-- card: 261144 from stack: in -- bmap block id: 0 -- flags: 0000 -- background id: 5566 -- name: -- part contents for background part 6 ----- text ----- Excerpt -- part contents for background part 15 ----- text ----- Menu -- part contents for background part 26 ----- text ----- • WHOLE EARTH • MUSIC • RECORDING • MIDI -- part contents for background part 12 ----- text ----- MIDI for Musicians -- part contents for background part 27 ----- text ----- 14018635 -- part contents for background part 4 ----- text ----- Why Send Data Serially? When MIDI was in its infancy, there was much debate over whether to adopt parallel transmission, which is far faster than serial transmission. However, parallel transmission requires more interconnecting wires between instruments, which leads to much more expensive connectors and can also create ground loop and hum problems. Using parallel transmission would have priced MIDI out of the market for low-cost gear, thus defeating the whole purpose of MIDI as a “universal language.” Another reason is that the computers inside most instruments are incapable of handling superfast data rates anyway; they are pretty preoccupied with scanning keyboards, generating envelopes, running displays, and so on. -- part contents for background part 5 ----- text ----- 5 of 5 -- part contents for background part 34 ----- text ----- card id 167661 -- part contents for background part 35 ----- text ----- card id 167327 -- part contents for background part 36 ----- text ----- stack "WHOLE EARTH" stack "MUSIC" card id 106261 card id 280146 -- part contents for background part 31 ----- text ----- card id 280146 -- part contents for background part 32 ----- text ----- card id 227721 -- part contents for background part 33 ----- text ----- card id 194364