acoustic sounds. Four types are available for percussion, bass drum, snare drum, and loops. |
| 24 | Sampling BD | CMP | |
| 25 | Sampling SN | CMP | |
| 26 | Hip Comp | CPS | |
| 27 | Solo Vocal1 | CMP | Compressor suited for a solo vocal source. Two types are available. |
| 28 | Solo Vocal2 | CMP | |
| 29 | Chorus | CMP | Compressor for chorus vocals. |
| 30 | Compander(H) | CPH | Templates for the hard knee/soft knee compander programs. |
| 31 | Compander(S) | CPS | |
| 32 | Click Erase | EXP | Expander to remove click track sounds that may bleed out of the monitor headphones the musicians are using. |
| 33 | Announcer | CPH | Hard compander reduces the level during the interval between the words, making the voice sound even. |
| 34 | Easy Gate | GAT | A template for the gate program. |
| 35 | BGM Ducking | DUK | Ducking background music for voice-overs, typically keyed from the announcer's channel. |
| 36 | Limiter1 | CPS | Templates for limiter for the soft compander program/compressor program.Limiter 1has a slow release.Limiter 2has a PEAK STOP type. |
| 37 | Limiter2 | CMP | |
| 38 | Total Comp1 | CMP | Use for the stereo out during mixdown (Three types are available). They reduce the overall volume level. They are also interesting on stereo input signals. |
| 39 | Total Comp2 | CMP | |
| 40 | Total Comp3 | CMP |