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Mononoke Hime (Princess Mononoke) |
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text is available online at:
http://newsweek.com/nw-srv/issue/11_99b/printed/us/dept/ps/ps_4.htm
September 13, 1999
I'm OK, You're Mononoke: Anime Arrives
(Periscope section)
Pokemania rolled on last week, becoming the no. 1 saturday
cartoon. Next import: "Princess Mononoke," an animated film second
only to "Titanic" in Japanese box-office history. Pokemon she ain't
ù but anime isn't all cute little monsters. [...]
Flash in Japan: 'Mononoke' means spirit, but the movie doesn't
trans-late as easily. It's an operatic tale of man vs. nature. Despite
breathtaking art, it'll be 'a hard sell,' says Scott Mauriello of New
York's Anime Crash shop. Miramax, set for an Oct. 29 release, hopes
star dubbing power ù Claire Danes, Billy Bob Thornton, Jada Pinkett
ù will ease the culture barrier.
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71). The Los Angeles Times Calendar
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text is available online at:
http://www.calendarlive.com/HOME/CALENDARLIVE/MOVIES/t000079957.html
September 8, 1999
The Telluride Menu: Eclectic, Rewarding
By HOWIE MOVSHOVITZ, Special to The Times
What was especially good? "The Straight Story," certainly. "Time
Regained" is a remarkable cinematic translation of Proust. The
Japanese film "Princess Mano-noke," one of the biggest box-office hits
ever in Japan, showed how beautifully animation can render the poetic
transformations of mythology.
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72). Daily Variety, September 7, 1999
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September 7, 1999
TELLURIDE MIXES ELECTRIC, ECLECTIC
By TODD MCCARTHY
TELLURIDE, Colo. --- In a year more laden with popular audience pleasers than
with notable artistic achievements, the 26th edition of the Telluride Film
Festival unspooled over Labor Day weekend with its patented combo of world
premieres, recent hits from the fest circuit, special tributes and outstanding
revival programs.
[...]
Also making its Yank debut was the English-dubbed version of the Japanese
monster animated hit "Princess Mononoke," which went down very well.
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73). The Los Angeles Times Calendar
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http://www.calendarlive.com/HOME/CALENDARLIVE/MOVIES/FALLSNEAKS99/buzz.htm
September 12, 1999
Fall Sneaks '99 - Holiday Buzz
Animosity?
When it comes to animated features, nobody sells
tickets like the Disney brand. [...]
Now Miramax is trying something different. The Disney-owned "indie" has taken
renowned Japanese animator Hayao Miyazaki's much-loved "Princess Mononoke" (in
its native Japan, only "Titanic" was more successfulCK), dubbed it with the
voice talent of popular English-speakers Claire Danes, Minnie Driver and Billy
Bob Thornton, and repackaged it for a late autumn release. Can Miramax really
take on its parent company in the animation arena? We'll see.
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September 12, 1999
FALL ARTS PREVIEW: Movies
October
29--"Princess Mononoke": Based on ancient Japanese legend, this animated
eco-epic pitting the people of a rural village against hordes of forest demons
is definitely not for the kiddies. There are simply too many decapitations.
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August 8, 1999
What the World's Watching - A check of top international markets finds it's not all guns and ammo
by Tokyo Times staff writer Sonni Efron, with
contributions from Hisako Ueno and Chiaki Kitada in The Times' Tokyo bureau
To the Japanese, America has long seemed a dangerous and violent place.
Perhaps that is why Hollywood's obsession with guns and gore surprises no one
here, and why violence is accepted as a key ingredient that makes U.S. movies
so popular and profitable in Japan. [...]
American blockbusters tend to be automatic hits in Japan, with "Titanic," the
best-grossing film ever here, earning nearly $131 million. That compares with
$94 million for the highest-earning Japanese film ever, the 1997 animated
film "Princess Mononoke," which was, perhaps not coincidentally, a
strikingly violent fantasy.
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76). TIME Asia - Time Magazine International
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http://cnn.com/ASIANOW/time/asia/magazine/1999/990823/films1.html
August 23, 1999
From Asia's Film Factories, 10 Golden Greats
by Richard Corliss
By 1920, Hollywood had established the rules of the movie game. Directors in
Europe showed how films could be art: visual literature. It took a while for
Asian countries to catch up. [...] Here are 10 examples of Asia's worldwide film influence. And since
the most influential pictures are not always the most accomplished, we have
listed some of the "best" along with the "most." Who says best? An American
movie critic, who loves Asian films from half a world away. [...]
AKIRA (JAPAN, 1988) Each year, anime--Japanese animation--is released by the
hundreds as features and direct-to-video cartoons. Its Gone With the Wind is
Katsuhiro Otomo's startling epic about a bunch of antihero kids in the
post-nuclear future. A lot of anime is violent; some is porno. But not all,
as the sweetly sublime films of Hayao Miyazaki show. His Princess Mononoke
(1997), Japan's all-time home-made box-office champ proves that Disney has no
monopoly on kid- friendly animation, and that nice is not a four-letter word.
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September 6, 1999
Fast Forward SKIPPING RIGHT TO THE GOOD STUFF-- TRENDS THAT MATTER
Contributing Writers: Joshua Quittner, Bill
Syken, Chris Taylor and Nathaniel Wice; Edited By Anita Hamilton
[...]
COMING ATTRACTION ANIME FOR AMERICA: Will Mononoke have mass appeal?
Within the opening minutes of Princess Mononoke, the animated Miramax film
due out on Oct. 29, it's clear we're not in Disneyland. An enormous fanged
boar infested with worms attacks a village, and flying arrows maim and
decapitate warriors on horseback. The first anime film released by a major
U.S. studio, Princess Mononoke tells the tale of a wolf princess (think female
Tarzan) struggling to protect the forest from evil, polluting iron forgers.
While ancient Japanese myths inspired this original tale, the filmmakers
relied heavily on state-of-the art technology to bring it to life. Racing
scenes in the forest were digitally enhanced for a more realistic sense of 3-D
space. Many of the characters were articulated with Microsoft's Toon Shader,
which mimics traditional cel animation's sharp contour lines. The film was a
hit in Japan. Will U.S. audiences fall for this gory, allegorical tale of man
versus nature? Does a worm-infested boar have fangs?
[...]
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http://www.suntimes.com/output/eb-feature/tell03.html
September 3, 1999
Movie magic in the mountains
by Roger Ebert
The autumn movie season begins for me on the night when the curtain goes up on
the first screening at the Telluride Film Festival. After a long summer of
special effects, explosions, stabbings, shootings, gross-out comedies,
supernatural mystifications, horror stories and movies about the alarmingly
sophisticated sex lives of teenagers, September brings relief.
[...]
Also promised this year is the much-anticipated U.S. premiere of "Princess
Mononoke," the new film by Japan's master of anime, Hayao Miyazaki. The movie
was Japan's all-time box office champ until it was passed by "Titanic," and
Miramax grabbed the distribution rights away from its parent Disney, claiming
that its specialized distribution strategies will find a crossover animation
market. Miyazaki, whose credits include the wonderful animated films "My
Neighbor Totoro" and "Kiki's Delivery Service," was set to attend the festival
but has had to cancel.
[...]
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text is available online at:
http://www.suntimes.com/output/eb-feature/ebert09.html
September 9, 1999
Toronto festival fit for film fans
by Roger Ebert
The 1999 Toronto Film Festival, 11 days and 319 films long, opens today with a
quarter of a million moviegoers looking for next year's top Oscar winners - or
maybe trying to avoid them. The films come from 52 countries, and 171 of them
will be world or North American premieres. People plan their vacations around
this festival; at a screening last year of a Vietnamese musical, I sat next to
Barbara Strange, who planned to see 45 movies and "exist on bottled water,
dried apricots and mixed nuts."
[...]
The big indie distributors like Miramax, Sony Classics, Fox Searchlight and
"Blair Witch" beneficiary Artisan Entertainment all make Toronto their roll-out
platform. This year Miramax has a big push behind "Princess Mononoke," the
wondrous Japanese animated feature, which I saw a few days ago at the Telluride
Film Festival.
[...]
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http://www.variety.com/search/article.asp?articleID=1117755574
September 13, 1999
'Menace' passes $100 mil in Japan
by JON HERSKOVITZ
TOKYO ù ôStar Wars: Episode 1 ù The Phantom Menaceö has become the fourth movie
in Japanese box office history to top the $100 million mark.
[...]
The other films that have crossed $100 million in Japan are ôTitanic,ö which is
the all-time champ for the country with box office receipts of about $225
million, followed by the local animated feature ôPrincess Mononokeö and
ôArmageddon.ö
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http://www.villagevoice.com/arts/9937/dauphin.shtml
September 15, 1999
Japanimation's All-ages Show
by Gary Dauphin
A world apart from the rapacious, cyclopean tentacle-dicks of Overfiend-style
hentai, and from the sugared-cereal-fueled multimedia franchises of Pokemon,
the work of Japan's Studio Ghibli has long been anime's artistic gold
standard. [...]
The 10-picture survey now on view at MOMA, pegged to Miramax's upcoming wide
U.S. release of Miyazki's [sic] Princess Mononoke, encompasses Ghibli's entire
catalogue [...] Ghibli's been called "Japan's Disney," but the comparison
only reflects stunted, adult reactions to cartoon sentimentalityùGhibli takes
risks that would be unimaginable at the House That Walt Built. (Although,
between Mononoke's Miramax connection and the fact that Mickey's in-
house video distributor Buena Vista has the rights to most of Ghibli's
catalogue, the "Japan's Disney" thing does take on a certain ominous,
corporate-octopus coloring.) [...]
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http://www.nydailynews.com/1999-09-16/New_York_Now/Movies/a-40761.asp
September 16, 1999
JAPAN'S ANIMATION GIANT / MOMA IS SCREENING GEMS FROM STUDIO GHIBLI
by LEWIS BEALE
If it weren't for "Titanic," an animated film you've never heard of would have
been Japan's biggest box-office hit. "Princess Mononoke," due out Oct. 29 in
an English-language version, was the all-time Japanese ticket-selling champ
before the sinking ship came along.
Not that this was anything new: "Mononoke," a two-hour feature about a war
between humans and nature, was produced by a Japanese animation studio that is
Disney's sole worldwide rival in terms of quality and box-office clout.
[...]
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http://www.boston.com/globe/calendar/criticstips/
September 16, 1999
Critic's Tip / Celebrate Japanese animation
by Betsy Sherman
Japan's Studio Ghibli, pioneers in the animation genre that has come
to be known as anime, will be celebrated at the Brattle Theatre over
the next five Sundays. The series opens with two English-language
versions of films by director/comic book master Hayao
Miyazaki. "Princess Mononoke," which will have a nationwide opening
later this fall, is an ambitious adventure parable about man's
destructiveness and the attempt to reintroduce harmony in the natural
world. [...]
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The text is also available online at:
http://www.bostonphoenix.com/listings/movies/filmstrips/PRINCESS_MONONOKE.html
September 17, 1999
Capsule Film Review: PRINCESS MONONOKE (1997)
PRINCESS MONONOKE (1997). This animation from
Hayao Miyazaki is reported to be the highest-grossing Japanese film ever in
Japan, being one of just two movies to break the $150 million mark there (the
other was Titanic). It's set in ancient Japan, where a young warrior sets out
to find the source of a curse placed on his people and encounters the title
princess, who's been raised by wolves. Neil Gaiman wrote the English text;
Claire Danes, Minnie Driver, Billy Bob Thornton, Billy Crudup, Jada Pinkett,
and Gillian Anderson supply the voices.
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September 20, 1999
Best films stand out at festival
by Roger Ebert
[...] a selection, by no means complete, of titles I've especially admired
[from the Toronto Film Festival]. [...] [First, Princess Mononoke is]
a wondrous experience by the Japanese master Hayao Miyazaki, an animated epic
adventure from the mists of the Iron Age... of strange lands, a forest god and
a fearsome tribe of bear-men. [...] a flesh-and-blood movie, which uses
animation to create powerful images. [...] This is one of the year's best
films. [...]
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September 21, 1999
Moriarty's Rumblings From The Lab #14: Interview with Miyazaki
by "Moriarty"
[...] I wasn't planning to be on camera, and I would have worn my good glass
eye if I had known. Still, all concerns about my appearance vanished when
Miyazaki came into the room. A man of medium build, he has a riveting gaze and
an easy smile, both of which he fixed on me as we were introduced. We shook
hands, took our seats, and dove right in. [...]
She took the book from me and offered it to Miyazaki. I passed over a Sharpie,
and watched, eyes agog, as he drew me a quick sketch of Totoro and a dustbunny,
then signed his name and dated it. He said something as she passed the book
back over to me, and she translated it. "He says Totoro hasn't gotten enough
sleep. He looks wild." [...] Here's the Totoro drawing, something special for
you to share. [...]
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http://www.villagevoice.com/issues/9938/nyff.shtml
September 22-28, 1999
PARTING SHOTS
by J. Hoberman
The 37th New York Film Festival / At Alice Tully Hall / September 24 through
October 10
Time regained: Lincoln Center sends out the celluloid century with a
sophisticated mix of the old and the new, the hot and the unreleasable, the
familiar, the outre, and the apocalyptic. [...]
Princess Mononoke Said to be the most popular movie in
Japanese history, this ambitious, impressively detailed anime is set in a world
of lava-lamp deities and medieval marketplaces, positing an apocalyptic
pantheism in which endangered species turn demonic. Miramax, which dubbed the
original into English with stars ranging from Minnie Driver to Billy Bob
Thornton, plans a late-October release. September 26. (JH)
[...]
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88). The Star-Ledger (Newark, NJ)
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September 22, 1999
Smith's 'Dogma,' others come ashore at N.Y. Film Festival
by Bob Campbell
The 37th annual New York Film Festival, opening Friday night at Lincoln Center
with Pedro Almodovar's "All About My Mother," offers a commanding vantage
point on the ebb and flow of international film art.
Among the far-flung attractions are N.J. director Kevin Smith's heretical
"Dogma," Mike Leigh's Victorian musical "Topsy Turvy," Japan's record-breaking
animated hit "Princess Mononoke ," and Emir Kusturica's Serbian shocker
"Underground" in full, near-six-hour form.
[...]
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http://www.roughcut.com/today/hot.button/990923b_thu.html
September 23, 1999
The Hot Button
by David Polland
READER OF THE DAY: [...] And this one from WooTang on Princess Mononoke:
"I saw Princess Mononoke last night. It was an absolutely amazing movie, both visually and thematically, but I have to say that Miramax will be lucky to break $10 million with it. [...]Absolutely not. I want one too. And let's all hope that Miramax can turn the trick and make Mononoke happen. [...]
Unfortunately, the film is so epic and so complex in its characterizations and scope that only true film buffs will be enthralled. [...]
This isn't to say that I didn't like the movie. Far from it -- I thought it was amazing. [...] The visuals are just as stunning as you would expect, and there are many moments that gave me chills.
[...]
PS: And I know I railed against Disney's overmerchandising of their films, but is it so wrong for me to want a little toy of one of the little Kodama creatures? [...]"
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90). The Los Angeles Times Calendar
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text is available online at:
http://www.calendarlive.com/HOME/CALENDARLIVE/CALENDAR/t000085810.html
September 24, 1999
Selectivity Is a Key for New York Film Festival
by CLIFF ROTHMAN, Special to The Times
The last major festival on the circuit, the New York Film Festival is a
fascinating anomaly. With dogged, bare-knuckled contrariness--defying an era of
bigger-is-better, celebrities-are-gods and cozy studio bedfellows--it caps its
lineup at 30 films; this year, only 26 will be shown during the 16-day event
that opens today.
[...]
An interesting Petrie dish is the crossover appeal of Japan's animated
"Princess Mononoke"--that country's biggest native box-office hit, exceeded
only by the American "Titanic." Even if dubbed by hip actors such as Claire
Danes, Billy Crudup and Minnie Driver, the mystical, mythical
action-adventure/love story/folklore-fable set in 15th century Japan tests
whether American audiences will respond to animation without chirpy animals,
musical teacups and Eurocentric fairy-tale story lines and quick pacing.
[...]
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91). The Los Angeles Times Calendar
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text is available online at:
http://www.calendarlive.com/HOME/CALENDARLIVE/SUNCAL/t000086211.html
September 26, 1999
These Animators Fly High Over the Bottom Line
by Charles Solomon
Created in 1985 by directors Hayao Miyazaki and Isao Takahata and Tokuma Shoten
Publishing Ltd., Studio Ghibli has become a major force, not only in Japanese
animation and popular culture, but also in world animation. "Studio Ghibli: The
Magic of Miyazaki, Takahata and Kondo," a retrospective of the studio's
animated features that begins Thursday at the UCLA Film and Television Archive,
confirms the excellence and importance of the work of this exceptional group of
artists.
[...]
The UCLA retrospective begins Thursday with a sneak preview of the new,
English-dubbed version of "Princess Mononoke" (1997), which Miramax will
release theatrically in the U.S. later this fall. An epic parable of
environmental destruction, "Mononoke" is the No. 2 all-time box-office hit in
Japan, second only to "Titanic."
[...]
The programs in "Studio Ghibli: The Magic of Miyazaki, Takahata and Kondo"
screen at 7 p.m., except for the 2 p.m. Oct. 10 matinee, at the James Bridges
Theater, Melnitz Hall, UCLA. Admission: $6 general; $4 students with ID and
seniors. Information: (310) 206-8013 or
http://www.cinema.ucla.edu.
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September 26, 1999
Movie Answer Man
by Roger Ebert
[...]
Q. You wrote from the Telluride festival that
"Princess Mononoke" deserves an Oscar nomination for
best film. Does an animated film seriously have a
chance?
Pet Danforth, Oak Park
A. Animation, yes ("Beauty and the Beast" was
nominated in 1991). But "Princess Mononoke," no.
Cynthia Swartz of Miramax tells me: "Unfortunately, in
one of those silly academy twists, it is not eligible
for anything because it was the Japanese entry in the
foreign language category two years ago."
[...]
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http://www.nydailynews.com/1999-09-23/New_York_Now/Movies/a-41496.asp
September 23, 1999
N.Y. FILM FEST PRESENTS WOMEN, AND THE MEN WHO LOVE THEM
by Jami Bernard
Love is in the air tomorrow night when the 37th New York Film Festival begins
and the stars from the selected movies congregate for the black-tie party at
Tavern on the Green.
[...]
"Princess Mononoke ," the first pulpy Japanese anime film ever to break into
the NYFF. The English-language version, with voices of Billy Crudup, Minnie
Driver, Claire Danes, Billy Bob Thornton, Jada Pinkett and Gillian Anderson,
had to be redone after a Japanese consultant so mangled the translation it
began to sound like an electronics manual.
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October 1999
Painless Reviews
by Paul Zimmerman
Princess Mononoke
The Cast: Voices of Minnie Driver, Bily Crudup, Claire Danes, Gillian
Anderson
The Details: A prince's epic journey to find a cure for his fatal curse
thrusts him into a war between ancient forest gods and destructive humans.
(October 29)
The Real Deal: This strange and brilliant cartoon adventure will finally
shove anime down America's throat - but in a good way.
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95). The Record, Northern New Jersey
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September 22, 1999
WARM FEELINGS FROM TORONTO
THE FESTIVAL'S BEST FILMS MAKE INDELIBLE IMPRESSIONS
by Roger Ebert
Waiting in the lobby of the Elgin theater in Toronto last weekend, I talked to
a guy who had seen 45 films in this year's Toronto Film Festival: "Yesterday I
saw a $60 million movie I can hardly remember, and a $40,000 film I'll never
forget." Festivals impose a Darwinian selection process; the good ones elbow
the others out of your memory. Here's a selection, by no means complete, of
titles I've especially admired:
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September 24, 1999
At The Movies
by Bob Hughes
[...]
The New York Film Festival is a movie buff's dream, a venue to view movies that
might not yet, or ever, have a U.S. distributor, or to discover flicks before
the studio hype machines kick in. Noted Spanish envelope-pusher Pedro
Almodovar's latest film, "All About My Mother," a melodrama, opens the festival
tonight. Also scheduled are a musical about Gilbert and Sullivan, "Topsy-
Turvy," by Mike Leigh, better known for his scorching portraits of contemporary
life ("Secrets and Lies"); "Princess Mononoke," a hugely successful Japanese
animated epic that was one of the highest-grossing movies of all time in
Japan; [...]
[...]
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September 27, 1999
Pusan Film Festival Attrtacts 54 Countries
Coming into its fourth year, the Pusan International Film Festival (PIFF) will
introduce 211 films, ranging from feature, short, documentary to animation
films from 54 countries, in 12 venues across the southwestern port city Oct.14-
23.
[...]
The number of Japanese entries, 18, is larger than any other country, except
Korea. Japan's biggest hit of the year, ``Popoya:Railroad Man'' by Furuhata
Yasuo, animation ``Mononoke Hime'' by Miyazaki Hayao and``Kikujiro'' by Kitano
Takeshi are the some of the names on the list.
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text is available online at:
http://www.cinescape.com/insider/990929j.shtml
September 29, 1999
Miyazaki Talks æMononokeÆ
Artist and director Hayao Miyazaki seems to have been a little out of touch with what was happening to his film Princess Mononoke. In fact, itÆs said that he had no idea who Claire Danes was, even though she was providing the voice to the title character in the English language dubbed version of his hugely successful animated film. [...] The director further explained this lack of knowledge including even the box office success of his own film in Japan saying, "I hide in my mountain cabin, and I don't have newspapers there."
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99). The Film Society of Lincoln Center - Grand Marnier Dailies
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text is available online at:
http://www.filmlinc.com/nyff/gmdailies2.htm#princess
September 1999
princess mononoke - a great japanese film: will american audiences respond?
by Cliff Rothman
PRINCESS MONONOKE arrives with pedigrees on several fronts, and will be a
fascinating cross-cultural petrie dish for a film that is the all-time biggest-
grossing film in Japan's history, outflanked only by the American
Titanic.
By turns ethereal and electrifying, the animated action-adventure / love story
/ folklore-fable set in 15th century Japan will challenge American audiences
accustomed to chirpy animal critters, dancing teacups, musical production
numbers and conventionally structured stories based on Euro-centered fairy
tales. PRINCESS MONONOKE, by contrast, is Japanese to its core - which is its
appeal and its challenge. [...]
[...]
[New York Film] Festival audiences will undoubtedly be stimulated. It will be
interesting to see how American audiences accept Japanese sensibilities for a
cinematic form that has been so embedded with perkier Disneyesque qualities for
some 60-odd years.
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